Tag Archives: Festivals

1966 San Francisco Trips Festival

1966 San Francisco Trips Festival

January 21, 22, & 23,  1966

1966 San Francisco Trips Festival

1966 San Francisco Trips Festival

Festival evolution

1966 San Francisco Trips Festival

The first rock festival in the sense most people think of, that is, an outdoor multi-day event with a variety of performers can be traced back to the 1967 Fantasy Fair and Magic Mountain Music Festival which happened a few weeks before the more famous Monterey International Pop Music Festival.

Of course, Alan Freed had large indoor rock concerts beginning in March 1952 with his Moondog Coronation Ball.

Rock music had expanded over the 14 years since that four-hour one-night event and by 1966 the music scene in San Francisco evolved into the Trips Festival.

1966 San Francisco Trips Festival

Stewart Brand

1966 San Francisco Trips Festival

Stewart Brand was the main organizer of the festival  Trained as a biologist, he had discovered the use of peyote while doing research concerning Native Americans. From that study, he founded the America Needs Indians organization.

1966 San Francisco Trips Festival 

Like many Americans in the 1960s, space exploration fascinated him. He wondered why a satellite had never taken a picture of our planet from space?  With that question in mind, Brand made buttons asking that quesiton [“Why haven’t we seen a photograph of the whole Earth yet?] and drove across the United States selling the buttons in an effort to raise awareness of the question.

1966 San Francisco Trips Festival

In 1967 NASA took the whole Earth picture and in 1967 Brand used it on the cover of his new publication, the Whole Earth Catelog.

1966 San Francisco Trips Festival

Promo

1966 San Francisco Trips Festival

The advertisement for the festival said that it would be “…the FIRST gathering of its kind anywhere. the TRIP –or electronic performance –is a new medium of communication & entertainment.”

In other words, it would be a festival of performance art and those in attendance were part of the show. It also included a liquid light show, something new but eerily familiar to those acid test initiated.

1966 San Francisco Trips Festival

Buchla

1966 San Francisco Trips Festival

Prankster Ken Babbs recalls, “We had this guy build us a soundboard; Buchla [Donald “Don” Buchla} . He lived in San Francisco and he built us this thing called the Buchla Box. I think he worked on the Moog synthesizer. This guy was unbelievable. …he had ten speakers set up … in the balcony. He had this board in which he could run the sound around in circles…[and] … would isolate one, and have sound wheeling around the room. He had this thing like a piano that was just flat and you ran your fingers across it and it would play the notes. Made it himself, absolutely fantastic. He made up this box for us that was essentially a mixer and a mike amp and a speaker box and an earphone box. ” Jerry’s Brokendown Palace site

1966 San Francisco Trips Festival

Acid Test

The idea was not new. Ken Kesey, Ken Babbs, and the other Merry Pranksters had begun acid tests in November 1965.  In a sense, the Tests were miniatures of what the Trips Festival would do on a grander scale. Unfortunately for Ken Kesey, police had arrested him a second time for marijuana possession. He could not participate at the Trips Festival as Ken Kesey, but did manage to be there in disguise appropriately in a space suit. He stayed in the balcony and spoke over the PA system. To avoid jail time, Kesey would soon fake his suicide and flee to Mexico. Another story. Another time.

1966 San Francisco Trips Festival

Impact

The Trips Festival was a success on many levels. Like those who would become part of Woodstock Nation tribe, attendees realized that there were many more of Them than they’d realized. They had arrived.

The three-day event earned money (unlike Woodstock!) and the idea helped Bill Graham decide to use the Fillmore Auditorium  as a rock venue on a regular basis.

1966 San Francisco Trips Festival

Raccoon Creek Rock Festival

Raccoon Creek Rock Festival

at Livingston Gymnasium indoor track of
Denison University
November 6, 7, & 8, 1969
1969 festival #47

Presented by the Denison Campus Government Association, the Racoon Creek Rock Festival was one of the smaller festivals of 1969, but a festival nonetheless.  Held indoors at the school’s Livingston Gymnasium indoor track (it was November and it was Ohio, after all).

This is one of those festivals about which not much is known. I’ve tried to contact the Denison newspaper, but received no response. I did find a school newspaper edition from just before the event. It’s humorous to me how the article’s headline described the event as featuring “Six Name Groups.”

Raccoon Creek Rock Festival

Raccoon v Racoon


It’s also interesting to me that the newspaper spells Raccoon with the two “c”s as it is normally spelled, but I find several spots where the second “c” is omitted. 

Raccoon Creek Rock Festival

 

Raccoon Creek Rock Festival

Vague

The newspaper article also fails to say specifically who would play on Friday, yet one of the posters does specify.

The Who and Owen B were scheduled for Thursday. The article also notes that “The English group has produced many hit singles including “Magic Bus,” “Pinball Wizard,” and “I’m Free.”

