Category Archives: Music et al

Robert Moog Herbert Deutsch

Robert Moog Herbert Deutsch

Introduced their synthesizer on October 12, 1964.
Herbert Deutsch speaking about its development:
“The Minotaur” from Moog: The Electric Eclectics of Dick Hyman
Robert Moog Herbert Deutsch

Sound effects

special effects when radio was theater of the mind | Old time radio, Radio play, Vintage radio

Born in 1950, I just missed the excitement of radio shows and how their sound effects made the stories “real.”  Early TV shows and movies occasionally showed those radio station sets and revealed how clever sound technicians recreated the real world with “fake” noise. Need the sound of a door closing? Close a door. Need the sound of thunder?  Move a large, thin sheet of copper suspended from a frame by wires.

Robert Moog Herbert Deutsch

Electronic Music

 

The mixture of electricity and sound effects created new possibilities.  Around 1896, Thaddeus Cahill developed the Telharmonium. Much like later electric organs, it used wire to transmit sound to horn speakers.

Leon Theremin developed a much simpler instrument. Below you can watch him demonstrate it. He used it much like a violin. Unfortunately for him, I suppose, most Boomers hear a Theremin (aka, the aetherphone) and think of space invasion movies.

Robert Moog Herbert Deutsch

Laurens Hammond

Laurens Hammond established his company in 1929 for the manufacture of electronic instruments. His Hammond organ used the same principals that the Telharmonium had used.

As electronics got more sophisticated, so did technicians’ ability to create more sophisticated instruments.

Moeg

In 1963 Robert Moog (pronounced “Moeg” like Moe of the Three Stooges not “Moooog” like Daisy the Cow) and Herbert Deutsch met. Deutsch was a musician; Moog a technician. Together they came up with the idea of making a user-friendly electronic keyboard that had a huge range of sound. Much wider than even a Hammond organ.

And on October 12,  1964, Moog and Deutsch introduced and demonstrated their music synthesizer at the convention of the Audio Engineering Society in NYC.

Beatles and Moog

Robert Moog Herbert Deutsch

While the instrument and its later refinements did not catch on immediately, it gradually became a huge part of rock music. The Beatles (of course) via George Harrison (of course) used a Moog on their last recordings together:

  • the wind at the end of “I Want You (She’s So Heavy)”? Moog.
  • that lovely counterpoint to the acoustic guitar that gently slides in at the beginning of “Here Comes the Sun” ? Moog.
  • “Because” uses the Moog as well.

Reaction

What was the reaction to the Moog? Ed Ward of Rolling Stone magazine reviewed Abbey Road and though that the Moog “disembodies and artificializes” the band’s sound. He added that they “create a sound that could not possibly exist outside the studio.

Since the Beatles weren’t touring or performing live, that wasn’t a problem. Having said that, if anyone has ever experienced the Fab Faux in concert and their eerie ability to play Beatles music of any era, then Ward’s comment is untrue.

What do you think?

Robert Moog Herbert Deutsch

EDM

In any case, it was was nice that Mr Moog and Mr Deutsche met and gave us a whole world of sound to add to our library.

A reader of this blog added an interesting comment: …and don’t forget Dick Hyman’s album of Moog music, which included the song, The Minitaur, which found its way into the Emerson, Lake, and Palmer playlist.

That album is: Moog – The Electric Eclectics Of Dick Hyman

Herbert Deutsch is a Professor Emeritus of Music at Hofstra University and is a visiting professor at the Gallatin School of Individualized Study at New York University.

Bob Moog died in 2005, but his legacy lives on.

Robert Moog Herbert Deutsch

David Marks Music Director Producer Archivist

David Marks Music Director Producer Archivist

David Marks Music Director Producer Archivist

Social media have revised the old notion that we are all only 6 degrees of separation apart to three or four perhaps.

My September 13 blog entry was on the Toronto Rock and Roll Revival. The festival was not selling many tickets until the organizers announced that they’d booked John Lennon to play. Then there weren’t enough tickets.

Through that blog entry, a David Marks and I have exchanged messages.

Miner

David Marks Music Director Producer Archivist

David Marks is from South Africa. In the beginning, he worked in a gold mine and wrote songs there. One of them, “Master Jack” became a hit in 1968 for the Four Jacks and a Jill. They also had a hit with “Mr Nico”

David Marks Music Director Producer Archivist

Bill Hanley roadie

In 1969, David worked for Bill Hanley Soundman Extraordinaire. Of course 1969 will ring the Woodstock bell for many who read this blog regularly and Marks was there with Hanley.  And on September 13, Hanley and crew were in Toronto.

