All posts by Woodstock Whisperer

Attended the Woodstock Music and Art Fair in 1969, became an educator for 35 years after graduation from college, and am retired now and often volunteer at Bethel Woods Center for the Arts which is on the site of that 1969 festival.

Miles Davis Sketches Spain

Miles Davis Sketches Spain

Released July 18, 1960

Miles Davis Sketches of Spain

Miles Davis Sketches Spain

Third Stream

It was not new for jazz artists to take a classical composition and adapt it to their style. Third Stream was a description of such an adaptation in that it was a fusion of jazz, classical European, and world music.

In Sketches of Spain Miles Davis used some of Joaquin Rodrigo’s Concierto de Aranjuez (1939) as well as a song called “Will o’ the Wisp”, from Manuel de Falla’s ballet El amor brujo.

George Kanzler described Sketches of Spain as, “…the least jazzy album they [Davis and Gil Evans] made. Suffused with the melancholic, repressed passion of flamenco and shimmering with the brooding modal minimalism of that music, Sketches of Spain is a triumph of moody impressionism.”

1960

Popular music and 10-year-old Baby Boomers were still four years away from Beatlemania and the British Invasion with its reinterpretation of American pop. And popular music was five years away from the touchstone year of 1965 when Bob Dylan went electric, the Beatles went Rubber Soul, and Brian Wilson decided to Pet Sounds.

Jazz

Miles Davis Sketches Spain

Jazz musicians had often been more willing to push the limits of their style. In 1960 John Coltrane released Giant Steps, an album whose tracks continue to inspire today’s  saxophonists. Wes Montgomery did the same for guitar with The Incredible Jazz Guitar of Wes Montgomery.

Charles Mingus

That same year, bassist Charles Mingus released Blues and Roots. In the album’s liner notes, Mingus wrote, “This record is unusual—it presents only one part of my musical world, the blues. A year ago, Nesuhi Ertegün suggested that I record an entire blues album in the style of Haitian Fight Song (in Atlantic LP 1260), because some people, particularly critics, were saying I didn’t swing enough. He wanted to give them a barrage of soul music: churchy, blues, swinging, earthy. I thought it over. I was born swinging and clapped my hands in church as a little boy, but I’ve grown up and I like to do things other than just swing. But blues can do more than just swing. So I agreed.”

Miles Davis Sketches Spain
Sketches of Spain

All Music has a wonderful review. Each of reviewer Thom Jurek’s sentences seems to top the previous one in its praise for each track.

While the Beatles were still crafting their skills and trying to decide what name they should stick with, Miles Davis was creating some of the most classic music ever recorded.

Miles Davis Sketches Spain

Jimi Hendrix Quits Monkee Tour

Jimi Hendrix Quits Monkee Tour

July 17, 1967

Jimi Hendrix Quits Monkee Tour

Jimi Hendrix Quits Monkee Tour

Everyone Loves Hendrix?

Young visitors to the Museum at Bethel Woods Center for the Arts (where Woodstock was, not where Woodstock is), often bemoan the fact that they weren’t born for that famous festival. That they would have done anything to attend.

I don’t disagree with their wish, but I will point out that despite his fame today, Jimi Hendrix was not beloved by every young person when he initially appeared on the American scene.

Hendrix first became famous, at least in a small corner of America, at the Monterey International Pop Festival in June 1967 when the next day’s headlines read: Hendrix Sets Monterey Afire.

Jimi Hendrix Quits Monkee Tour

Of course the Monkees

To say that the Monkees were very popular in 1967 is an understatement. The Colgems label had released their debut album, The Monkees, on October 10, 1966. It became Billboard’s #1 album on November 12. It remained there  until February 10, 1967! 124 days. What replaced it? Their second album, More of the Monkees, which remained the number one album until June 16…126 more days! Those numbers exceed the Beatles’ opening days in 1964.

Mike Jeffery was Hendrix’s manager and wanted to capitalize on that popularity with his emerging star. How better to do that than hitch Hendrix onto Comet Monkees?

