Tag Archives: Music et al

1964 Teen Age Music International Show

1964 Teen Age Music International Show

October 28 – 29, 1964

1964 Teen Age Music International Show

At first glance the 1964 Teen Age Music International Show and the 1969 Woodstock Music and Art Fair are two very different events, but they do have a few things in common:

  1. the live show was free
  2. the show was recorded
  3. a movie was made of the concert
  4. many of the day’s top stars performed
1964 Teen Age Music International Show

Moondog Coronation Ball

The first rock concert that wasn’t

The idea of a rock and roll show was not new. The honor of the first rock and roll show belongs to Alan Freed who on March 21, 1952, produced the Moondog Coronation Ball at the Cleveland Arena. It attracted nearly 25,000 young people to a hall that only held 10,000. Police shut down the show, which featured artists such as the Dominoes and Paul “Hucklebuck” Williams. Police shut down the show after one song when thousands of ticket-holders, denied entrance, broke through the lines and charged into the venue.

New Wave

As I have mentioned in other blog entries here, 1965 was a turning point in American pop music. In 1964 the Beatles became the avante garde of the British Invasion, but Nobel Laureate Bob Dylan, simply Bob at the time of course, wasn’t working on Maggie’s farm no more, telling her as he left, “It ain’t me, babe.”

After Bob Dylan introduced the Beatles to Mary Jane in 1965 and the Beatles realized that music could be personal, poetic, and still please their fans, they went in a whole new direction.

The 1964 Teen Age Music International Show captured American pop just before that change.

The show itself was free because those who attended were simply extras for the movie that director Steve Binder and television producer Bill Sargent were making with a high-tech method called ‘Electronovision.’ Transferring the video to a movie using this system allowed for greater clarity.

Line up

Binder and Sargent held the show at the Santa Monica Civic Auditorium. The two gathered quite a line-up, that in my opinion, featured a greater variety than Woodstock would 5 years later:

  • The Barbarians
  • The Beach Boys
  • Chuck Berry
  • James Brown and The Famous Flames
  • Marvin Gaye (with The Blossoms)
  • Gerry & the Pacemakers
  • Lesley Gore
  • Jan and Dean (MCs as well)
  • Billy J. Kramer and The Dakotas
  • Smokey Robinson and The Miracles
  • The Rolling Stones
  • The Supremes

And the house band was no other than the now-famous so-called  Wrecking Crew, under the direction of Jack Nitzsche with drummer Hal Blaine,  Jimmy Bond electric bass, guitarists Tommy Tedesco, Bill Aken, and Glen Campbell, upright bassist Lyle Ritz, pianist Leon Russell, and saxophonist Plas Johnson.

Rolling Stones Regrets

The Rolling Stones were still looking for the type of big time name recognition and record sales that their friends John, Paul, George, and Ringo enjoyed. To James Brown’s dismay and to the Stone’s insistence, the Stones followed Brown who had put on his usual spectacular performance. In 18 minutes he blew away the crowd.

The Stone’s set was fine, but even today they voice regret at having to follow one of the people whose music put them on the map to begin with.

1964 Teen Age Music International Show

Movie

The movie came out on 29 December 1964. Howard Thompson’s New York Times review was light on the accolades and heavy on the sarcasm: For two solid hours, against a blend of musical din and ear-splitting shriek; from a bobby-sox audience, a procession of young performers parades before the poor camera, all but shattering it. Here’s the menu, for the squares who never heard of the popular recording artists: Meet the Barbarians, Chuck Berry, Marvin Gaye, Gerry and the Pacemakers, Lesley Gore, Jan and Dean, Billy J. Kramer and the Dakotas, Smokey Robinson and the Miracles and the Supremes.

1964 Teen Age Music International Show

Stones Meet Sullivan

Stones Meet Sullivan

October 25, 1964
but first, Dean Martin’s Hollywood Palace

The Stones appeared on Dean Martin’s Hollywood Palace on June 3, 1964. It was the the start of their first American tour (June 5 > June 20) promoting the release of their first album, The Rolling Stones, England’s Newest Hitmakers

You can easily hear how so-called established musicians like Martin thought these visitors were a temporary fad and one easily made fun of. Certainly Martin’s writers thought so.

True to their roots, the Stones played Willie Dixon’s  “I Just Want to Make Love to You.”

The band’s tour had eleven shows. While not having the kind of success that the Beatles had, the tour did give the Stones enough visibility and radio-play to keep them amongst the many British musicians dominating the charts.

Stones Meet Sullivan

After meeting Dean Martin

It had been 259 days since THE night. That is, 259 days since John, Paul, George, and Ringo changed the way we Americans listened to music and what music we listened to.

For three weeks in a row we had sat in our Sunday evening seats–likely a living room–in front of the TV–likely a black and white–and smiled at our group. Not our parents’ group.

British Invasion

The Beatles were dominating the charts. By October 1964 they’d had five #1 songs and three #1 albums. In fact, the A Hard Day’s Night soundtrack album had just dropped out of the #1 spot on October 24 after 14 weeks!

