Monthly Archives: April 2018

Festivals, Music et al, Music of the 60s, Peace Love Art and Activism, Today in history

LA Free Press Festival Riot

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LA Free Press Festival Riot

April 20, 1969

The LA Free Press’s Birthday Party

The third “festival” of 1969 was the LA Free Press Festival. I qualify the word festival because organizers planned only a one-day event and typically a festival was a multi-day event. Having said that, it is important to keep in mind that although it was only one day, there were a number of groups for whom this event was simply one of a series in Venice aimed at controlling what they saw as uncontrolled development of the area.

California was the birthplace of rock festivals whether they be called festivals, be-ins, fairs, or whatever. The 1967 Summer of Love had demonstrated the counter-culture’s positive and negative characteristics.

For the most part, the peaceful gatherings where youth enjoyed their music and other types of entertainment presented no disruptive issues to local governments. When the gatherings interfered with the everyday lives of other residents or when local law enforcement viewed (for any number of reasons) the youth’s behavior as immoral and illegal, conflict resulted.

Such were the circumstances that led to the LA Free Press celebrating its birthday with the LA Free Press Festival. Unfortunately, a well-intentioned event turned violent.

LA Free Press Festival Riot

The Los Angeles Free Press

LA Free Press Festival Riot

The LA Free Press–The Los Angeles Free Press–(also called “the Freep”)  was an underground newspaper of the 1960s, perhaps the first of that type.  Art Kunkin edited and published it weekly.

Unlike  the other 1969 festivals, the Free Press’s was to be both musical and political.

Venice had been an independent city until it merged with Los Angeles in 1926.  According to its site, “Venice has always been known as a hangout for the creative and the artistic. In the 1950s and 60s, Venice became a center for the Beat generation. There was an explosion of poetry and art. “

Sounds like a good spot for a festival.

There is not much about who was scheduled to play. Country Joe and the Fish were there. In the book the place of music edited by Andrew Leyshot, David Matless, and George Revill, it reads, “In April 1969 Venice Beach hosted its first free concert, attempting to build upon the success of Be-Ins in the previous two years. In the mythology of L.A., the “Beach” was considered an ideal ecology of life for such revelry.”

LA Free Press Festival Riot

Incident

The times were one that the hum of confrontation between law enforcement and youth was a constant presence. Apparently a thrown bottle lighted the fuse that led to the incident. One of the lessons that Woodstock Ventures learned from this and other similar incidents was to avoid having an law enforcement presence on site.

LA Free Press Festival Riot

Tales of a Blue Meanie

Allan Cole from his book, Tales of a Blue Meanie, chapter 8, Riotous Behavior, described some background: Circus Saul [Blumenthal] and Fish Face [Sam] were radical capitalists – that’s what they called themselves, anyway. They hated LBJ, despised Richard Nixon even more and had pledged ten thousand dollars each to the newly formed organization “Businessmen For Peace.” They also vowed to stage various concerts up and down the state to raise awareness and funds for their cause.

LA Free Press Festival Riot

Confessions of an Unapologetic Hippie

Phil Polizatto wrote in Confessions of an Unapologetic Hippie: 

It was supposed to be a love-in/anti-war gathering. Right there on that expanse of beach between Pacific Ocean Park and where Venice proper started. The line up consisted of Spirit, Nitty Gritty Dirt Band, and Taj Mahal, interspersed with anti-war speeches. For a change, we would be on the stage itself and not on scaffolds. Still, it was just more go-go dancing. And we’d be doing it for free just like all the other entertainers….

It was a wonderful day. Everyone was on a high. Spirit really got everyone on their feet. Dancing. Swaying. Gettin’ down! The speeches were empowering and solidified the crowd’s resolve against the war. They knew that the threat from the outside was now and forever a lie. They knew that the country had better start thinking in a new way. And they knew that these rallies were meant to attract the media and make people pay attention. They needed a venue where their opposition could be clearly seen and loudly heard. So they rose to the occasion and hooted and whistled and hollered at the top of their lungs in response to buzz words that echoed through the loudspeakers. But the crowd was there as much for the music as they were to make a statement. They were there to have a good time and have some fun.

