Category Archives: Anniversary

Tim Hardin 1 album

Tim Hardin 1 Album

“Tim Hardin 1” album released July 1966

Tim Hardin 1 album

 

Ah, Tim Hardin

Born in Eugene, Oregon on December 23, 1941. High school dropout. Marine Corps enlistee. Heroin addict. New York City resident. Greenwich Village folk singer.

Not the same collection of events in every singer-songwriter’s resume, but familiar enough to merit a nod of recognition.

Many received the Village’s golden touch of success. Many. Not all.

Hardin didn’t feel that tap, surprising to others who knew him, loved his songs, and his talent.

At at time when composers were telling their tale with longer and more elaborate songs (Mr Dylan’s “Like a Rolling Stone” a prime example), Tim Hardin typically stuck with the short: verse > chorus > verse format.

Tim Hardin 1 album

On his first release, Tim Hardin 1, “Reason to Believe” is perhaps the best known of the album’s many wonderful song. Others have covered the song, Rod Stewart’s in 1971 is perhaps the best known.

If I listen long enough to you
I’d find a way to believe that it’s all true
Knowing, that you lied, straight-faced
While I cried But still I’d look to find a reason to believe
Someone like you makes it hard to live
Without, somebody else
Someone like you, makes it easy to give
Never think of myselfIf I gave you time to change my mind
I’d find a way to leave the past behind
Knowing that you lied, straight-faced
While I criedBut still I’d look to find a reason to believe
If I listen long enough to you
I’d find a way to believe it’s all true
Knowing that you lied, straight-faced
While I criedStill I’d look to find a reason to believe.

Woodstock Music and Art Fair

Those whom Woodstock Ventures invited to their festival and art fair in Bethel, NY ranged from the little known to the famous. “Little known” to some, but loved by many. Hardin was of the latter. Bob Dylan reportedly described Hardin as, ““the greatest songwriter alive.”

Side one
  1. “Don’t Make Promises” – 2:26
  2. “Green Rocky Road” – 2:18
  3. “Smugglin’ Man” – 1:57
  4. “How Long” – 2:54
  5. “While You’re On Your Way” – 2:17
  6. “It’ll Never Happen Again” – 2:37
Side two
  1. “Reason to Believe” – 2:00
  2. “Never Too Far” – 2:16
  3. “Part of the Wind” – 2:19
  4. “Ain’t Gonna Do Without” – 2:13
  5. “Misty Roses” – 2:00
  6. “How Can We Hang On to a Dream?” – 2:04

Personnel

  • Tim Hardin – vocals, guitar, keyboards
  • Gary Burton – vibraphone
  • Bob Bushnell – bass
  • Earl Palmer – drums
  • Buddy Salzman – drums
  • Jon Wilcox – drums
  • John Sebastian – harmonica
  • Phil Kraus – vocals
  • Walter Yost – bass

Woodstock Ventures also scheduled Hardin to open. First day. First performer.

Many wonder what it was like to be in that crowd of 400,000 on Max Yasgur’s 40 acre field, but few ask what it was like to perform in front of that throng. For Hardin the challenge was initially too great a burden and Richie Havens famously filled in.

Hardin did later perform in that day’s gloaming. His short songs filled his short set:

  • (How Can We) Hang on to a Dream
  • Susan
  • If I Were a Carpenter
  • Reason to Believe
  • You Upset the Grace of Living When You Lie
  • Speak Like a Child
  • Snow White Lady
  • Blue on My Ceiling
  • Simple Song of Freedom
  • Misty Roses

Left out and off

Not appearing on the Woodstock album, nor the movie, addiction, and sometimes leaving the country to seek medical help kept Hardin out of the public eye for years. The New York Times described him in a 1976 show, “he is a nervous, self‐absorbed performer who phrases in a wildly unpredictable manner. Sometimes his improvisations are exciting, but sometimes they are simply aimless.”

Hardin died four years later on December 29, 1980, 6 days after his 39th birthday. His addiction finally killed him, but his songs continue to inspire.

Tim Hardin 1 album

Ray Charles Modern Sounds

Ray Charles Modern Sounds 

#1 Billboard album

June 23, 1962 – September 28, 1962

One of the greatest

Rolling Stone magazine ranks Ray Charles’s Modern Sounds in Country and Western Music at 105 of its top 500 greatest albums of all time. [Rolling Stone magazine article] That is, of course, simply an opinion, but it’s only how the album’s greatness compares that is up for debate. Not whether it is great.

