Category Archives: Woodstock Music and Art Fair

Drummer Greg Duke Dewey

Drummer Greg Duke Dewey

Drummer with Country Joe and the Fish at Woodstock
Greg Duke Dewey
Left to Right: Mark Kapner. Country Joe, Greg Dewey, Doug Metzler, (standing) Barry “The Fish” Melton

Greg Duke Dewey

I note the various performers from the Woodstock Music and Art Fair and try do that on their birthdays. Unfortunately I cannot find birthdays for many of those performers.

Greg Duke Dewey is one of them. I’ve decided to do that today. He was 21 when he played Woodstock, which puts his birth year as either 1947 or 48.

And just as it’s difficult to find birthdays, it is sometimes difficult to find much about performers, particularly those who “simply” backed up the named performer.

Country Joe was such a name and those behind him that weekend less known. Fortunately for me (and so, you) Greg Dewey wrote a long essay about his Woodstock experience and it is from that essay that much of the following was mined.

He he and the band flew to New York from San Francisco. Who did they meet on the plane none other than Colonel Jim Sanders. Dewey asked the Colonel what he thought about hippies? Sanders responded, “They eat chicken, don’t they?”

Drummer Greg Duke Dewey

Woodstock

Dewey remembers that the Woodstock crowd just kept getting bigger and bigger. At least until Sunday’s afternoon downpour when time, hunger, the soaking, and Monday responsibilities sent thousand of that crowd home.

It was after that storm’s delay that the Fish played.

Relating a story I’d never read, Dewey said since drums were an acoustic instrument and not subject to the issues electric instruments and water caused, he asked his equipment manager to set up his drums, but the storm nearly blew them down. He sought shelter under the stage. That worked well until  up above stage hands used axes to punch holes in the stage to drain the water. Torrents came down on Dewey.

Drummer Greg Duke Dewey

Eventually, with new sheets of plywood under them, the band went on. Dewey says he never felt more compelled to play for an audience given all they’d gone through, especially the storm. It was about 6:30 PM and the previous act, Joe Cocker, had ended his set at about 3 PM.

In Dewey’s words, “what set this concert apart from all other concerts for us musicians is this: We ALL came the first night, so we could hear each other. Normally we are all buzzing around the world at the same time so we don’t have time to hear one another unless we are in a concert together, and at this one, we were ALL going to be there.”

Drummer Greg Duke Dewey

Hotel stories

He also remembered the hotel in Liberty where “…there were huge games of cards….” Also “…a table with some of The Band, Airplane, Steve Miller Band, Jimi himself, Grace, Marty Balin, Garcia and the Dead, Janice, myself, Mitch Mitchell, Noel Redding, Richie Havens, Sebastian, guys from Blood Sweat and Tears, David Crosby, Sly’s band, Joe Cocker’s band… everyone would be down in the restaurant/bar, it was open 24 hours a day for four days. We ate a lot of food and drank a grunt-load of booze, and the party never stopped, because the concert went on around the clock.”

Finally, “The big thing was for me, about this experience, is that we, the musicians had to make friends with each other, and live together as if on a ship for four days, as we all, in turn, flew out over the massive 500,000 strong audience to play for them.”

Drummer Greg Duke Dewey

Greatest Hits

Drummer Greg Duke Dewey

In early 2018, Dewey began a GoFundMe page for a greatest hits album. One fan wrote at the page: What a wonderful set of three CDs…was not expecting such a wealth of music. Duke you are the best! 

Drummer Greg Duke Dewey

Thanks

Greg has continued to drum with various bands to this day. Those include The Rowans, Bodacious, Janey & Dennnis, Don McLean, Mad River, Alice Stuart, Jerry Corbitt, and Grootna.

Drummer Greg Duke Dewey

50th

Dewey with Bethel Woods Robin Green and the drum set he used at Woodstock

From a Yellow Springs News article:

Dewey is loaning his drums for the special exhibit, “We Are Golden — Reflections on the 50th Anniversary of the Woodstock Festival and Aspirations for a Peaceful Future” at the Bethel Woods Center for the Arts.

Robin Green of the museum, who made the 10-hour trip to retrieve the drums, explained the exhibit’s purpose as to spark a conversation across the generations about peace and love.

Woodstock, remembered as nonviolent and communal, still has lessons for the present, Green believes. 

