Tag Archives: Black History

1964 Freedom Summer Riders

1964 Freedom Summer Riders

1964 Freedom Summer Riders

SNCC

On March 20, 1964 the Student Non-Violent Coordinating Committee [SNCC–“snick”] announced the “Freedom Summer” program that would train young people to go to Mississippi and help disenfranchised Blacks register to vote.

In 1962, less than 7% of eligible Black voters in Mississippi were registered to vote due to the many blatantly racist laws and customs that States had put into place and the Federal government had allowed.

It had only been on January 23, 1964, thirteen years after its proposal and nearly 2 years after its passage by the US Senate, that the 24th Amendment to the United States Constitution, prohibiting the use of poll taxes in national elections, was ratified. The huge gap was that the amendment applied to national, not local, elections.

1964 Freedom Summer Riders

Civil Rights bill

A Civil Rights bill languished in Congress due to an 83-day filibuster by southern Senators until June 10, 1964 when  the Senate voted to limit further debate. On June 19 the Civil Rights Act of 1964 was approved. Voting for the bill were 46 Democrats and 27 Republicans. Voting against it were 21 Democrats and six Republicans. Except for Senator Robert C. Byrd of West Virginia, all the Democratic votes against the bill came from Southerners. Senator Barry Goldwater of Arizona voted against the bill, as he said he would. The five other Republicans opposing it all supported  Goldwater’s candidacy for the 1964 Republican Presidential nomination.

Andrew Goodman

The next day, June 20, 1964, the  first “Freedom Summer” volunteers arrived in Mississippi. Andrew “Andy” Goodman, 20, from New York City, was one of them. The next morning he sent a postcard home:

1964 Freedom Summer Riders

1964 Freedom Summer Riders

Freedom Summer

That same day, Andrew along with James E. Chaney, 21, and Michael Schwerner, 24, went to investigate the burning of a black church.

Police arrested the three on speeding charges, incarcerated them for several hours, and then released them after dark into the hands of the Ku Klux Klan.

Two days later, the station wagon Goodman, Chaney, and Schwerner were driving was found. Burned.

1964 Freedom Summer Riders

Other threats

Meanwhile, on June 24  thirty Freedom Summer workers from Greenville, Miss. made the first effort to register black voters in Drew, Miss., and local whites resisted with open hostility. Whites circled the workers in cars and trucks, some equipped with gun racks, making violent threats. One white man stopped his car and said, “I’ve got something here for you,” flaunting his gun.

Despite an intensive search, the bodies of Goodman, Chaney, and Schwerner were not found until August 4.

1964 Freedom Summer Riders

Freedom Schools

The Freedom Summer workers established 41 Freedom Schools attended by more than 3,000 young black students throughout the state. In addition to math, reading, and other traditional courses, students were also taught black history, the philosophy of the civil rights movement, and leadership skills that provided them with the intellectual and practical tools to carry on the struggle after the summer volunteers departed.

But, voter registration was the cornerstone of the summer project. Although approximately 17,000 black residents of Mississippi attempted to register to vote in the summer of 1964, only 1,600 of the completed applications were accepted by local registrars.

1964 Freedom Summer Riders

Convictions

Three years later, on October 20, 1967 an all-white jury convicted seven conspirators related to the murders of Goodman, Chaney, and Schwerner, including a deputy sheriff. The jury acquitted eight others. It was the first time a white jury had convicted a white official of civil rights killings. For three men, including Edgar Rice Killen, the trial ended in a hung jury, with the jurors deadlocked 11–1 in favor of conviction. The lone holdout said that she could not convict a preacher. The prosecution decided not to retry Killen and he was released.

None of the men found guilty would serve more than six years in prison.

See KKK Murders for expanded story of the Goodman, Chaney, and Schwerner killings.

1964 Freedom Summer Riders

Civil Rights Activist Claudette Colvin

Civil Rights Activist Claudette Colvin

In February 2017, the City of Montgomery, Alabama passed a proclamation  naming March 2 “Claudette Colvin Day.”

Civil Rights Activist Claudette Colvin
A teenage Claudette Colvin refused to give up her bus seat to a white passenger during the segregation era in Montgomery, Ala. (Courtesy of Claudette Colvin)
Civil Rights Activist Claudette Colvin

15-year-old student

On March 2, 1955, Claudette Colvin was a 15-year-old student at Booker T. Washington High School in Montgomery, Alabama. Her family did not own a car, so she used buses to get back and forth to school.  Annie Larkins Price was a friend.

On their way home from school together that March day,  Price recalled, “The bus was getting crowded and I remember him (the bus driver) looking through the rear view mirror asking her to get up out of her seat, which she didn’t. She didn’t say anything. She just continued looking out the window. She decided on that day that she wasn’t going to move.