While the Monkees may have been an assembled act whose members were actors more than musicians, that didn’t mean those members didn’t like music. Micky Dolenz, the Monkees’ drummer, had first heard about Jimi Hendrix and seen him in the Village before Hendrix even went to the UK under the aegis of Animal bassist Chas Chandler.

Jimi Hendrix Quits Monkee Tour

The idea is hatched

Dolenz and fellow Monkee Peter Tork saw Hendrix at Monterey. Tork wasn’t impressed…

…but Dolenz was and he recommended the two groups get together on the Monkees upcoming  28-city tour.

Jimi Hendrix Quits Monkee Tour

Quit

It didn’t go well because, as I’ve said, not every young person in 1967 was ready for or wanted to experience Jimi Hendrix. Had the Jefferson Airplane, the Who, or Joan Baez opened for the Monkees, the results would have been the same: kids repeatedly yelling “We want the Monkees!”

Hendrix’s presence thrilled the Monkees, but eight shows into the tour, Hendrix left.

Obviously the Experience didn’t make the date announced in the above radio spot.

Jimi Hendrix Quits Monkee Tour

1969 Newport Folk Festival

1969 Newport Folk Festival

July 16 – 20, 1969
1969 festival #26

Newport folk festvial

1969 Newport Folk Festival

Folk counts

The 1969 Newport Folk Festival is the 26th festival I have blogged about for that famous season. I am including a folk festival in what is mainly a rock festival list because the lines between the two genres had blurred.

Remember that day one of the Woodstock Music and Art Fair began mainly with folk. The 1969 Newport Jazz Festival, less than two weeks earlier, had included many rock acts in its line up. Promoters had seen the writing on the wall: many young people’s tastes had expanded from rock to folk, from folk to rock, from rock to jazz and from jazz to rock. Including a diversity of music attracted more guests and these festivals were business ventures. More guests equaled more revenue.

Fear of Rock

At the earlier Newport Jazz Festival, the popularity of rock performers brought an overflow of attendees. Fences fell. Police policed. Residents complained.

As a result, the Newport City Council instituted a “no rock” rule on the folk festival. A heavy wire fence replaced the former smaller wooden one.  Fewer seats. More security. Earlier curfew.

Still the 60s

1969 Newport Folk Festival
photo courtesy of David Marks (thank you)

Despite the locals’ attempt to tame the scene, singers sang of the times. Johnny Cash sang against the Vietnam war; Buffy St-Marie sang about Native American mistreatment; Len Chandler of civil rights; and there was even an anti-interstate highway construction song by Ed Wheeler named “The Interstate is Coming Through My Outhouse.”

YouTube doesn’t seem to have Wheeler’s version, but here’s one by Leroy Pullins.

1969 Newport Folk Festival

Richard Williams

It’s always nice to find a first hand account of an event. Known academically as a primary source, it gives us a better feel for an event than stories written after the event.

Richard Williams attended the 1969 Newport Folk Festival and wrote his impressions about it, particularly the last night on a Facebook comment. Among his observations were hearing an unknown James Taylor participate in a song workshop after which promoters invited Taylor onto the main stage, a rare honor.

On that last night Williams remembers the announcement of Neil Armstrong’s historic steps onto the Moon and leaving the festival while listening to Joan Baez singing “Throw Out the Lifeline” a capella.

That song also is not on YouTube, but here is an Ella Fitzgerald cover of the old spiritual.

Throw Out the Lifeline

1969 Newport Folk Festival

Music Bazaar

A New York Times article headline referred to the 1969 festival as a “music bazaar” and Rolling Stone magazine’s closing paragraph on the festival read: It was the same old shuck. What will happen next year? Who knows but Mr. [organizer George] Wein who closed the Festival by saying: “During the last 16 summers of the Newport Festivals, it’s been the kids who’ve supported us. We’re still concerned with the kids. God Bless You.”

1969 Newport Folk Festival

Next 1969 festival:  Eugene Pop Festival