A threatening police presence, a bottle perhaps thrown, and “Suddenly it was chaos. Clubs cracking skulls. Kids screaming and being trampled by both the cops and the crowd. Some people putting up a fight. Guys trying to rip the masks from the cops’ faces to get something to punch at. Feisty women kicking and biting their assailants. Kids trying to hang on to, but then violently bucked off, the bronco legs of police who were trying to pummel their dads. Lots of bleeding. Lots of pleading. “

LA Free Press Festival Riot

The Evening Outlook reported

LA Free Press Festival Riot

A local paper reported the next day that police moved in because of a planned orgy: “The plan was for people to form a huge circle around a couple on the beach who would have intercourse. Slowly, other couples would join in, [police Capt. Robert] Sillings said his reports revealed. One couple was arrested for lewd conduct after the girl danced topless while her partner fondled her, police said. The girl reportedly was told to put on her top several times and was arrested when she refused. Sillings said there were “numerous incidents” of girls peeling off their bathing suits. Six officers were injured by flying rocks and bottles and at least a dozen other people were hurt in fist fights and by broken glass. A dozen ambulances went to the scene during the day. The violence broke out late in the afternoon when officers attempted to arrest several individuals on suspicion of possession of marijuana and public intoxication.”

LA Free Press Festival Riot

Next 1969 festival: Nottingham’s Pop & Blues Festival

Black history, Peace Love Art and Activism, Today in history

KKK Kills Activist Viola Liuzzo

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KKK Kills Activist Viola Liuzzo

Viola Fauver Gregg

Viola Fauver Gregg was born on  April 11, 1925 in California, PA. Her family was poor and often moved to find work.

 While living in Detroit, she witnessed the cruelty that its black citizens were subjected to and became sympathetic.  In 1964 she joined the National Association for the Advancement of Color People.
 By then she had married Anthony Liuzzo and they had three children.
 Watching the horrors of the March to Montgomery’s first attempt, Liuzzo decided to go to Selma and participate.
KKK Kills Activist Viola Liuzzo

Activist murdered

She joined parts of the march to Montgomery and on March 25, 1965 listened to Dr Martin Luther King,  Jr’s famous “How Long Will It Take” speech.
 
 

It would be the last speech she heard.

Using her car, Viola Liuzzo and  Leroy Moton, a 19-year-old black man who had  also marched and assisted with the March to Montgomery,  were helping to  shuttle people from Montgomery back to Selma.

KKK Kills Activist Viola Liuzzo

After dropping passengers in Selma, she and Moton headed back to Montgomery. On the way another car  pulled alongside and a passenger in that car shot directly at Liuzzo, hitting her twice in the head, and killing her instantly. Moton was uninjured.

KKK Kills Activist Viola Liuzzo

Arrests immediate

Within 24 hours President Lyndon Johnson appeared on national TV  to announce the arrest of Collie Wilkins (21), William Eaton (41) and Eugene Thomas (41) and  Gary Rowe (34). (text of announcement) 

Johnson stated, “Mrs. Liuzzo went to Alabama to serve the struggle for justice. She was murdered by the enemies of justice, who for decades have used the rope and the gun and the tar and feathers to terrorize their neighbors.” 

March 27, 1965 : a group of about 200 protesters, black and white, led by the Rev. James Orange of the SCLC marched to the Dallas County courthouse in Selma. The Rev. James Bevel told them, “[Viola Liuzzo] gave her life that freedom might be saved throughout this land.” 

KKK Kills Activist Viola Liuzzo

Funeral services

March 29, 1965 : the NAACP sponsored a memorial service for Viola Liuzzo at the People’s Community Church in Detroit. Fifteen hundred people attended, among them, Rosa Parks.