Of course, it wasn’t just the Beatles. The flood gates had opened and British performer after British performer saturated the top ten airwaves:

  • Dusty Springfield
  • Dave Clark Five
  • The Searchers
  • Billy J Kramer
  • Peter and Gordon
  • Gerry & the Pacemakers
  • The Animals
  • Manfred MAnn
  • Chad & Jeremy
  • The Honeycombs
  • The Nashville Teens
  • The Kinks
  • The Zombies
  • Herman’s Hermits

Stones Meet Sullivan

October 7, 1966

Ed Sullivan Meets Rolling Stones

And here came the Rolling Stones. Now their second American tour of 1964. This one from October 24 thru November 15, 1964. On this tour, the band supported their second album 12 X 5. There first chart hit would not come until “Time Is On My Side” which reached a high point of #6 on Billboard on November 7 that year.

They performed on The Ed Sullivan Show for the first time on October 25. Still true to their roots, their first song was Chuck Berry’s “Around and Around.”  Their second song, also a cover was “Time On My Side” written by record producer extraordinaire, Jerry Ragovoy.

The audience, mainly teenage girls, screamed over their song, an occurrence now familiar to viewers. Ed Sullivan, as he’d done with the Beatles, gushed over their performance while some critics felt that the Beatles, formally not very clean-cut, appeared dapper compared to the “unkempt” Stones. Such it would be. One critic sent a telegram calling the act “trash.”

Rolling Stones Meet Ed Sullivan

The Rolling Stones returned to the Sullivan show the following spring and eventually went on to make 6 appearances. Here’s the list.

Stones Meet Sullivan

Wednesday Morning 3am

Wednesday Morning 3am

Simon & Garfunkel

Released October 19, 1964

1964 v 1965

What is the difference between 1964 and 1965? Listen to the 1964 “Sound of Silence” on Simon and Garfunkel’s debut album, Wednesday Morning 3AM. 

Then listen to Columbia Records producer Tom Wilson’s 1965 overdubbed electrified version re-released on Simon and Garfunel’s Sounds of Silence album and you will hear what that difference is.

When Simon and Garfunkel recorded Wednesday Morning 3am Beatlemania has just blossomed in the USA and Bob Dylan the folk singer was still the pied piper for future folk singers.

Wednesday Morning 3am

Hey Schoolgirl

Wednesday Morning 3am

The Everly Brothers-inspired school friends and aspiring folk singers Simon and Garfunkel. In 1957 they’d had had minor success as Tom and Jerry singing “Hey Schoolgirl” written by Jerry Landis and Tommy Graph

https://www.youtube.com/watch?v=8wkxsE0-04E&list=RD8wkxsE0-04E&start_radio=1
Wednesday Morning 3am

He Was My Brother

The song that caught Tom Wilson’s ear was Paul Simon’s “He Was My Brother.” Andrew Goodman was one of the young men that the Ku Klux Klan killed on June 21, 1964. Goodman had also been a classmate of Simon and Garfunkel.  [see Freedom Summer]

Like most folk albums of the time, it was acoustic:

  • Paul Simon – acoustic guitar, banjo on “Last Night I Had the Strangest Dream”, vocals
  • Barry Kornfeld – acoustic guitar
  • Bill Lee – acoustic bass

It was a tough year for musicians. Beatlemania had erupted and the band dominated the music of 1964–they had had five #1 songs.

The album had no commercial success. Paul Simon went to England to pursue a solo career. Art Garfunkel returned to Columbia to pursue his studies.

Wednesday Morning 3am

Tom Wilson did it

Until Tom Wilson. Tom Wilson was one of Columbia Records main producers. He’d produced Dylan’s break-out electric album, Bringing’ It All Back Home. Bob wasn’t working on Maggie’s farm no more. Wilson gathered a few electric musicians and overdubbed “Sounds of Silence.”

That version is the version we are mainly familiar with. The electric version. The version with drums.

The song, as we already know, became a huge hit. One of the biggest songs in the American songbook and is included in the  National Recording Registry in the Library of Congress.

Wednesday Morning 3am

Try try again

Image result for sounds of silence album cover

With the success of the single, the duo reformed and recorded The Sounds of Silence album. Recorded in the middle of 1965 and released in early 1966. Its success led to fans noticing their Wednesday Morning 3am.

Here are the track listings for the album:

  • You Can Tell the World
  • Last Night I Had the Strangest Dream
  • Bleeker Street*
  • Sparrow*
  • Benedictus
  • The Sound of Silence*
  • He Was My Brother*
  • Peggy O
  • Go Tell It on the Mountain
  • The Sun is Burning
  • The Times They Are a-Changin
  • Wednesday Morning 3am*

The asterisk indicates Paul Simon (aka Paul Kane) compositions. Like many upcoming artists who became famous because of their compostional genius, Simon was still on a learning curve.

Columbia Records staff photographer Henry Parker had taken the album’s cover photo on the lower subway platform at Fifth Avenue and 53rd Street, New York City. Art Garfunkel  has related that during the photo session many of pictures Parker took were unusable due to the “old familiar suggestion” on the wall.  Those type of graffiti inspired Paul Simon to write the song “A Poem on the Underground Wall” for the duo’s later Parsley, Sage, Rosemary and Thyme album.

Here’s is AllMusic’s current review of Wednesday Morning 3 AM.

Wednesday Morning 3am

By the way, the location of the Wednesday Morning 3am album cover was the lower subway platform at Fifth Avenue and 53rd Street, New York City.

Wednesday Morning 3am