Tag Archives: Beatles

British Beatlemania Born

British Beatlemania Born

British Beatlemania

November 2, 1963

British Beatlemania

British Beatlemania Born

1963

When we Americans think Beatlemania we typically think of their arrival, the 3 straight Ed Sullivan Show appearances, and the resulting cultural explosion.

It is important to keep in mind that the British Boomers were a bit ahead of us. Easily so, of course, since their media were playing and reporting about The Beatles before we had a hint.

By November 2, 1963, The Beatles had finally had the break out kind of success that any struggling band always hopes will happen, but no band could have foretold the success that descended upon them.

Despite their Cavern popularity, the Beatles began 1963 as they had ended 1962: touring as an opening band for higher billed musicians. With Brian Epstein as their manager and George Martin producing their music, success found them with the release of “Please Please Me” hitting #1 on the British charts on February 22.

Having said that, even on  March 3, 1963, they were still at the bottom of the bill  supporting a Helen Shapiro tour. Other acts ahead of them included The Kestrels, The Honeys, Dave Allen, Kenny Lynch and Danny Williams.

I know. Who were they? I don’t know either.

British Beatlemania Born

Slowly but surely

Also in March, they released their first album: Please Please Me.

In April, John became a father for the first time.

Quietly.

Brian Epstein realized that the group’s youthful carefree image needed single good-looking young men.

In May, “From Me To You” their second US release also charted poorly.

With continued British success, on August 3, 1963 they performed at The Cavern Club for the last time.

On September 16, 1963, “She Loves You,” their third US release, went nowhere.

British Beatlemania Born

The London Palladium

British Beatlemania Born

In October, the British youth aren’t just listening, they are screaming. Like any successful venture, being seen is a way of increasing that success and on  October 13, their appearance on Sunday Night At The London Palladium  as the top group in front of a TV audience of up to 15 million viewers lighted the very short fuse.

Brian Epstein arranged a Christmas show with the Beatles headlining. The show sells out in October.

On November 1, back in the UK, their third EP, The Beatles #1, is released using singles from their Please Please Me album. Side one contained I Saw Her Standing There and Misery. The second side featured Anna (Go To Him) and Chains.

British Beatlemania Born

It’s Official

That night their fourth British tour of 1963 opened at the Odeon Cinema in Cheltenham, Gloucestershire.

This was the group’s first series of concerts as unchallenged headliners. The Beatles topped a bill featuring five other acts: The Rhythm & Blues Quartet, The Vernons Girls, The Brook Brothers, Peter Jay & The Jaywalkers, and The Kestrels with MD Frank Berry.

The next day the Daily Mirror newspaper carried the headline: “Beatlemania! It’s happening everywhere.. even in sedate Cheltenham.

British Beatlemania Born

Richard Ruskin

According to Beatle expert Richard Ruskin’s Buskin with the Beatles Facebook page: 

This date [November 1] in 1963 saw the start of The Beatles’ fourth UK tour, with two shows at the Odeon Cinema in Cheltenham, Gloucestershire (‘Gloss-ter-sheer’).
Headlining a bill that also featured The Rhythm & Blues Quartet, The Vernons Girls, The Brook Brothers, Peter Jay & The Jaywalkers and The Kestrels, the Fab Four performed ‘I Saw Her Standing There’, ‘From Me to You’, ‘All My Loving’, ‘You Really Got a Hold on Me’, ‘Roll Over Beethoven’, ‘Boys’, ‘Till There Was You’, ‘She Loves You’, ‘Money (That’s What I Want)’ and ‘Twist and Shout’.
Contrary to popular assertion, the following morning’s ‘Daily Mirror’ did NOT coin the term ‘Beatlemania’, but certainly helped introduce it to the general public – describing how, after “the with-it bug” had “swept Sweden” earlier in the week, it had now “hit sedate Cheltenham, traditional home of retired brigadiers, colonels… and the Ladies’ College.”
Buskin also provided this link with the boys at Cheltenham:

 

And you can follow this link for a 2013 Daily Beast take on the roots of Beatlemania.

British Beatlemania Born

Beatles Abbey Road

Beatles Abbey Road

Beatles Abbey Road

US release: October 1, 1969

What is the last Beatles album? The answer depends on whether one uses the actual times that Apple released the album or the actual time(s) that the Beatles recorded the album.

Beatles Abbey Road

Let It Be

Beatles Abbey Road

The US release of Let It Be was May 8, 1970. The Beatles actually recorded in before Abbey Road in February 1968, January – February 1969. Since most of Let It Be was recorded in January 1969, before the recording and release of  Abbey Road, some argue that Abbey Road should be considered the group’s final album and Let It Be the penultimate.

Famed producer Phil Spector is typically associated with the ablum, but his post-production embellishments so disappointed so many that in 2003 Apple re-released the album as Let It Be…Naked and removed  those embellishments that Paul McCartney in particular felt got in the way of the group’s original stripped down  sound goal.

Beatles Abbey Road

Beatles Abbey Road

Beatles Abbey Road

In any case, Abbey Road is a different album than Let It Be.  With Abbey Road, knowing it  was likely their last, the Beatles wanted to do what they did best and go into the studio with George Martin, not Phil Spector.