March 30, 1965: funeral services were held for Viola Liuzzo. Her funeral was held at Immaculate Heart of Mary Catholic church in Detroit, with many prominent members of both the civil rights movement and government there to pay their respects. Included in this group were Martin Luther King, Jr.; NAACP executive director Roy Wilkins; Congress on Racial Equality national leader James Farmer; Michigan lieutenant governor William G. Milliken; Teamsters president Jimmy Hoffa; and United Auto Workers president Walter Reuther. At San Francisco’s Grace Episcopal Cathedral, Martin Luther King said of Liuzzo, “If physical death is the price some must pay to save us and our white brothers from eternal death of the spirit, then no sacrifice could be more redemptive.“

On April 1, a cross was burned in front of four Detroit homes, including the Liuzzo residence. (History Engine article)

April 3, 1965 : the mother of Collie Leory Wilkins told President Johnson that he has made it impossible for her son to have a fair trial.

KKK Kills Activist Viola Liuzzo

Indictments and trials

KKK Kills Activist Viola Liuzzo
From Left to Right; Collie Leroy Wilkins Jr., Eugene Thomas, and William Orville Eaton.

April 6, 1965 : a grand jury indicted Collie Wilkins, William Eaton, Eugene Thomas, and Gary Rowe.

April 15, 1965 : all charges against Gary Rowe were dropped, and he was identified as a paid undercover FBI informant who would testify for the prosecution. [It will later be revealed that Rowe had participated in the beatings of Freedom Riders in Birmingham in 1961 and was suspected of involvement in the 1963 bombing of the Sixteenth Street Baptist Church.]

May 3, 1965 : the Wilkins trial began. 

May 6, 1965 : during his final defense arguments Wilkens’s lawyer, Matt Murphy, made blatantly racist comments, including calling Liuzzo a “white nigger,” in order to sway the jury. The tactic was successful enough to result in a mistrial the following day (10-2 in favor of conviction)

May 10, 1965 : Collie Wilkins, William Eaton, and Eugene Thomas participated in a Ku Klux Klan parade. Collie Wilkins, free on bond after the mistrial, carried a Confederate flag.  After the parade, the Imperial Wizard of the United Klans of America, Robert Shelton, asked the three men to stand. They received a standing ovation.

August 20, 1965 :  Matt Murphy, the defendants’ lawyer in the Viola Liuzzo murder, died in an automobile accident after he fell asleep while driving and crashed into a gas tank truck. Segregationist and former mayor of Birmingham, Art Hanes, agree\ds to represent three accused killers.

October 19, 1965 : State Attorney General, Richmond M Flowers, interrupted the second Liuzzo trial and asked the Alabama Supreme Court to purge some jurists, a number of whom stated during jury selection that they believed white civil rights workers to be inferior to other whites. The request was denied. 

October 20, 1965 : Roy Reed in the NY Times reported that, ”an all-white jury dominated by self-proclaimed white supremacists was chosen…for the retrial of Collie Leroy Wilkins, Jr, a Ku Klux Klansman charged with the murder of Viola Liuzzo.” 

October 22, 1965 : the jury took less than two hours to acquit Collie Wilkins in Liuzzo’s slaying.

KKK Kills Activist Viola Liuzzo

Federal trial

November 30, 1965 : Collie Wilkins (already acquitted in State Court), Eugene Thomas, and William Eaton faced trial on Federal charges that grew out of the killing of a Viola Liuzzo. They were charged with conspiracy under the 1871 Ku Klux Klan Act, a Reconstruction civil rights statute. The charges did not specifically refer to Liuzzo’s murder.

December 3, 1965 : an all-white jury found Collie Wilkins, Eugene Thomas, and William Eaton guilty. The three were sentenced to 10 years in prison.

January 15, 1966 : the Birmingham News newspaper published an ad offering Viola Liuzzo’s bullet-ridden car for sale. Asking $3,500, the ad read, “Do you need a crowd-getter? I have a 1963 Oldsmobile two-door in which Mrs. Viola Liuzzo was killed. Bullet holes and everything intact. Ideal to bring in crowds.”

April 27, 1967 : the US Court of Appeals for the Fifth Circuit upheld the conspiracy convictions of  Thomas and Wilkins, Jr. William O Eaton, the third person, had died.

May 17, 1982 : the US Court of Appeals for the 11th Circuit ruled that Alabama could prosecute Gary Rowe, the FBI informer, in the 1965 slaying of Viola Liuzzo. The ruling affirmed an order by a lower court.

