Category Archives: Woodstock Music and Art Fair

Anniversary, Festivals, Music et al, Music of the 60s, Woodstock Music and Art Fair

1969 Atlanta International Pop Festival

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1969 Atlanta International Pop Festival

July 4 and 5
Atlanta International Raceway, Hampton GA
1969 Atlanta International Pop Festival
View of the stage from the side. Like most festivals of 1969, there was only one stage.
1969 Atlanta International Pop Festival

1969 Festival #21

We are more than a month away from THE Woodstock festival and are already up to the year’s 21s festival.

The 1969 Atlanta International Pop Festival was mainly a success. No riots. No rain, but 100o temperatures. Local fire departments sprayed water on the crowd to alleviate heat issues. Long lines for food and beverages.

There is no movie (a home 8mm does not count). There is no album. Both those negatives were positives that helped propel Woodstock into its place in history.

The line up was a good as any that summer. Woodstock Ventures had booked seven of the bands for its Bethel soiree in August. I’ve underlined them.

1969 Atlanta International Pop Festival

Line up (underlined performed at Woodstock)

  • Chuck Berry
  • Al Kooper
  • Blood, Sweat & Tears
  • Booker T & the MGs
  • Canned Heat
  • Chicago Transit Authority
  • Creedence Clearwater Revival
  • Dave Brubeck
  • Delaney, Bonnie & Friends
  • Ian & Sylvia
  • Grand Funk Railroad
  • Janis Joplin
  • Johnny Winter
  • Led Zeppelin
  • Pacific Gas & Electric
  • Paul Butterfield Blues Band
  • Johnny Rivers
  • Spirit
  • Sweetwater
  • Ten Wheel Drive

Yesterday, I posted a piece about the 1969 Newport Jazz Festival which included the fact that due to early disruptions, organizers had cancelled Led Zeppelin’s scheduled appearance in hopes of reducing the number of kids hoping to get into the sold-out venue. It worked a bit (not enough) and Zeppelin appeared as scheduled. You will notice their name here, too. They played on the 6th in Newport which enabled them to rush up there from Atlanta.

Johnny Winter, again, seems to be everywhere this summer and he along with Blood Sweat and Tears will also head north immediately for Newport. The life of  musicians!

Noteworthy is that it was 1969 and there was a strong sense among some young venture capitalists that making money wasn’t what it was all about! The festival was a financial success and that Monday, July 7, the festival promoters gave  a free concert in Atlanta’s Piedmont Park. Some of the bands who had played at the festival Chicago Transit Authority, Delaney & Bonnie & Friends, Spirit, and the Grateful Dead performed.

And of course there’s a recording of the Dead on that July 7, 1969.

1969 Atlanta International Pop Festival

Freaks Unite

One of the most common takeaways that I often hear from other Woodstock alum is that they never realized how many of “us” there were.

According to a  2009 article from Georgia Music, “The flower children were awestruck as well, never having seen so many of their own in one setting. In fact, the turnout caused many of them to reflect for decades to come.

“We may have felt like freaks, but now we knew we weren’t the only freaks,” writes Mark Kemp in Dixie Lullaby: a Story of Music, Race and the Beginnings in a New South. “I didn’t realize it at the time, but the feeling of community . . . was the beginning of a healing process—in me and in many southerners of my generation—that continues to this day.”

And in 2023, Steve Young had this to say: I was there….5 of us…..8 hour drive….no tickets…..snuck UNDER the speedway fence…saw a few bands and missed a few…no shade…..yo yo’s that had lights at night and made amazing trails….saw Janis but missed Grand Funk Railroad and Joe Cocker

Next 1969 festival: Bullfrog Lake Music Festival

Festivals, Music et al, Music of the 60s, Woodstock Music and Art Fair

1969 Newport Jazz Festival

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1969 Newport Jazz Festival

1969 festival #19
July 3 – 6

Newport, Rhode Island

I have limited my list of 1969 festivals to rock festivals. Why include a jazz festival?

The Newport Jazz Festival began in 1954 and, not surprisingly, was simply that: a jazz festival. Of course, the variety of styles within jazz are wide and varied. Any jazz festival can simply showcase one genre, or several.

1969 Newport Jazz Festival

Blurred borders

By 1969, the borders between both styles had blurred: some jazz artists crossed over to rock and visa versa. It made sense for a jazz festival, even one as established as Newport, to expand its lineup and include rock. In 1969, that is exactly what it did.

Looking at the lineup below, one of the first things to note is the inclusion of the Joshua Light Show. The Joshua Light Show formed in 1967 and is associated mainly with enhancing the concert atmosphere at Bill Graham’s Fillmore East.  Including the Joshua Light Show definitely brought a new vibe to a jazz festival.

1969 Newport Jazz Festival

Thursday all jazz

Thursday was all jazz, but reflected the jazz’s aforementioned variety . Simply looking at the opening act, George Benson, and the closing act, Sun Ra, demonstrates that range.

1969 Newport Jazz Festival

Friday changes

Even Friday afternoon is jazz, but things change for Friday night: Jethro Tull, Ten Years After, Blood, Sweat and Tears, and Jeff Beck loudly reminded the crowd that this wasn’t your ordinary jazz festival.