Ray Charles Modern Sounds
Already a star

Ray Charles was already a star by 1962.  He had released his first single, “Confession Blues” in 1949 with the Maxin Trio. In 1953, Charles signed with Atlantic Records and had his first R&B hit single with “Mess Around.”

In 1954 “I Got a Woman,” reached No. 1 on the R&B charts.

Ray Charles Modern Sounds

Nat King Cole’s influence

His earliest style was akin to Nat King Cole’s, but Charles could also play jazz and his combination of gospel and R & B created a genre we now call soul.

In 1959, Atlantic released a sanitized version of “What’d I Say” after criticism of the original’s sexual innuendo and some radio stations refused to play it.

It hit #1 on Billboard’s R&B singles chart, number six on the Billboard Hot 100, and it became Charles’ first gold record. It also became Atlantic Records’ best-selling song at the time.

In November 1959, Charles left Atlantic for a much better deal with ABC-Paramount Records. He immediately produced two classic hits, “Georgia on My Mind” and  “Hit the Road Jack.” He won Grammys for both.

Ray Charles Modern Sounds

Question of direction

Peers and ABC executives questioned the idea of Charles doing  a country and western genre album, but Charles liked that style and felt he could do as good or better a job.

Obviously he won the discussion. Obviously he was correct about how well a job he could do.

Channeled through Charles’s love of blues, jazz, and R & B, Sounds in Country and Western Music was like and unlike any C & W music of its time.

Nashville music writers were suddenly on the national radar for material. Writer Daniel Cooper stated, “There is no telling how many people, who perhaps never paid much attention to country music or even had professed to dislike it, listened anew based on the impact of having heard what Ray Charles was capable of doing with that music.” [Wikipedia entry]

At a time when singles ruled, Ray Charles’s Modern Sounds in Country and Western Music produced four and all in 1962:

  1. “I Can’t Stop Loving You” (#1 from June 2 – July 6)
  2. “Born to Lose”
  3. “You Don’t Know Me”
  4. “Careless Love

60 albums +

Ray Charles went on to have an astounding career. In 2003, Charles had to cancel his tour for the first time in 53 years. Hip surgery and liver disease.

He died on June 10, 2004. Charles had recorded more than 60 albums [All Music list] and performed more than 10,000 concerts.

Ray Charles Modern Sounds

Incredible String Band

Incredible String Band

The first album by…
The Incredible String Band
Recorded May 22, 1966
Released in September 1966 (UK); April 1967 (US)
Mike Heron’s “How Happy I Am”

By June 1966, British influence on American pop musical tastes was firmly established and record labels had opened their recording studio doors to much more creativity.

The Incredible String Band was not the typical British Invasion band. In 1966 American radio stations were playing #1 songs by the Beatles, the Rolling Stones, Petula Clark, and the Troggs. Even the New Vaudeville Band’s “Winchester Cathedral” tickled our organs of Corti.

ISB, consisting originally of Mike HeronRobin Williamson, and Clive Palmer, had recorded the album only the month before. Their style was acoustic and British folk.

Folk-rock > Psychedelic-folk

In the US, though folk music no longer enjoyed its heyday, the Byrds had become popular and their style had created the new rock genre:  “folk-rock.”

ISB planted their sound’s seeds in that soil.

Compared to their later albums (minus Palmer who left after the first album), Incredible String Band is simple. In fact, most of the songs are played solo by the person who wrote them. Palmer had only written one of the songs and thus minimized his presence: five by Williamson, three by Heron and the one by Palmer.

ISB would later compose more elaborate  songs resulting in yet another media label:  psychedelic folk. #ahwell

Heron & Williamson

It would be those more intricate pieces that attracted the band (now only Heron and Williamson with occasional others) to American FM alternate stations.

And it was that attraction that likely brought the band to the attention of Woodstock Ventures who booked them for the Festival on May 28, 1969 for $4,500.

Album

Here are the tracks for the album:

Side 1

  1. Maybe Someday
  2. October Song
  3. When the Music Starts to Play
  4. Schaeffer’s Jig
  5. Womankind
  6. the Tree
  7. Whistle Tune
  8. Dandelion Blues

Side 2

  1. How Happy I Am
  2. Empty Pocket Blues
  3. Smoke Shovelling Song
  4. Can’t Keep Me Here
  5. Good as Gone
  6. Footsteps on the Heron
  7. Niggertown
  8. Everything’s Fine Right Now