Other black passengers complied; Colvin ignored the driver. 

Civil Rights Activist Claudette Colvin

Police summoned

I’d moved for white people before,” Colvin says. But this time, she was thinking of the slavery fighters she had read about recently during Negro History Week in February. “The spirit of Harriet Tubman and Sojourner Truth was in me. I didn’t get up.”  “They dragged her off that bus,” said Price, who was sitting behind her classmate. “The rest of us stayed quiet. People were too scared to say anything.” Colvin screamed that her Constitutional rights were being violated. (Colvin arrest report)

We all know the name of Rosa Parks who also defied the Jim Crow laws separating Blacks and Whites throughout the United States. The Courts called it “separate but equal.”  We know Parks for her refusal to give up her seat and the resulting 381-day Montgomery bus boycott that followed under the leadership of the young Rev. Martin Luther King, Jr.

That was nine months later on December 1, 1955.

Civil Rights Activist Claudette Colvin

Browder v Gayle

In the meantime, court had ruled against Colvin and put her on probation.  She became one of the plaintiffs in the Browder v. Gayle case, along with Aurelia S. Browder, Susie McDonald, and Mary Louise Smith (Jeanatta Reese, who was initially named a plaintiff in the case, withdrew early on due to outside pressure).

On June 13, 1956, the federal court ruled that Montgomery’s segregated bus system was unconstitutional. In December 1956, the city of Montgomery passed an ordinance allowing any bus passenger to sit in any seat they chose to.

Two years later, Colvin moved to New York City, where she worked as a nurse’s aide at a Manhattan nursing home. She retired in 2004.

Civil Rights Activist Claudette Colvin
In a 2013 interview…

Colvin stated, “I tell—one of the questions asks, “Why didn’t you get up when the bus driver asked you, and the policemen?” I say, “I could not move, because history had me glued to the seat.” And they say, “How is that?” I say, “Because it felt like Sojourner Truth’s hands were pushing me down on one shoulder and Harriet Tubman’s hands were pushing me down on another shoulder, and I could not move. And I yelled out, ’It’s my constitutional rights,’” because I wasn’t breaking a law under the state’s law, separate but equal; I was sitting in the area that was reserved for black passengers.

At that time, we didn’t even want to be called “black,” because black had a negative connotation. We were called “coloreds.” So I was sitting in the coloreds’ section. But because of Jim Crow law, the bus driver had police force, he could ask you to get up. And the problem was that the white woman that was standing near me, she wasn’t an elderly white woman. She was a young white woman. She had a whole seat to sit down by—opposite me, in the opposite row, but she refused to sit down; because of Jim Crow laws, a white person couldn’t sit opposite a colored person. And a white person had to sit in front of you.

The purpose was to make white people feel superior and colored people feel inferior”.


Civil Rights Activist Claudette Colvin

Book

In 2009, Farrar, Straus and Giroux published Claudette Colvin: Twice Toward Justice by Phillip Hoose. Here is a link to an excerpt from that book: NPR story

Civil Rights Activist Claudette Colvin

From Twice Toward Justice, here is Colvin’s description of the police who came onto the bus that March 2 day:

One of them said to the driver in a very angry tone, “Who is it?” The motorman pointed at me. I heard him say, “That’s nothing new . . . I’ve had trouble with that ‘thing’ before.” He called me a “thing.” They came to me and stood over me and one said, “Aren’t you going to get up?” I said, “No, sir.” He shouted “Get up” again. I started crying, but I felt even more defiant. I kept saying over and over, in my high-pitched voice, “It’s my constitutional right to sit here as much as that lady. I paid my fare, it’s my constitutional right!” I knew I was talking back to a white policeman, but I had had enough.

One cop grabbed one of my hands and his partner grabbed the other and they pulled me straight up out of my seat. My books went flying everywhere. I went limp as a baby—I was too smart to fight back. They started dragging me backwards off the bus. One of them kicked me. I might have scratched one of them because I had long nails, but I sure didn’t fight back. I kept screaming over and over, “It’s my constitutional right!” I wasn’t shouting anything profane—I never swore, not then, not ever. I was shouting out my rights.

In September 2016, the National Museum of African-American History and Culture opened to great fanfare. Colvin  was not invited to the opening dedication and the Museum did not recognize her act of bravery.

References

Civil Rights Activist Claudette Colvin

Sculptress Augusta Savage

Sculptress Augusta Savage

 “I was a Leap Year baby, and it seems to me that I have been leaping ever since.” 

Remembering and appreciating
February 29, 1892 — March 27, 1962

Sculptress Augusta Savage

Sculptress Augusta Savage

Woodstock Music and Art Fair

500,000 attendees and its long list of now-famous performers have overshadowed the original goal of the Woodstock Music and Art Fair.  As its name implied, it was going to be a weekend of art and music.