1969 Newport Jazz Festival

The unexpected

The idea of enhancing a jazz festival with rock was a great idea on paper and likely looked toward the ledger as well, but as Woodstock Ventures found out a month later, locals may not be as receptive to large numbers of youth excited and anxious to hear their music.

Friday night’s overflow created such tensions and fears that event organizer George Wein “cancelled” Led Zeppelin for Sunday in an attempt to dissuade the rock fans from staying. It worked to a degree. Zeppelin performed despite the announced cancellation.

1969 Newport Jazz Festival

“Mayhem“

A Newport newspaper article describes the mayhem:

1969 Newport Jazz Festival

In August, Johnny Winter, Ten Years After, Sly Stone, and Blood, Sweat and Tears experienced something even bigger but more peaceful in Bethel, New York.

The far more serene Newport Folk Festival and a moon walk awaited in the wings.

1969 Newport Jazz Festival

Next 1969 festival: Saugatuck Pop Festival

Anniversary, Music et al, Music of the 60s, Woodstock Music and Art Fair

Tim Hardin 1 album

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Tim Hardin 1 Album

“Tim Hardin 1” album released July 1966

Tim Hardin 1 album

 

Ah, Tim Hardin

Born in Eugene, Oregon on December 23, 1941. High school dropout. Marine Corps enlistee. Heroin addict. New York City resident. Greenwich Village folk singer.

Not the same collection of events in every singer-songwriter’s resume, but familiar enough to merit a nod of recognition.

Many received the Village’s golden touch of success. Many. Not all.

Hardin didn’t feel that tap, surprising to others who knew him, loved his songs, and his talent.

At at time when composers were telling their tale with longer and more elaborate songs (Mr Dylan’s “Like a Rolling Stone” a prime example), Tim Hardin typically stuck with the short: verse > chorus > verse format.

Tim Hardin 1 album

On his first release, Tim Hardin 1, “Reason to Believe” is perhaps the best known of the album’s many wonderful song. Others have covered the song, Rod Stewart’s in 1971 is perhaps the best known.

If I listen long enough to you
I’d find a way to believe that it’s all true
Knowing, that you lied, straight-faced
While I cried But still I’d look to find a reason to believe
Someone like you makes it hard to live
Without, somebody else
Someone like you, makes it easy to give
Never think of myselfIf I gave you time to change my mind
I’d find a way to leave the past behind
Knowing that you lied, straight-faced
While I criedBut still I’d look to find a reason to believe
If I listen long enough to you
I’d find a way to believe it’s all true
Knowing that you lied, straight-faced
While I criedStill I’d look to find a reason to believe.

Woodstock Music and Art Fair

Those whom Woodstock Ventures invited to their festival and art fair in Bethel, NY ranged from the little known to the famous. “Little known” to some, but loved by many. Hardin was of the latter. Bob Dylan reportedly described Hardin as, ““the greatest songwriter alive.”

Side one
  1. “Don’t Make Promises” – 2:26
  2. “Green Rocky Road” – 2:18
  3. “Smugglin’ Man” – 1:57
  4. “How Long” – 2:54
  5. “While You’re On Your Way” – 2:17
  6. “It’ll Never Happen Again” – 2:37
Side two
  1. “Reason to Believe” – 2:00
  2. “Never Too Far” – 2:16
  3. “Part of the Wind” – 2:19
  4. “Ain’t Gonna Do Without” – 2:13
  5. “Misty Roses” – 2:00
  6. “How Can We Hang On to a Dream?” – 2:04

Personnel

  • Tim Hardin – vocals, guitar, keyboards
  • Gary Burton – vibraphone
  • Bob Bushnell – bass
  • Earl Palmer – drums
  • Buddy Salzman – drums
  • Jon Wilcox – drums
  • John Sebastian – harmonica
  • Phil Kraus – vocals
  • Walter Yost – bass

Woodstock Ventures also scheduled Hardin to open. First day. First performer.

Many wonder what it was like to be in that crowd of 400,000 on Max Yasgur’s 40 acre field, but few ask what it was like to perform in front of that throng. For Hardin the challenge was initially too great a burden and Richie Havens famously filled in.

Hardin did later perform in that day’s gloaming. His short songs filled his short set:

  • (How Can We) Hang on to a Dream
  • Susan
  • If I Were a Carpenter
  • Reason to Believe
  • You Upset the Grace of Living When You Lie
  • Speak Like a Child
  • Snow White Lady
  • Blue on My Ceiling
  • Simple Song of Freedom
  • Misty Roses

Left out and off

Not appearing on the Woodstock album, nor the movie, addiction, and sometimes leaving the country to seek medical help kept Hardin out of the public eye for years. The New York Times described him in a 1976 show, “he is a nervous, self‐absorbed performer who phrases in a wildly unpredictable manner. Sometimes his improvisations are exciting, but sometimes they are simply aimless.”

Hardin died four years later on December 29, 1980, 6 days after his 39th birthday. His addiction finally killed him, but his songs continue to inspire.

Tim Hardin 1 album