They were trying to symbolize peace, and to protest the Vietnam War,” she said. “We can all take something away from it.

I’m still hopeful for peace and that we can all live in harmony,” she added.

Thanks for the memories…and the drum set, Greg!

Drummer Greg Duke Dewey

David Marks Music Director Producer Archivist

David Marks Music Director Producer Archivist

David Marks Music Director Producer Archivist

Social media have revised the old notion that we are all only 6 degrees of separation apart to three or four perhaps.

My September 13 blog entry was on the Toronto Rock and Roll Revival. The festival was not selling many tickets until the organizers announced that they’d booked John Lennon to play. Then there weren’t enough tickets.

Through that blog entry, a David Marks and I have exchanged messages.

Miner

David Marks Music Director Producer Archivist

David Marks is from South Africa. In the beginning, he worked in a gold mine and wrote songs there. One of them, “Master Jack” became a hit in 1968 for the Four Jacks and a Jill. They also had a hit with “Mr Nico”

David Marks Music Director Producer Archivist

Bill Hanley roadie

In 1969, David worked for Bill Hanley Soundman Extraordinaire. Of course 1969 will ring the Woodstock bell for many who read this blog regularly and Marks was there with Hanley.  And on September 13, Hanley and crew were in Toronto.

David Marks Music Director Producer Archivist

His remarks

David recently shared a picture he took during that concert:

David Marks Music Director Producer Archivist

He added the following comment:

September 1969 – Live Peace in Toronto…. How time flies when you’re in the rocking chair. 2 S Africans were involved for Bill Hanley sound. It was my first real full festival mixing gig. Just before lunch time – in the stadium packed with over 50,000 – Bill walked away from the desk… I said hey Bill where’re you going… gonna find some Southern fried chicken in Toronto he said. (His favourite food back then). Who’s mixing I cried, above the polite applause as Tony Joe White took the stage… you are, Bill screamed back over the din. And from then on it was me and every rock band that I was brought up on in Africa; that is until the Doors engineer took over. But not before I’d finished with John Lennon & The Plastic Ono Band. Truth is… I wouldn’t budge or let anybody near the desk for that entire afternoon. And Bill graciously let me handle it. Even the famous ‘feed back’ incident with Yoko Ono did not deter me from hogging the mix.

Let me name drop BIG TIME. Jerry Lee Lewis, Lord Sutch, Bo Diddley, Alice Cooper, etc… from where I shot countless pictures with my Pentax Spot Matix. (No flash – 400 ASA & a telephoto lens… such as they were back then.) Also shot a few slides from a borrowed roll of film… that I bummed off a passing journalist. I mention all this, because these notches on my sound belt eventually led to a 40 year sound career back in Southern Africa.

Oh… and the other S African? From Malmesbury in the Western Cape…Jimi Hendrix’s recording & sound engineer & one time manager: Eddie H. Kramer. As with Woodstock, Eddie & his partner Lee Osborne, recorded the film sound track back stage, from a split feed from out of our stage box onto 2 linked Ampex 4 track decks, if I recall. And no, I did not mix sound at Woodstock, as urban myth (and the University overview) claim. I was a Hanley Sound roadie. Thanks again Bill Hanley… the Father of Festival Sound. Hail Hail Rock ‘n Roll.

David Marks Music Director Producer Archivist

And…

Forgot to mention the mix for… Alice Cooper, Louisiana Zydeco fiddler Doug Kershaw & the Queen of Rock ‘n Roll… Little Richard. All three show stoppers. (Standing on the grand piano that Jerry Lee Lewis had kicked out of tune, Little Richard declared: Elvis may be the King of Rock ‘n Roll honey, but I’m The Queen.)

David Marks Music Director Producer Archivist

Plastic Ono Band…

Yoko got under a sheet & I didn’t know she had a mic… but I heard this turkey warble & when the feedback started I couldn’t ID the source… suddenly someone shouted at me “… it’s under the sheet…. it’s under the sheet.”

30 years later when 3rd Ear Music brought Crosby, Stills & Nash to South Africa, Bill Siddons was their manager… he was the Doors’ manager back in ’69 and they were about to follow John & Yoko. Bill came out front to check the mixer / desk when the feedback thing happened. Sitting around a breakfast table in Sandton in 1996 I’m bragging about this infamous incident… Bill starts laughing. Don’t tell me that you were the sound guy I shouted at? Blush! Go figure.

