Category Archives: Music of the 60s

Canned Heat Larry Mole Taylor

Canned Heat Larry Mole Taylor

Played with…
Jerry Lee Lewis, The Monkees, Canned Heat, John Mayall’s Bluesbreakers, and many others
Monterey Pop Festival
Woodstock
June 26, 1942 – August 19, 2019

Canned Heat Larry Mole Taylor

Canned Heat @ Monterey Pop Festival, “Rollin’ and Tumblin'”

Early years

Larry Taylor was born in New York City and seems to have played music his whole life. It was his brother, Mel, drummer for the Ventures, who led Larry into music. Larry played on a few of the Ventures’ albums.

He played in an instrumental surf band, the Gamblers, in the mid-’60s

Larry Taylor toured with Jerry Lee Lewis and was the session bassist for The Monkees. He also worked as a session musician for artists like Albert King, Solomon Burke, Buddy Guy, JJ Cale, Ry Cooder, Harvey Mandel and Charlie Musselwhite.

Canned Heat Larry Mole Taylor

Canned Heat

His career went into high gear when he joined Canned Heat in 1966 at the request of Henry Vestine, its original guitarist (Harvey Mandel later replaced Vestine). Taylor received his nickname from Skip Taylor, Canned Heat’s manager. Each of the band’s members had one. “The Mole” came from Skip Taylor thinking that a split in Larry’s front tooth made him look like a mole.

I suppose it could have been worse.

Woodstock

He described his Woodstock Music and Art Fair experience: It’s still the biggest crowd that I’ve ever played.  It’s hard to explain and to put into words.  You’d kind of have to have been there to really understand it.  I don’t really remember much.  It went by real fast.  In a way, it was like a shock. [Pop Addict interview]

Canned Heat Larry Mole Taylor

Post-heat

He left Canned Heat in 1970. He and Mandel joined John Mayall’s Bluesbreakers for a stretch.

He later played with the Sugarcane Harris Band and The Hollywood Fats Band.

He had also played with Leo Kottke, Tom Waits, John Lee Hooker, Ry Cooder, Charlie Musselwhite, John Hammond, JJ Cale, Tracy Chapman, Al Blake, and many others [All Music credits]

Taylor rejoined and exited Canned Heat on several occasions, and, beginning in 2010, became one of the members of the 2019 lineup of the band, along with de la Parra, the only consistent member since 1967.

Canned Heat Larry Mole Taylor
CANNED HEAT 2018: FITO DE LA PARRA, JOHN PAULUS, DALE SPALDING & LARRY TAYLOR

He died at his Lake Balboa, California home on August 19, 2019. The band’s manager and one-time producer, Skip Taylor, confirmed on Canned Heat’s Facebook that Taylor’s death after a 12-year battle with cancer. He was 77.

Larry told great stories, funny jokes, was a foodie, wine, record, and rock poster collector, computer whiz and a special human being who really ‘lived for music,’” Skip Taylor wrote in a statement. “Music was his religion! He influenced many of us in different ways and he will be missed by many throughout the music industry. Condolences to his wife, Andrea, his son Danny and his two daughters, Rebecca and Molly.” [Rolling Stone Magazine article]

Canned Heat Larry Mole Taylor

Beach Boys Summer Spectaculars

Beach Boys Summer Spectaculars

June 24 & 25, 1966
Not from June 1966: Beach Boys live, “God Only Knows”
Beach Boys Summer Spectacular Beach Boys Summer Spectacular
Beach Boys Summer Spectaculars

Likely 2 Days

Today’s blog confused me a bit as I thought this “festival” was a one-day event, yet sources suggest it was two days in two different places with nearly the same line-up. I am going to treat it as a two-day event, but with a grain of salt. The second poster with the “KRLA Presents” (as opposed to the first day’s “KFRC Presents”) suggests the two-day two-venue possibility. And I can find no information to distinguish things.

Here we go!

Friday 24 June (San Francisco)

  • Beach Boys
  • The Lovin’ Spoonful
  • Chad & Jeremy
  • Percy Sledge,
  • The Outsiders
  • The Leaves
  • Sir Douglas Quintet
  • Jefferson Airplane,
  • The Byrds
  • The Sunrays
  • Neil Diamond
Saturday 25 June (Los Angeles)

  • Beach Boys
  • The Lovin’ Spoonful
  • Chad & Jeremy
  • Percy Sledge
  • The Outsiders
  • The Leaves
  • Sir Douglas Quintet
  • Love
  • The Byrds
  • Captain Beefheart
Beach Boys Summer Spectaculars

Station-sponsored

First of all, this was not a 1969 festival and perhaps was not even a festival, but it was a rock music event that was held by an FM-rock radio station in San Francisco that featured some groups that were emerging on the new FM-rock scene.

