Tag Archives: Music et al

Rickenbacker Electro String Instrument

Rickenbacker Electro String Instrument

Patented August 10, 1937
Tom Morillo demonstrating some electric guitar techniques
Rickenbacker Electro String Instrument
Rickenbacker Frying Pan
Rickenbacker Electro String Instrument

Acoustic guitar fine, but…

An acoustic guitar has many advantages. It is lightweight. It is portable. Manufacturers can make them inexpensively.

For centuries string-instruments held a high place among musicians.

Big bands…

In the early 20th century, big brass band became more popular and its powerful sound simply overpowered the acoustic guitar.

Enter electricity

As electricity increasingly became more accessible and a part of everyday life, inventors increasingly designed devices to use that power.

Electro String Instrument

On August 10, 1937, the United States Patent Office awarded Patent #2,089.171 to G.D. Beauchamp for an instrument known as the Rickenbacker Frying Pan.

Rickenbacker Electro String Instrument

Inventor G.D. Beauchamp, partnered with Adolph Rickenbacher in the Electro String Instrument Corporation of Los Angeles, California. They had spent more than five years pursuing his patent on the Frying Pan.

A telephone or a guitar?

The idea was a simple one. Simple to understand. Complicated to design. An electro-magnet placed near a vibrating string will pick up and amplify that vibration.

A problem that Beauchamp and Rickenbacker faced was the telephone worked in a very similar manner. They had to revise the guitar’s design several times before the Patent Office accepted their guitar as a guitar and not a telephone.

Their design resembled a circular magnet that surrounded the strings. That design is no longer used.

The same, but different

All the things that a guitarist could do with an acoustic guitar to vary its sound could, of course, be done with an electric guitar, such as bending the strings.

What an acoustic guitar could not do (at least not at first and not without magnetic pickups) was color the sound.

The simple current set up by the vibrating string within the magnetic field is not enough to make a loud sound. An amplifier is necessary. Put some other electronics between the guitar and the amp and a rainbow of sounds is produced.

Here is additional information about the earliest days of the electric guitar.

Rickenbacker Electro String Instrument

Another Side Bob Dylan

Another Side Bob Dylan

Recorded in one sessionJune 9, 1964
Released on August 8, 1964

Another Side Bob Dylan

Another Side Bob Dylan

Bob’s other side

By 1964, Columbia realized that Bob Dylan was a star. Although his first album, the eponymous Bob Dylan, had barely sold in it’s first year (2,500 copies), Dylan’s song writing skills and reputation among fellow folk artists grew quickly.

Another Side of Bob Dylan was his fourth album and each one had been a step further in his development. That first album was not really “his” album, he having written only two of the thirteen songs.

This album was all his.

Another Side Bob Dylan

The tracks

Side one

  1. All I Really Want to Do
  2. Black Crow Blues
  3. Spanish Harlem Incident
  4. Chimes of Freedom
  5. I Shall Be Free No. 10
  6. To Romona

Side two

  1. Motorpsycho Nitemare
  2. My Back Pages
  3. I Don’t Believe You (She Acts Like We Never Have Met)
  4. Ballad in Plain D
  5. It Ain’t Me Babe

Dylan was changing his tone. He said of this album that “there aren’t any finger-pointing songs.” His style was more poetic than previous works.

He served as pop music’s turn signal. A musician could be much more personal.

Another Side Bob Dylan

Maggie’s Farm

It will be at the 1965 Newport Folk that Dylan will take his public step away from folk-protest and go electric. The Paul Butterfield Blues Band will accompany him as well as the Newport boos.

He “…ain’t gonna’ work on Maggie’s Farm no more.”

And I thought the song was about some guy tired of farm work.

Another Side Bob Dylan

1965

Think of 1965. By December the Beatles will have released Rubber Soul and when the Beatles changed, bands and record companies followed. The bands perhaps as much as in self-expression as their search for success; the record companies in search of a better bottom line.

1964 Another Side Bob Dylan

To Ramona

When Dylan sang “To Ramona” at Newport in 1965 he introduced the song, he said, “This is called ‘To Ramona.’ Ramona. It’s just a name.”

Today we realize its much more than “just a name.”

Dylan’s relationship with New York City girlfriend and political muse Suzy Rotolo (see Freewheelin’ Bob Dylan) had ended with a 1963 abortion. His ongoing relationship with Joan Baez, who had brought him to the attention of the Newport crowd in 1963, was fading was fading and she was much more than “just a name.”

All Music said the album was, “…one of his very best records, a lovely intimate affair.”

Everything passes

Everything changes

Just do what you think you should do

And someday, maybe

Who knows, baby

I’ll come and be cryin’ to you.

Another Side Bob Dylan

American Bandstand Dick Clark

American Bandstand Dick Clark

August 5, 1957
First ABC broadcast of “American Bandstand”

American Bandstand Dick Clark

American Bandstand Dick Clark

First Bandstand

In March 1950 WFIL-TV in Philadelphia broadcast Bandstand. Bob Horn, also a radio DJ, hosted the show. It was not a dance show. It featured short musical films and only occasionally had guests. Think black and white MTV.

It was a time when television, the new media kid on the block, selected a successful radio show and literally visualized it.

By the way, I’ve placed the more familiar music theme, “Bandstand Boogie,” by Larry Elgart over this blog, but the first theme song for the original Bandstand was Artie Shaw’s “High Society.”

Dancing Bandstand

The Bandstand show that Boomers remember today, with teenagers dancing to hit records, came into being on October 7, 1952. Bob Horn continued as host with Lee Stewart. Stewart left as co-host in 1955.  The short music films continued to be part of the show.

DWI

In July, 1956, WFIL and The Philadelphia Inquirer were doing a series on drunk driving.  In July, 1956, police arrested Horn for drunk-driving.

On July 9, 1956, Dick Clark took over as the host

American Bandstand Dick Clark

ABC’s American Bandstand

Broadcast companies are always searching for the next hit.  A year after he became host of Bandstand, Dick Clark pitched his show to ABC. The network did not say “Yes” immediately, but eventually did. I’m sure they were happy they did.

August 5, 1957

On this date, ABC did the first national broadcast. Since it was now a nationally televised show, the name changed to American Bandstand. Duh!

The  more popular Mickey Mouse Club interrupted the for half an hour in the middle. The first guest was the Chordettes and the first record danced to on the show was Buddy Holly’s “That’ll Be the Day.”

The show  moved to Los Angeles in 1964. It had already switched from a daily to a weekly Saturday show in which it continued as until 1987.

y101radio dot com article

American Bandstand Dick Clark