Tag Archives: May Music et al

Freewheelin Bob Dylan

Freewheelin Bob Dylan

Released May 27, 1963
Freewheelin Bob Dylan
photo by Don Hunstein
“I’ll let you be in my dream, if you let me be in yours.”

Now we all know Bob Dylan. We have heard the songs on his first album, Bob Dylan. We may know that he only wrote two of that album’s 13 songs: “Talkin’ New York” and “Song to Woody.”  His premier album an iconic moment in American history

We didn’t realize it at the time. We probably didn’t buy it either. The album sold about 2,500 copies its first year.

Freewheelin Bob Dylan

Times Changed

The Freewheelin’ Bob Dylan changed that story. Other than “Corina Corina,” Dylan wrote all its songs and as funny as “Talkin’ New York” may have been and as touching “Song to Woody” was,  Freewheelin’  showed Dylan’s genius blooming.

The album, produced by John H Hammond, has a minimalist sound that concentrates our listening to Dylan’s lyrics. To note the personnel is important nonetheless:

  • Bob Dylan – guitar, harmonica, keyboards, vocals
  • Howie Collins – guitar
  • Leonard Gaskin – bass guitar
  • Bruce Langhorne – guitar
  • Herb Lovelle – drums
  • Dick Wellstood – piano

Each of these musicians deserve separate recognition. A personal favorite is Bruce Langhorne, the inspiration for Dylan’s “Mr Tambourine Man.”  (follow above link)

Freewheelin Bob Dylan

Tracks

Side One

  1. Blowin’ In the Wind
  2. Girl from the North Country
  3. Masters of War
  4. Down the Highway
  5. Bob Dyan’s Blues
  6. A Hard Rain’s a-Gonna Fall
Side 2

  1. Don’t Think Twice, It’s All Right
  2. Bob Dylan’s Dream
  3. Oxford Town
  4. Talkin’ World War III Blues
  5. Corrina, Corrina
  6. Honey, Just Allow Me One More Chance
  7. I Shall Be Free
Freewheelin Bob Dylan

Don Hunstein

As memorable as each of the album’s songs is, Don Hunstein‘s cover photo is equally so. Hunstein first began as an amateur photographer while in the Air Force and stationed in Europe. His interest became a hobby and after returning to the US and living in New York City, his hobby became a profession. As with so much in life, his timing was serendipitous.

Rock and roll was in a growth spurt and Hunstein landed a job at Columbia Records. Also lucky for Hunstein, Columbia recognized Hunstein’s talent and had him take pictures not just for albums, but of artists while recording. In their casual most human moments.

That is what he re-created for The Freewheelin’ Bob Dylan. Though posed, the photo presents Dylan and Suze Rotolo, his then girlfriend, as if in a candid moment.

Freewheelin Bob Dylan
another photo that same day also by Don Hunstein
Freewheelin Bob Dylan

Suze’s Take

In a 2008 NY Times article, Rotolo said of the photo, “He wore a very thin jacket, because image was all. Our apartment was always cold, so I had a sweater on, plus I borrowed one of his big, bulky sweaters. On top of that I put a coat. So I felt like an Italian sausage. Every time I look at that picture, I think I look fat.”

Freewheelin Bob Dylan
photos by Don Hunstein
Freewheelin Bob Dylan

Temporary change

Freewheelin’ was more than a moment. It was a prediction. Dylan would record two more albums in its style before going rogue in 1965 and quitting work on Maggie’s farm. That choice changed the American music scene as much as any single event in the history of American music and in many cases, 20th century Western civilization.

Though Dylan may have been referring to the human tendency toward violence when he sang…

How many roads must a man walk down
Before you call him a man?

Freewheelin Bob Dylan
Pro and Con

The words turned out to be a prediction of Dylan’s change of artistic direction. Many fans hated 1965 because of that change.

Decades later, we can list dozens of songs we’d not have with us if it weren’t for that change and Dylan’s freewheelin’ attitude.

As Stephen Thomas Eriwine writes in his All Music reviewIt’s hard to overestimate the importance of The Freewheelin’ Bob Dylan, the record that firmly established Dylan as an unparalleled songwriter, one of considerable skill, imagination, and vision. 

Freewheelin Bob Dylan

WNEW Bill Rosko Mercer

WNEW Bill Rosko Mercer

A man of principles
(click below to listen to Rosko’s theme)
Fall 1969

We, all of us, sitting here in our small comforts, worrying about inflation…swapping small talk at lunch…wrapped in ourselves in our banalities…all of us must sleep tonight in the knowledge that we share in mass murder.”

WNEW Bill Rosko Mercer

WNEW Bill Rosko Mercer

William Roskoe Mercer

William Roscoe Mercer was born on May 25, 1927, in New York City. After first working as a government clerk and a men’s-room attendant, he began his radio career as a jazz disc jockey at WHAT in Chester, PA. Later he was a DJ at WDAS in Philadelphia and then to WBLS in New York.

In the late 1950’s, when DJ were trying to form a union, he refused to cross a picket line. Management black listed him for six months.

In the early 1960’s, Rosko was back on the radio in Oakland and then back east at WBLS.

WNEW Bill Rosko Mercer

WOR-FM

Rosko, though obviously experienced, was not as well-known a name as Murry the K and Scott Muni when WOR-FM switched to rock in 1966. He quickly became a favorite.