KKK Kills Activist Viola Liuzzo
Gary Rowe

October 30, 1982 : a newly released report said the FBI  covered up the violent activities of their informant, Gary Thomas Rowe Jr., but his lawyer said the Government knew it was not getting ”a Sunday school teacher” when it asked Mr. Rowe to infiltrate the Ku Klux Klan. (NYT article)

Rowe, who was a Klan informant from 1959 to 1965, was charged with murder in the 1965 killing of Viola Liuzzo, a civil rights worker, but a federal appeals court barred him from being brought to trial because of an earlier agreement giving him immunity.

The 1979 report was released publicly for the first time because the Justice Department lost a Freedom of Information suit filed by Playboy magazine. In the report department investigators said agents protected Mr. Rowe because the informant ”was simply too valuable to abandon.’

KKK Kills Activist Viola Liuzzo

KKK Kills Activist Viola Liuzzo

Family must pay

April 2, 1983 : final arguments in the $2 million negligence suit against the FBI were made in Federal court by lawyers for the children of Viola Liuzzo, whose murder they attributed to a paid F.B.I. informer, Gary Rowe.

Viola Liuzzo’s children  not only lost their suit against the Federal Government  but were ordered to pay court costs of $79,800, in addition to legal fees that amounted to more than $60,000. They appealed the ruling which was reduced to a smaller amount.

The Liuzzo family’s court costs alone were estimated at $60,000, according to Jeffrey Long, one of their lawyers. Last week, Judge Joiner dismissed the family’s $2 million lawsuit against the Federal Government. The family maintained Gary Rowe, an informer for the FBI, either shot at Mrs. Liuzzo or could have prevented the shooting.

February 7, 1997 : from the NYT, “Last week, a Confederate battle flag was spray-painted on a monument in Hayneville, Ala., to Viola Liuzzo.”

KKK Kills Activist Viola Liuzzo

Legacy

April 10, 2015: Wayne State University posthumously awarded an honorary doctor of laws degree to Viola Liuzzo.  Liuzzo’s family traveled from around the country to attend the ceremony and accept the award on her behalf. 

KKK Kills Activist Viola Liuzzo
Peace Love Art and Activism, Woodstock Music and Art Fair

Mysterious Bassist Greg Reeves

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Mysterious Bassist Greg Reeves

Mysterious Bassist Greg Reeves

There is a sufficient Wikipedia entry  and an interview at the 4WaySite to suggest that a blogger could create a worthwhile post about Greg Reeves.

Mysterious Bassist Greg Reeves

One would think.

Reeves, as most 60s rock fans remember, was the bassist for Crosby, Stills, Nash and Young and played with them at the Woodstock Music and Art Fair.

Solid.

After that, things are a bit hazy, but we are talking about the 60s and Woodstock alum.

Mysterious Bassist Greg Reeves

A few grains of salt

In the 4Way interview, Reeves says that, “…the very first instrument I learned to play was a miniature guitar… I taught myself from a book that came with the guitar. I was six-years-old and in the first grade.

His Wikipedia entry also states that “he may have graduated from Warren Western Reserve High School in Warren, Ohio in 1968.” If so, he graduated at the age of 13.  He must have skipped a few grades between first grade and high school.

Certainly not impossible, but implausible.

If,  as some suggest, his birthday is April 7, 1955) then Reeves was certainly the youngest performer at Woodstock: 14 years old!

In Reeves evasive words, “I was very young, very young!”

Having said that, a December 1969 Rolling Stone article describes a “Greg Reeves, a quiet, 19-year-old .” Seems more likely, eh?

Mysterious Bassist Greg Reeves

Motown

Before Crosby, Stills, Nash and Young, Reeves had a Motown connection via Rick James and Motown producer and writer Norman Whitfield may have recruited Reeves.

All Music states that “The bass player in the recording [Cloud Nine by the Temptations] is Greg Reeves, who was soon to join Crosby, Stills, Nash & Young.” Reeves says that while he was slated  to play bass on that song, he (with Whitfield’s suggestion) switched to tambourine.