David Marks Music Director Producer Archivist

His remarks

David recently shared a picture he took during that concert:

David Marks Music Director Producer Archivist

He added the following comment:

September 1969 – Live Peace in Toronto…. How time flies when you’re in the rocking chair. 2 S Africans were involved for Bill Hanley sound. It was my first real full festival mixing gig. Just before lunch time – in the stadium packed with over 50,000 – Bill walked away from the desk… I said hey Bill where’re you going… gonna find some Southern fried chicken in Toronto he said. (His favourite food back then). Who’s mixing I cried, above the polite applause as Tony Joe White took the stage… you are, Bill screamed back over the din. And from then on it was me and every rock band that I was brought up on in Africa; that is until the Doors engineer took over. But not before I’d finished with John Lennon & The Plastic Ono Band. Truth is… I wouldn’t budge or let anybody near the desk for that entire afternoon. And Bill graciously let me handle it. Even the famous ‘feed back’ incident with Yoko Ono did not deter me from hogging the mix.

Let me name drop BIG TIME. Jerry Lee Lewis, Lord Sutch, Bo Diddley, Alice Cooper, etc… from where I shot countless pictures with my Pentax Spot Matix. (No flash – 400 ASA & a telephoto lens… such as they were back then.) Also shot a few slides from a borrowed roll of film… that I bummed off a passing journalist. I mention all this, because these notches on my sound belt eventually led to a 40 year sound career back in Southern Africa.

Oh… and the other S African? From Malmesbury in the Western Cape…Jimi Hendrix’s recording & sound engineer & one time manager: Eddie H. Kramer. As with Woodstock, Eddie & his partner Lee Osborne, recorded the film sound track back stage, from a split feed from out of our stage box onto 2 linked Ampex 4 track decks, if I recall. And no, I did not mix sound at Woodstock, as urban myth (and the University overview) claim. I was a Hanley Sound roadie. Thanks again Bill Hanley… the Father of Festival Sound. Hail Hail Rock ‘n Roll.

David Marks Music Director Producer Archivist

And…

Forgot to mention the mix for… Alice Cooper, Louisiana Zydeco fiddler Doug Kershaw & the Queen of Rock ‘n Roll… Little Richard. All three show stoppers. (Standing on the grand piano that Jerry Lee Lewis had kicked out of tune, Little Richard declared: Elvis may be the King of Rock ‘n Roll honey, but I’m The Queen.)

David Marks Music Director Producer Archivist

Plastic Ono Band…

Yoko got under a sheet & I didn’t know she had a mic… but I heard this turkey warble & when the feedback started I couldn’t ID the source… suddenly someone shouted at me “… it’s under the sheet…. it’s under the sheet.”

30 years later when 3rd Ear Music brought Crosby, Stills & Nash to South Africa, Bill Siddons was their manager… he was the Doors’ manager back in ’69 and they were about to follow John & Yoko. Bill came out front to check the mixer / desk when the feedback thing happened. Sitting around a breakfast table in Sandton in 1996 I’m bragging about this infamous incident… Bill starts laughing. Don’t tell me that you were the sound guy I shouted at? Blush! Go figure.

David Marks Music Director Producer Archivist

John Yoko South Africa

One reply to the post asked about John & Yoko in South Africa in the 1970s?

Too true. They spent most if the time in Cape Town… so we believe. In fact the taxi driver that John booked wrote about it a few years later. They became friends. John visited Cape Town a few times if the urban myths are to be believed. No I didn’t meet John or Yoko… not even when I mixed for the Plastic Ono Band in ’69.

David Marks Music Director Producer Archivist

More Bill Hanley

David Marks also added a couple other pictures to the thread:

1969-toronto-2

Bill Hanley … a better view of the ‘home made’ Hanley mixer. Setting up in the morning, Toronto 1969, and sound checking with a local band of student rockers. Can’t recall who they were. But you can see the speakers stacks a bit more clearly. And today the kids want 48 channell splitboard mixers with on-stage monitoring for 100 clubbers… and there Bill Hanley was… some 12 channels for 50,000, with an aux-mix stage feed for monitors? Go figure.

And…

Bill Hanley early morning setting up the mix at Live Peace in Toronto.

David Marks Music Director Producer Archivist
3rd Ear Music and the Hidden Years Music Archives

David Marks Music Director Producer Archivist

In a future posts I’ll try to cover some of David Marks’ current musical involvement particularly with 3rd Ear Music and the Hidden Years Music Archives.

David Marks Music Director Producer Archivist

John Lennon Can Stay

John Lennon Can Stay

October 7,  1975

Ballad of John and Yoko

John Lennon Can Stay

     John Lennon summed up Yoko and his life when he sang “Christ you know it ain’t easy…” in “Ballad of John and Yoko.

Their May/June 1969 bed-in which included recording “Give Peace A Chance” again put them on the front pages and in a light that the US government, particularly President Richard Nixon hated.

The oft-asked question as to why the Beatles were not at Woodstock may even have an answer related to Nixon as Lennon and Ono might well have had a difficult time getting a visa to perform had Woodstock Ventures actually invited them–which is uncertain. [Plus the fact that the Beatles were still not performing live, hadn’t been, and weren’t looking to.]