Only a year later in October 1967, WOR-FM management began to use the Drake system, which emphasized the replay of hits songs. It upped ratings, but greatly diminished the person style that the DJs  had developed.

WNEW Bill Rosko Mercer

Monday 2 October 1967

“I cannot go along with the new policy here.”

On October 2, 1967, without warning the station’s management, Rosko spoke for five minutes about why he was resigning, saying, ”When are we going to learn that controlling something does not take it out of the minds of people?’‘ and declaring, ”In no way can I feel that I can continue my radio career by being dishonest with you.

He added that he would rather return to being a men’s-room attendant.

Click the link below to hear his resignation.

WNEW Bill Rosko Mercer

WNEW-FM  > France

By November 1967 WNEW-FM, hired Rosko.

It was in August 1968 that Rosko read the anti-war piece you hear over today’s blog entry. It was a new time in radio and Rosko was at that DJ forefront.

In 1970 he moved to France for five years and worked for the Voice of America.

WNEW Bill Rosko Mercer
Back in the USA–Still principled

He returned to the US and was heard during the 1980’s on WBLS-FM and WKTU-FM. In 1985, Mercer quit WKTU-FM while on the air, because of a reported dispute with the station’s hierarchy.

In 1992, when he learned he had cancer, he refused chemotherapy, turning instead to alternative medicine.

He died on August 1, 2000: NYT obit

Full recording of Rosko on My Lai

WNEW Bill Rosko Mercer

Reprise Signs Jimi Hendrix

Reprise Signs Jimi Hendrix

May 21, 1967
Reprise Signs Jimi Hendrix

Jimmy Who?

I doubt any of us know that on May 21, 1967 Reprise Records signed a guy named Jimi Hendrix. Would we have even known the name Jimi Hendrix in May 1967?

An American kid from Seattle who’d joined the Army not so much out of a sense of patriotism, but an alternative to jail. That hadn’t gone well, but he made a friend with Billy Cox.

Reprise Signs Jimi Hendrix

Apollo Theater amateur

That in 1964 he’d won first prize in an Apollo Theatre amateur contest or that he’d worked with the Isley Brothers, Rosa Lee Brooks, Little Richard, or Curtis Knight?

Maybe you saw him (accidentally?) as Jimmy James and the Blue Flames in Greenwich Village when Jimi decided he needed to be himself, not a back up guitarist.

Reprise Signs Jimi Hendrix

NYC Unknown

You may know now, but didn’t know then, that Keith Richard’s girlfriend Linda saw him playing in New York and recommended Hendrix to Andrew Loog Oldham, the Rolling Stones’ manager. Oldham declined.

One did accept. Some of you do know that it was the Animals’ bassist Chas Chandler who was leaving the Animals and looking to produce did think Hendrix was a good choice, particularly for the song “Hey Joe.”

Reprise Signs Jimi Hendrix

Chas Chandler

Chandler brought Hendrix to the UK and from that point the road to fame was relatively short. In no time Hendrix was impressing people. We might find that an understatement. How could he not have impressed. Keep in mind, “we” here State-side weren’t that impressed and an English woman had to convince a second English man the Hendrix had great talent.

Chandler helped Hendrix form the Experience and in the fall of 1966 they began dates and recording singles. “Hey Joe” and “Purple Haze” did OK in the UK. In March 1967, Hendrix, in a way to “enhance” his stage performance, upped the guitar-smashing of  Pete Townshend to guitar-burning.

Reprise Signs Jimi Hendrix

UK Are You Experienced?

Reprise Signs Jimi Hendrix

On May 12, 1967 the Are You Experienced album was released in the UK. It did very well and missed being the #1 album only because another album did better. Some album called Sgt Pepper’s Lonely Hearts Club Band.

And that’s what we were all listening to this side of the pond.

Reprise Signs Jimi Hendrix

Hey Joe?

As referenced above, Reprise Records signed Hendrix on May 21, 1967. The single “Hey Joe” failed to chart here!

Luckily one of the band members, a Paul McCartney, from that Beatles group strongly recommended Hendrix to the Mamas and the Papas who were helping to organize The Monterey International Jazz and Pop Festival. His legendary performance there that June 18 left mouths literally agape and in mesmerized wonder.

Reprise Signs Jimi Hendrix

US Are You Experienced?

Reprise Signs Jimi Hendrix

Reprise released the US version of Are You Experienced  on August 23 and Hendrix finally made his Billboard splash.

Richie Unterberger’s All Music review begins with, “One of the most stunning debuts in rock history, and one of the definitive albums of the psychedelic era. On Are You Experienced?, Jimi Hendrix synthesized various elements of the cutting edge of 1967 rock into music that sounded both futuristic and rooted in the best traditions of rock, blues, pop, and soul. It was his mind-boggling guitar work, of course, that got most of the ink, building upon the experiments of British innovators like Jeff Beck and Pete Townshend to chart new sonic territories in feedback, distortion, and sheer volume. “

He became the biggest rock and roll star of his time playing gig after gig, festival after festival.

But there would be a new member of the “27 Club.”

Three years and 26 days later after the release of his US album, Hendrix would be gone.

Reprise Signs Jimi Hendrix
Greenwood Cemetery in Renton, Washington
Reprise Signs Jimi Hendrix