Mysterious Bassist Greg Reeves

Mynah Birds

Rick James (ctr) and Neil Young to the right playing in Canada. Bruce Palmer bassist.

Rick James’s wandering music path led him to Canada in the early 60s. Perhaps he was AWOL from the Navy.

There is a story of James getting into a fight there and Levon Helm and Garth Hudson rescuing him. Another story, another time.

In any case, James formed the Mynah Birds and  one of the players in that band was a young Neil Young.

Mysterious Bassist Greg Reeves

Los Angeles with Rick James

So that it would seem that James introduced Reeves to Young when all three were in Los Angeles in the late 60s…but in the 4Way interview, Reeves explains things this way.

He’d been living with Rick James. Neil Young invited Greg to a party at the house Stephen Stills was renting from Monkee Peter Tork. The next day, “David [Crosby] and Graham [Nash] drove up to the apartment where we lived on Olive Drive at the time, right behind the Playboy Club on Sunset Blvd. From the pool I saw them knock on the door, and Rick yelled for me. They asked Rick James who I was and Rick came, got me and brought me out front to the limousine that Graham Nash and David Crosby were in and asked me in front of them, would I mind going with them to jam. I asked Rick James “Aren’t you coming too?”. He said “They want you to come alone”. I went back to the house, grabbed my Fender precision bass guitar and Gibson acoustic guitar, climbed into the limousine and never came back to Rick’s house again. They would not let me go. From the first time jamming with me, they would not let me leave. I stayed with Stephen Stills, Dallas Taylor and Graham Nash at Peter Tork’s mansion in Studio City.

To this day I don’t how Graham and David knew where Rick and I lived. 

Mysterious Bassist Greg Reeves

Here and gone

Reeves recorded and toured with Crosby, Stills, Nash & Young from August 1969 to January 1970, including obviously the Woodstock Music and Art Fair.

His account of that event is unique. I have read much about Woodstock but had never heard that, “When Graham Nash and me [and Dallas Taylor] arrived at Woodstock, it was raining buckets of water. We came via helicopter. The helicopter crashed landed on the main power line, that was supplying all of the electric power for the concert!

After the crash landing the pilot instructed us not to touch anything in the helicopter and sit still. We did this and it seemed at the time forever. It was hairy scary to say the least! To top off the misery, when it was our turn to play live, we discovered Chris (our roadie) had not flown our equipment to Woodstock correctly. I used Jim Fielder’s bass from Blood Sweat & Tears to play “Sea Of Maddness” with Neil and Dallas Taylor. It was pouring down rain when we performed. Jimmy Lee Marshall Hendrix was on stage with us laughing his ass off at us playing in the rain.”

In September 1969, the band played at that year’s Big Sur festival. You can see Greg in the background during their playing “Down By the River.”

Mysterious Bassist Greg Reeves

Stills v Reeves

For various reasons that come at different angles depending on who is doing the talking,  Reeves was asked to leave/was fired in April 1970. One side says Reeves was unreliable and into odd things. Another side says that Stephen Stills had ego issues. In any case, Reeves was gone.

Mysterious Bassist Greg Reeves

Life post CSN & Y

Mysterious Bassist Greg Reeves

Neil Young was his best friend in the band and invited Reeves to play on Neil’s classic 1970 After the Gold Rush album.

Neil was also instrumental in getting Greg out of a Mexican prison. Reeves was there from September of 1977 through April 1978: I spent time in a Mexican jail with the Mexican president’s nephew as a political prisoner, because we had tried to smuggle marijuana across the border. True story! Neil Young sent me money (via Western Union) to pay the Mexican police (Judicial Government Police) for my freedom…

He stayed with music and then went away from music. Again from the (excellent) 4Way interiview: I went back to school and got an associate degree in Mandarin Chinese here in Orange County, Ca. at Coastline College. My transcript shows a 4.0 average – honest injun [smile]. I also got my head together serving God and being, as I am now, totally obedient to God.

The All Music site lists a long credit list. We can finally hear some of the music Greg has been writing all these decades now that he has released a single, Workin’ Man.

Happy birthday Greg. Whenever it is!

Mysterious Bassist Greg Reeves