The article then states that The Spirit (I have only seen them referred to as simply Spirit) and The Dust (ditto) would play on Saturday.  The day is a typo and should read Friday as the article continues and states that Johnny Winter, Lycidas, and The Dust would appear on Saturday (also) to complete the 3-day festival.

Raccoon Creek Rock Festival

Johnny “Everywhere” Winter


Winter, it is noted, “performs a variety of interpretations of black vernacular and a wide range of black instrumental approaches.”

Good to know.

Raccoon Creek Rock Festival

Raccoon Creek Rock Festival

Concerns

The writer seems to be somewhat unfamiliar with the line-up, but has the same worries expressed by all who would be in the range of a 1969 festival. After mentioning that there had been outside interest in the event (“as far away as upstate New York”) they go on to say: “We’re expecting to turn people away, but we hope the Denison campus will still be one peaceful community during the festival.”

Raccoon Creek Rock Festival

Raccoon Creek Rock Festival

Great price points

The Who on Thursday cost a ticket-buyer $3.50. The lesser known Spirit only $2.50, but back up a touch for Johnny Winter’s Saturday appearance to $3.00. Student could purchase all three nights for $8.00, a savings of $1.

Raccoon Creek Rock Festival

Looking for more

Thank you to those who have commented below. If anyone else  has any information about the festival, I’d love to hear from you.

Raccoon Creek Rock Festival

Next 1969 festival: Palm Beach Pop Festival

1964 Teen Age Music International Show

1964 Teen Age Music International Show

October 28 – 29, 1964

1964 Teen Age Music International Show

At first glance the 1964 Teen Age Music International Show and the 1969 Woodstock Music and Art Fair are two very different events, but they do have a few things in common:

  1. the live show was free
  2. the show was recorded
  3. a movie was made of the concert
  4. many of the day’s top stars performed
1964 Teen Age Music International Show

Moondog Coronation Ball

The first rock concert that wasn’t

The idea of a rock and roll show was not new. The honor of the first rock and roll show belongs to Alan Freed who on March 21, 1952, produced the Moondog Coronation Ball at the Cleveland Arena. It attracted nearly 25,000 young people to a hall that only held 10,000. Police shut down the show, which featured artists such as the Dominoes and Paul “Hucklebuck” Williams. Police shut down the show after one song when thousands of ticket-holders, denied entrance, broke through the lines and charged into the venue.

New Wave

As I have mentioned in other blog entries here, 1965 was a turning point in American pop music. In 1964 the Beatles became the avante garde of the British Invasion, but Nobel Laureate Bob Dylan, simply Bob at the time of course, wasn’t working on Maggie’s farm no more, telling her as he left, “It ain’t me, babe.”

After Bob Dylan introduced the Beatles to Mary Jane in 1965 and the Beatles realized that music could be personal, poetic, and still please their fans, they went in a whole new direction.

The 1964 Teen Age Music International Show captured American pop just before that change.

The show itself was free because those who attended were simply extras for the movie that director Steve Binder and television producer Bill Sargent were making with a high-tech method called ‘Electronovision.’ Transferring the video to a movie using this system allowed for greater clarity.

Line up

Binder and Sargent held the show at the Santa Monica Civic Auditorium. The two gathered quite a line-up, that in my opinion, featured a greater variety than Woodstock would 5 years later:

  • The Barbarians
  • The Beach Boys
  • Chuck Berry
  • James Brown and The Famous Flames
  • Marvin Gaye (with The Blossoms)
  • Gerry & the Pacemakers
  • Lesley Gore
  • Jan and Dean (MCs as well)
  • Billy J. Kramer and The Dakotas
  • Smokey Robinson and The Miracles
  • The Rolling Stones
  • The Supremes

And the house band was no other than the now-famous so-called  Wrecking Crew, under the direction of Jack Nitzsche with drummer Hal Blaine,  Jimmy Bond electric bass, guitarists Tommy Tedesco, Bill Aken, and Glen Campbell, upright bassist Lyle Ritz, pianist Leon Russell, and saxophonist Plas Johnson.

Rolling Stones Regrets

The Rolling Stones were still looking for the type of big time name recognition and record sales that their friends John, Paul, George, and Ringo enjoyed. To James Brown’s dismay and to the Stone’s insistence, the Stones followed Brown who had put on his usual spectacular performance. In 18 minutes he blew away the crowd.

The Stone’s set was fine, but even today they voice regret at having to follow one of the people whose music put them on the map to begin with.

1964 Teen Age Music International Show

Movie

The movie came out on 29 December 1964. Howard Thompson’s New York Times review was light on the accolades and heavy on the sarcasm: For two solid hours, against a blend of musical din and ear-splitting shriek; from a bobby-sox audience, a procession of young performers parades before the poor camera, all but shattering it. Here’s the menu, for the squares who never heard of the popular recording artists: Meet the Barbarians, Chuck Berry, Marvin Gaye, Gerry and the Pacemakers, Lesley Gore, Jan and Dean, Billy J. Kramer and the Dakotas, Smokey Robinson and the Miracles and the Supremes.

1964 Teen Age Music International Show