The album cover is, of course, iconic and no other site of an album cover has had so many visitors and pictures taken by those visitors. Also of note about the album cover is that it contains neither the album’s nor the group’s name.

Beatles Abbey Road

George Martin

As had almost always been the case, George Martin was a huge part of the album. He later said that his response to Paul McCartney’s request to produce it: “I was quite surprised when Paul rang me up and said, ‘We’re going to make another record, would you like to produce it?‘ and my immediate answer was, ‘Only if you let me produce it the way we used to.’ and he said, ‘We do want to do that’ and I said, ‘John included?’ and he said, ‘Yes, honestly.”

He also said, ““It was a very very happy album. Everybody worked frightfully well and that’s why I’m very fond of it.”

Beatles Abbey Road

Side Two

We all know side two.  “Here Comes the Sun” then “Because.” Then the medley. THE medley.

The Beatles had popularized the segue with Sgt Pepper’s. Not an album of singles, but songs that literally flowed one into the other.

Abbey Road’s “Medley” perfected that production technique with its 16 minutes melodious  jaunt:

  1. At 4:03, “You Never Give Me Your Money” is the longest of the eight songs. Even the song itself has different parts perhaps a foreshadowing of McCartneys 1971 Uncle Albert Admiral Halsey ,
  2. John Lennon’s “Sun King” follows with lots of backing harmonies.
  3. Lennon wrote toth “Mean Mr Mustard” (is the Maharishi Mahesh Yogi the “dirty old man”?) and 
  4. “Polythene Pam” during the Beatles 1968 visit to India.
  5.  Four McCartney songs follow:  “She Came in Through the Bathroom Window” (written after a fan entered McCartney’s residence via his bathroom window)
  6. “Golden Slumbers” (based onThomas Dekker’s 17th-century poem set to new music),
  7. “Carry That Weight” (reprising elements from “You Never Give Me Your Money”, and featuring chorus vocals from all four Beatles), and closing with
  8. “The End” which has the only Ringo drum solo.  Appropriately (and sadly)_, the song contains three guitar solos, too. McCartney, then Harrison,  then Lennon.

Though “Her Majesty” ends the entire album and is not part of the medley, it is the end of “The End” that is the true final message of the Beatles to us. One that has always been true whether before any of them were born, any of us were born, or after any of our progeny will be born:

“And in the end, the love you take is equal to the love you make”.

Beatles Abbey Road

Link to Beatles Bible site article on Abbey Road

John George David

John George David

September 29, 1967

John George David

George Harrison Sitar

The path that led the Beatles to transcendental meditation was mainly through George Harrison’s use of the sitar, the Indian instrument he used on Rubber Soul’s “Norwegian Wood.” Harrison used the sitar simply because he liked its sound, but he wanted to learn more.

Harrison first met master sitarist Ravi Shankar in June 1966 in the UK and Shankar gave a couple of lessons to Harrison.

On September 14, 1966, a Mr and Mrs Sam Wells, aka George and Pattie Harrison, flew to Mumbai.  The main reason was to take sitar lessons from Shankar. Because the sitting position was so difficult for Harrison, Shankar had a yoga instructor help him.

The following year Pattie attended a lecture on Transcendental Meditation at Caxton Hall, London, where she received her mantra.

John George David

see Beatles meet Maharishi Mahesh Yogi for more

Encouraged by Pattie Harrison’s interest and enthusiasm, on August 24, 1967  the Beatles met Maharishi Mahesh Yogi at a lecture in London. All except Ringo and his wife Maureen (she had just given birth to to their son) attended. While there, they found out that he was giving a series of classes. They all decided to attend.

Of course if the Beatles found something interesting, fans followed suit. Ravi Shankar became part of the Monterey Pop Festival in 1967 and famously played in the rain at the Woodstock Music and Art Fair.

John George David

The Frost Programme

On September 29, 1967 John Lennon and George Harrison were guests on David Frost’s The Frost Programme.

Among the comments were:

Lennon: “Buddha was a groove, Jesus was all right.”

Harrison: “I believe in reincarnation. Life and death are still only relative to thought. I believe in rebirth. You keep coming back until you have got it straight. The ultimate thing is to manifest divinity, and become one with The Creator.”

Because viewers found that  program so interesting, John and George returned for another interview a week later.

Again, the subject of the 45-minute show was Transcendental Meditation. Lennon and Harrison answered questions that Frost and studio guests asked as well as from letters sent in. There was also a pro- and con- discussion about meditation.

John George David

No Mas Maharishi

The interest continued and on February 16, 1968 John and Cynthia Lennon, and George and Pattie Harrison flew to India for further study with the Maharishi. Paul McCartney, Jane Asher, Ringo and Maureen Starr followed on the 20th. The plan was to stay at least six weeks.

Ringo found the food there too difficult and he and Maureen returned to England less than two weeks after their arrival. Paul and Jane returned on March 20.

The stay for the others came to an abrupt end when one of the members of the Beatle party told John and George that the Maharishi was sexually inappropriate with one of the female guests.

John and George confronted the Yogi, but he didn’t take the accusation seriously which convinced John, George, and the others that he was guilty.

John left, but George, rather than return straightaway to England, went to visit Ravi Shankar and didn’t return until April 28.

The accusations were likely untrue.

John George David