John Lennon Can Stay

War Is Over!

     At the end of 1969 John and Yoko continued to demand peace by placing “The War is Over” posters in major cities.

John Yoko Can Stay

John Lennon Can Stay

FBI Takes Notes

     On June 6, 1971  John Lennon and Yoko Ono appeared on stage for the first time since 1969 [Toronto Rock and Roll Revival] when they joined Frank Zappa for a show at the Fillmore East.

By August Lennon and Ono moved into a Greenwich Village apartment.

On December 11, Lennon headlined The John Sinclair Freedom Rally, a protest and concert in response the imprisonment of John Sinclair who was given ten years in prison for the possession of two marijuana cigarettes. The concert was held in Crisler Arena at the University of Michigan in Ann Arbor, Michigan. [It was Sinclair whom Abbie Hoffman wanted to talk about when Hoffman charged the stage at Woodstock during the Who’s performance.]

The FBI was taking notes at the rally when Lennon sang and in January 1972 opened a file on him. Why?

The 1972 presidential election was going to be the first time that 18-year-olds could vote in such an election and Nixon was worried that Lennon could influence that youth vote against him. [Nixon’s worries, of course, extended to his authorizing the break-in at the Democratic Headquarters in Washington, DC’s Watergate Hotel, but that’s another story!]

John Lennon Can Stay

Nixon: “You’re out!”

On February 4, 1972, after reading FBI surveillance reports, US Senator Strom Thurmond (R-SC) told Attorney General John Mitchell that Lennon should be deported because he consorted with known radicals such as Jerry Rubin and Abbie Hoffman.

On March 1, the Immigration and Naturalization Service [INS] delivered a letter to the Lennon requesting that he leave the country within two weeks or face deportation hearings. They used Lennon’s 1968 conviction for marijuana possession – a misdemeanor – as the reason for the deportation.

Thus began John’s four year struggle to stay in the US. They hired Leon Wildes, a Yeshiva University law professor, to appeal the order.

On May 1, 1972, Judge Bernard J. Lasker signed a temporary order in Federal Court restraining the Immigration and Naturalization Service from holding a deportation hearing. Judge Lasker ruled that the Government must first hold a hearing on a motion made by Lennon before it takes up the matter of deportation. Lennon’s motion asked that he be classified as “aliens of distinguished merit and ability.”

John Lennon Can Stay

Long and windy road

John had planned on participating in demonstrations outside the Republican convention August 21  – 23 in Miami, but realized such an activity would hurt his chances of winning the deportation appeal.

On August 30, 1972, a memo was sent to FBI director L. Patrick Gray that the FBI was ending its surveillance of Lennon. “All advised that during the month of July 1972, that the subject has fallen out of favor of activists Jerry Rubin, Stewart Albert and Rennie Davis, due to subject’s lack of interest in committing himself to involvement in anti-war and new left activities. In view of this information, the New York division is placing this case in a pending inactive status.”

Despite Nixon’s landslide victory, the INS continued to send letters to Lennon that he must leave the country.

Many artists wrote letters of support for Lennon and Ono. Bob Dylan (“John and Yoko inspire and transcend and stimulate and help put an end to this mild dull taste of petty commercialism which is being passed off as artist art by the overpowering mass media. Let John and Yoko stay!”), Joan Baez, beat poet Gregory Corso, John Updike, Leonard Bernstein, and Joseph Heller. NYC Mayor John Lindsey wrote a letter of support.

In 1973 Yoko Ono, a Japanese citizen, was granted permanent‐resident status.

Despite the situation, Lennon remained Lennon. On April Fools Day 1973 he and Yoko held a press conference to announce that they had formed Nutopia, a “conceptual country” with “no land, no boundaries, no passports, only people.” Citizenship was granted by “declaration of your awareness to Nutopia,” and all citizens were granted ambassadorship. Therefore, they were entitled to diplomatic immunity.

John Lennon Can Stay

Leon Wildes

Leon Wildes was more pragmatic. He counter-sued and his investigation revealed Nixon’s political motives were the actual motives behind the deportation.

By 1974, Nixon was in the middle of his own possible impeachment and his administration’s energies lay there.

On October 7, 1975, in a 2 – 1 decision, a three-judge federal panel ruled in Lennon’s favor. Judge Irving R Kaufman wrote in part, “The courts will not condone selective deportation based upon secret political grounds. We have always found a place for those committed to the spirit of liberty and willing to help implement it. He added “Lennon’s four-year battle to remain in our country is testimony to his faith in the American dream.”

John Lennon Can Stay

Official

Although the Appeals court had ruled in his favor, it was not until July 27, 1976 that immigration judge Ira Fieldsteel formally approved John Lennon’s application.

The Immigration Service lawyer said the Government no longer objected to Lennon’s presence. Judge Fieldsteel approved application for permanent residency number A17‐597‐321.

John Lennon Can Stay

John Lennon Can Stay