Category Archives: Music of the 60s

Beatles Let It Be

Beatles Let It Be

&
“The Long and Winding Road”
June 13, 1970

The Beatles were essentially no more in 1970. Only a few recordings and slim hopes remained.

Apple had released the Let It Be album on May 18. It had the highest number of advance orders for any album in the US record industry, with an astonishing 3,700,000 orders placed. The album retailed at $7, creating a gross sales figure of $25,900,000 before it was even released. [Beatle Bible article]

Despite crushed hopes, on June 13, 1970 we fans gave our musical brothers two #1s: a single and an album.

Beatles Let It Be
YouTube “Long and Winding Road”
Beatles Let It Be

Long and Winding Road

Their last #1 single.

“The Long and Winding Road” single seemed to say it all. Especially when Paul sang, “The wild and windy night that the rain washed away/Has left a pool of tears crying for the day/Why leave me standing here, let me know the way.

Wasn’t he singing what we were thinking?

Beatles Let It Be

Tells the story

In an ironic twist, the song reflects the progression of the Beatles’s demise. First, Paul McCartney did have the Beatles’s disharmony in mind when he wrote it. They (and Billy Preston) first recorded it in January 1969. It was a simpler version than the one that Phil Spector produced in April 1970. Those orchestral embellishments upset and maddened McCartney. So much so, that later, in his legal citations for the break up, he used those embellishments, done without his permission, as one of the reasons.

Allan Pollack says this (and much more) about the single:  in spite of his [McCartney’s] unabashed and sometimes even shameless sentimentality, he comes up with an affecting, durable torch song with “The Long And Winding Road”. The secrets of his success are to be found in the manner in which novel approaches to form and harmonic structure underscore the emotional core of the song, and belie whatever curbside surface clichés it has which may initially turn you off.

Beatles Let It Be

Let It Be

The Let It Be album was released on May 8, 1970. The Beatles last release. They had already broken up. The date most often used for that breakup is Paul’s public announcement on 10 April 1970.

They had actually recorded the album before the previous one, Abbey Road, thus forever creating fodder for fans to argue that Let It Be is the penultimate and Abbey Road the last.

Horseshoes and hand grenades.

Get Back was Let It Be’s original title  and intended, like its name suggested, to be a return to their musical roots. The single Get Back certainly gave that impression. A proposed album cover echoed their first album’s cover:

Beatles Let It BeDisruption after dissension delayed and delayed again the completion of the album.  Abbey Road intervened.

As they say in baseball, “You need a scorecard.”

Let It Be was not a critical success. However as I said previously about John and Yoko’s Some Time In New York City,  the Beatles on a bad day were always better than any critic on any day.

Beatles Let It Be

Stones Come On Chuck Berry

Stones Come On Chuck Berry

Chuck Berry

Stones Come On Chuck BerryCome On” is a straight-forward tune written by the straightforward rock n’ roll icon Chuck Berry. The Rolling Stones were searching for the “right” first song to release as a single and “Come On” met the criteria.

Chuck Berry, one of their favorite composers and one of British youths favorites as well. It’s about frustrated love, broken cars, and wrong numbers. A fine recipe.              

Stones Come On Chuck Berry

June 7, 1963

The Stones released their inaugural song on June 7, 1963, nine months after their friends, The Beatles, had released their inaugural single, “Love Me Do,” on October 5 , 1962 [a song without cars, phone calls, or by Chuck Berry, but it did have frustrated love].

Stones Come On Chuck Berry

Not quite Chuck

According to an All Music review, the  Stones’s song differs from Berry original in several ways:

  1. the Rolling Stones quickened the tempo
  2. they put more emphasis on off-beat guitar chording and wailing harmonica
  3.  the rhythm came close to reggae
  4. on the chorus, Mick Jagger was backed up by high harmonies
  5. they changed one of the lyrics substituting “some stupid guy” for the “some stupid jerk”
  6. an upward key change was thrown in for the last verse.

I would have never noticed, but some do and find the differences important. You can listen and decide for yourself.

Stones Come On Chuck Berry

Can you tell the difference?

Willie Dixon

The Stones’ B-side of “Come On” was “I Want to Be Loved” by Willie Dixon.  It was written in 1955 and reflects the Rolling Stones’s love of American blues roots.

Here’s their version:

This song’s theme has frustrated love, frustrated dancing, and frustrated attention.

The single did well, but did not catapult them into stardom.

1963 touring

In July, they played their first gig away from London in Middlesbrough, England. They shared the bill with The Hollies.

In the autumn of 1963, they toured the United Kingdom and opened for Little Richard, Bo Diddley and The Everly Brothers.

Second single

They also released their second single, “I Wanna Be Your Man.” The title may sound familiar and it should. The song was written by those upcoming Beatles, John Lennon and Paul McCartney. The single reached #12 on the UK singles chart.
Stones Come On Chuck Berry

Freddie Jerome Stewart Stone

Freddie Jerome Stewart Stone

From his Facebook page in 2012…”For Trayvon Martin”
Sly and the Family Stone
Woodstock alum
Rock and Roll Hall of Fame
born June 5, 1947
Happy birthday and many more
Freddie Stone, “You’ve Got to Love” from his 2001 Everywhere You Are album
Freddie Jerome Stewart Stone
photo from freddiestone.com
Freddie Jerome Stewart Stone

A true family affair

How that Stone family has added to our musical menu for nearly 50 years!

Today we celebrate Freddie Stone’s birthday. Many more Freddie.

Freddie and the Stone Souls

Frederick Jerome Stewart was born on June 5, 1947 in Vallejo, California and grew up there until he moved to San Francisco in 1965.

According to his web site’s bio, “Freddie studied music theory and composition, and acquired skills on many of the wind and string instruments.”

He later formed Freddie and the Stone Souls,  a top 40 hits band that played in nightclubs, dances and private parties.

Freddie Jerome Stewart Stone

Sly and the Family Stone

In 1967, Freddie and his older brother, Sly , decided to join their bands and Sly & The Family Stone was born.  The original members were sister Rosie Stone,  Cynthia Robinson, Gregg Errico,  Jerry Martini, and Larry Graham. They were Rock’s first integrated, multi-gender band.

Freddie Jerome Stewart Stone

Woodstock

The band had limited early success, but “Everyday People” put them on the map. Their rousing performance at the Woodstock Music and Art Fair put them on the triple album, in the movie, and onto continued success until Rock’s potholes dented this magnificent musical machine. 

Getting out      

By the mid-70s those disruptions had begun to slice the band apart. At at point, according to Freddie, “…I was on stage and realized that I don’t wanna do this anymore. Reality seemed to slip in. I was playing a song and I realized all of a sudden, how out of key everybody was and it seemed like nobody could tell it. People in the audience were holding up weed asking us if we wanted some more weed. We were all loaded and when I came down, I realized that we were all playing off key and when that happened I just said I’m done, I’m through.” (Interview link)

Frederick Freddie Jerome Stewart Stone

Pastor Freddie

In 1994, Freddie Stone became Pastor Frederick Stewart at Evangelist Temple Fellowship Center in his hometown of Vallejo, Ca.

Following the death of sister and band mate Cynthia Robinson, Freddie was part of a celebration concert.

And here’s a video of him with Sheila E…

Freddie Jerome Stewart Stone