Now located on the festival site, the mission statement of Bethel Woods Center for the Arts reflects that intention to:

“…inspire(s), educate(s) and empower(s) individuals through the arts and humanities.”

Sculptress Augusta Savage

Her Life

Savage’s 1942 terracotta Portrait of a Baby recalls the small, red clay sculptures she made as a child (New-York Historical Society)

The life of Augusta Savage reflected the Center’s mission.

She was born Augusta Christine Fell in Green Cove Springs, Florida on February 29, 1892. She loved sculpting animals and other small figures as a child with the red clay others used to make bricks, but her father, a poor Methodist minister, frowned upon such an activity.

Sculptress Augusta Savage

Persistence

Augusta persisted.

Augusta Savage (her second husband was James Savage, the name she kept even after their divorce) moved to Harlem in 1921, where she cleaned houses to pay her rent and studied art at the tuition-free Cooper Union. She finished her degree in three years.

A bust she made of W.E.B. DuBois led to another commission for a busts of other African American leaders such as Marcus Garvey.

Her best-known work of the 1920s was Gamin, an informal bust portrait of her nephew, for which she was awarded a Julius Rosenwald Fellowship to study at the Fontainebleau School of the Arts in Paris.

Wendy N.E. Ikemoto of the New York Historical Society explains that the selection committee rescinded the scholarship.  The reasoning was the white women “would feel uncomfortable sharing accommodations on the ship, sharing a studio, sharing living spaces. ...the way that these committee members expressed that decision and the justification for it — they were concerned about Savage. It would be uncomfortable for her.”

Despite the withdrawal, Savage stayed in Paris for three years studying, working, and winning awards.

Sculptress Augusta Savage
Gamin

Sculptress Augusta Savage

Savage Studio of Arts and Crafts

According to the Smithsonian site, in 1932,  she “returned to New York and established the Savage Studio of Arts and Crafts and became an influential teacher in Harlem. In 1934 she became the first African-American member of the National Association of Women Painters and Sculptors. In 1937 Savage’s career took a pivotal turn. She was appointed the first director of the Harlem Community Art Center and was commissioned by the New York World’s Fair of 1939 to create a sculpture symbolizing the musical contributions of African Americans. Negro spirituals and hymns were the forms Savage decided to symbolize in The Harp. Inspired by the lyrics of James Weldon Johnson’s poem Lift Every Voice and Sing, The Harp was Savage’s largest work and her last major commission. She took a leave of absence from her position at the Harlem Community Art Center and spent almost two years completing the sixteen-foot sculpture. Cast in plaster and finished to resemble black basalt, The Harp was exhibited in the court of the Contemporary Arts building where it received much acclaim. The sculpture depicted a group of twelve stylized black singers in graduated heights that symbolized the strings of the harp. The sounding board was formed by the hand and arm of God, and a kneeling man holding music represented the foot pedal. No funds were available to cast The Harp, nor were there any facilities to store it. After the fair closed it was demolished as was all the art.” (NYT announcement)

Sculptress Augusta Savage
The Harp by Augusta Savage, displayed at the 1939 World’s Fair in New York City

Sculptress Augusta Savage

Lost job

When Savage returned to Harlem, her job at the Harlem Center was taken. She attempted to establish two other centers, but a lack of funds during the late Depression, caused their failure.

In 1945, Savage moved to Saugerties, New York, in the Catskill Mountains to be with her daughter and her daughter’s family.

Although she visited NYC occasionally, the peace of rural Saugerties (as had been the case for earlier artists and would be the case for some other artists in the not-too-distant future) continued to attract her. She taught children in local summer camps, and produced a few portrait sculptures of tourists.

In 1962 Savage moved back to New York where she died in relative obscurity on March 26, 1962. (NYT obit)

Sculptress Augusta Savage

Legacy

Douglas Anderson School of the Arts

On September 14, 2017 the Douglas Anderson School of the Arts dedicated the Augusta Savage Sculpture Garden.

“Augusta Savage was an African-American artist who failed to receive the recognition she deserved in her lifetime,” said Khanh Tran, the sculpture instructor at DA. “This sculpture garden is our way of commemorating her contributions to the local and national artistic landscape.”

Restore art to replace Confederate statues

Aviva Kempner wrote in The NY Times that as important as the removal of Confederate statues was, it was just as important to replace them with appropriate art such as Augusta Savage’s. Kempner wrote, “First on the list should be “The Harp,” a magnificent work by the noted African-American sculptor Augusta Savage that was demolished at the closing of the 1939 World’s Fair in New York..” 

This short video shows Savage at work.

References:

Sculptress Augusta Savage