The sponsor of the event, KFRC-FM (and RKO-owned station) had joined the growing number of FM stations that saw rock music as a profitable format. Bill Drake, the RKO General’s national program director, created a system that meant a fewer records, but heavier rotation of the biggest hits, very short jingles, and less DJ talk.

Beach Boys Summer Spectaculars

Seeds of future outdoor festivals

One can see the seeds of the “underground” style and album-oriented selection in Drake’s so-called “Boss Radio” style.

The selection of groups that perform is an interesting mix of styles: the jug band bent of the Lovin’ Spoonful, the soul of Percy Sledge, the San Francisco Jefferson Airplane, the LA folk-rock of the Byrds, some British Invasion with Chad and Jeremy, Cleveland rock with the Outsiders (their big hit, “Time Won’t Let Me,” a bit of Texas/San Francisco mix with the Sir Douglas Quintet,  and of course the surfin’ Beach Boys.

Beach Boys Summer Spectaculars

Hey Joe 

The Leaves are historically interesting as they were the first rock group to release what would in a year become Jimi Hendrix’s signature song, “Hey Joe.”

I am surprised to see Captain Beefheart and his Magic Band (and you should be, too), and Love.

With so many bands (either way), the sets must have been short to accommodate so many groups in what was likely a 3 or 4 hour window.

The ticket prices were $2, $3, $4, and $5 for the first night; $2.75, $3.75, $4.75,  and $5.75 for the second night. The more expensive tickets seem too expensive for 1969. I assume there was no meet-and-greet with the highest priced tickets.

Beach Boys Summer Spectaculars

Ray Charles Modern Sounds

Ray Charles Modern Sounds 

#1 Billboard album

June 23, 1962 – September 28, 1962

One of the greatest

Rolling Stone magazine ranks Ray Charles’s Modern Sounds in Country and Western Music at 105 of its top 500 greatest albums of all time. [Rolling Stone magazine article] That is, of course, simply an opinion, but it’s only how the album’s greatness compares that is up for debate. Not whether it is great.

Ray Charles Modern Sounds
Already a star

Ray Charles was already a star by 1962.  He had released his first single, “Confession Blues” in 1949 with the Maxin Trio. In 1953, Charles signed with Atlantic Records and had his first R&B hit single with “Mess Around.”

In 1954 “I Got a Woman,” reached No. 1 on the R&B charts.

Ray Charles Modern Sounds

Nat King Cole’s influence

His earliest style was akin to Nat King Cole’s, but Charles could also play jazz and his combination of gospel and R & B created a genre we now call soul.

In 1959, Atlantic released a sanitized version of “What’d I Say” after criticism of the original’s sexual innuendo and some radio stations refused to play it.

It hit #1 on Billboard’s R&B singles chart, number six on the Billboard Hot 100, and it became Charles’ first gold record. It also became Atlantic Records’ best-selling song at the time.

In November 1959, Charles left Atlantic for a much better deal with ABC-Paramount Records. He immediately produced two classic hits, “Georgia on My Mind” and  “Hit the Road Jack.” He won Grammys for both.

Ray Charles Modern Sounds

Question of direction

Peers and ABC executives questioned the idea of Charles doing  a country and western genre album, but Charles liked that style and felt he could do as good or better a job.

Obviously he won the discussion. Obviously he was correct about how well a job he could do.

Channeled through Charles’s love of blues, jazz, and R & B, Sounds in Country and Western Music was like and unlike any C & W music of its time.

Nashville music writers were suddenly on the national radar for material. Writer Daniel Cooper stated, “There is no telling how many people, who perhaps never paid much attention to country music or even had professed to dislike it, listened anew based on the impact of having heard what Ray Charles was capable of doing with that music.” [Wikipedia entry]

At a time when singles ruled, Ray Charles’s Modern Sounds in Country and Western Music produced four and all in 1962:

  1. “I Can’t Stop Loving You” (#1 from June 2 – July 6)
  2. “Born to Lose”
  3. “You Don’t Know Me”
  4. “Careless Love

60 albums +

Ray Charles went on to have an astounding career. In 2003, Charles had to cancel his tour for the first time in 53 years. Hip surgery and liver disease.

He died on June 10, 2004. Charles had recorded more than 60 albums [All Music list] and performed more than 10,000 concerts.

Ray Charles Modern Sounds