David Marks Music Director Producer Archivist

John Yoko South Africa

One reply to the post asked about John & Yoko in South Africa in the 1970s?

Too true. They spent most if the time in Cape Town… so we believe. In fact the taxi driver that John booked wrote about it a few years later. They became friends. John visited Cape Town a few times if the urban myths are to be believed. No I didn’t meet John or Yoko… not even when I mixed for the Plastic Ono Band in ’69.

David Marks Music Director Producer Archivist

More Bill Hanley

David Marks also added a couple other pictures to the thread:

1969-toronto-2

Bill Hanley … a better view of the ‘home made’ Hanley mixer. Setting up in the morning, Toronto 1969, and sound checking with a local band of student rockers. Can’t recall who they were. But you can see the speakers stacks a bit more clearly. And today the kids want 48 channell splitboard mixers with on-stage monitoring for 100 clubbers… and there Bill Hanley was… some 12 channels for 50,000, with an aux-mix stage feed for monitors? Go figure.

And…

Bill Hanley early morning setting up the mix at Live Peace in Toronto.

David Marks Music Director Producer Archivist
3rd Ear Music and the Hidden Years Music Archives

David Marks Music Director Producer Archivist

In a future posts I’ll try to cover some of David Marks’ current musical involvement particularly with 3rd Ear Music and the Hidden Years Music Archives.

David Marks Music Director Producer Archivist

Kozmic Keyboardist Richard Kermode

Kozmic Keyboardist Richard Kermode

October 5, 1949 – January 16, 1996
Kozmic Keyboardist Richard Kermode
Kermode, Joplin, Sam Andrew, Snooky Flowers
“Yours Is the Light” from Santana’s Welcome album. Music by Michael Shrieve lyrics by Richard Kermode. Vocal by Flora Purim

In the band v in a band

It seems to me that the more members a band has,  the less likely all members are well-known.  That may be especially so when the leader is very well known.

Janis Joplin was a member of Big Brother and the Holding Company, though after awhile the band’s name seemed to become Janis Joplin and Big Brother.

When Joplin left Big Brother in 1968 she formed a back up band. And being in a back up band is not quite the same thing as being in the band.

Kozmic Keyboardist Richard Kermode

WY > NY > CA

Richard Kermode was born in Lovell, Wyoming and grew up in Buffalo, NY where he became a well-respected keyboardist. In 1969 he moved to California just in time for Janis Joplin to add him to her new Kozmic Blues Band. He was also just in time to be in the band for the Woodstock Music and Art Fair.

Kozmic Keyboardist Richard Kermode

Post Janis

When Janis Joplin died, Kermode became mainly a sessions musician including three albums for Carlos Santana:  Welcome (1973), Lotus (1974), and Dance of the Rainbow Serpent (1995).

He also played with the group Malo. Jorge Santana, Carlos’s brother, was one of that band’s founders. He developed a passion for Latin music while playing with Malo and worked with numerous Latin jazz, salsa and Brazilian bands. He also recorded with Patti LaBelle, Luis Gasca, Pete Escovedo, Airto and Purim.

Kozmic Keyboardist Richard Kermode

Illnesses 

In 1990 he suffered severe kidney and liver ailments, but recovered. He was able to resume his musical career and played in bands on USO tours. He toured South Korea and Japan.

In 1994 he moved to Denver to work on salsa music projects.

Yours Is the Light

Yours is the light that will always shine
And shine eternally, eternally
Mine is the search, never ending search
Until I am with you
For you, fill my life
All my days and nights
With memories of you

Yours is the light that will always shine
And shine eternally
Mine is the search, never ending search
Until I am with you
For you, fill my life
All my days and nights
With memories of you

Kozmic Keyboardist Richard Kermode

Kenmore memories

Kermode died on January 16, 1996. He was 49 There are many touching memories by his high school friends at the Kenmore West High School Class of 1965 site.  

Richard was one of the most respected musicians in Buffalo in the 1960’s – wanting to be a jazz player. When Richard left WNY in 1969 to take that immense talent to California as one of Buffalo’s premier jazz keyboardist, he had no way of knowing he would end up on multi platinum and gold albums as keyboardist…

Kozmic Keyboardist Richard Kermode

Musicminder.com site w Kermode links and info