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Music et al, Music of the 60s, Today in history

FCC delivers FM Rock

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FCC delivers FM Rock

FCC delivers FM RockIn the early 1960s, people were watching TV more and listening to radio less. In July 1964, the Federal Communications Commission (FCC) adopted a non-duplication rule. That meant that FM radio stations in cities of more than 100,000 people could no longer simulcast the programming of their AM counterparts. Stations fought the rule and delayed implementation.

FCC delivers FM Rock

Almost FM Rock

March 21, 1965: a record growth of FM radio was reported at the opening session of the annual convention of the National Association of Broadcasters, but a controversy developed over what course the high-fidelity medium should pursue. More diversity in music? Did FM need more bop and and less Bach?   (FM needs more bop and less Bach)

March 28, 1965: a column appeared in the NYT about how television had made inroads into the radio audience, but soon New York listeners will likely have more to listen to.

FCC delivers FM Rock

FM Rock…closer

March 28, 1965: overshadowed by the more spectacular doings of television, radio had interesting and hectic days ahead. New York City metropolitan area listeners were probably not aware in the fall there would be nine “new” radio stations for half of the program day.

FCC delivers FM Rock

FCC delivers FM Rock

December 13, 1965

December 13, 1965,  the Federal Communications Commission announced that it would give consideration to requests from radio broadcasters seeking exemption from the simulcast rule. (NYT article)

FCC delivers FM Rock

Closer yet

It seemed to take forever and still by June 8, 1966 there are indications that NY “Music lovers in the Metropolitan area will be singing the praises of the Federal Communications Commission on Jan. 1.” 

FCC delivers FM Rock
Finally
WOR-FM

FCC delivers FM RockJune 16, 1966: announcement that NY radio station WOR-FM would be first NYC FM station to play rock and roll music on a “regular basis.” ( WOR to broadcast rock)

July 31, 1966: WOR-FM  began running a free form progressive rock format for most of its broadcast day. There were no DJs at first because management was unable to come to an agreement with  AFTRA (the union that represents on air talent).

October 8, 1966, WOR-FM disc jockeys started. A NYT article led with: Radio station WOR-FM, which has been broadcasting rock ‘n’ roll music without interruption by announcers, will add the chitter-chatter of four disk jockeys, beginning tomorrow. A station official asserted, however that WOR-FM would not become a “screaming station.” (article: Oct 7, 1966…djs start)

Here’s a taste of it on one of Rosko’s shows:

FCC delivers FM Rock

Rosko resigns

Ironically, on October 2, 1967, Rosko resigned over corporate interference with his choices of music. (”When are we going to learn that controlling something does not take it out of the minds of people?” and declaring, ”In no way can I feel that I can continue my radio career by being dishonest with you.” He added that he would rather return to being a men’s-room attendant.

But he continued of course. How many of you learned the name Kahil Gibran from him?

A great site with lots of NY radio history is the NY Radio Archive site. Check it out sometime.

FCC delivers FM Rock
Birthdays, Today in history, Woodstock Music and Art Fair

Woodstock Ventures Michael Lang

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Woodstock Ventures Michael Lang

Remembering Michael Lang on his birthday
December 11, 1944 – January 8, 2022

If you’ve arrived here directly or via Facebook, I will assume that you are already familiar with Mr Lang and who he is. I’ll just bullet-point a few facts about him.

  • he was born in Brooklyn, New York
  • in 1967, he moved to Coconut Grove, Florida and  opened a head shop: papers, posters, black lights, and similar things to help enhance one’s day.
Woodstock Ventures Michael Lang
Woodstock Ventures Michael Lang
  • in 1968,  Lang assisted in the production of the 1968 Miami Pop Festival.” It featured Steppenwolf, the Jimi Hendrix Experience, The Mothers of Invention, Blue Cheer, Crazy World of Arthur Brown,Chuck Berry, The Blues Image, Pacific Gas and Electric, and Three Dog Night.
Woodstock Ventures Michael Lang
  • he left Miami and moved to Woodstock, NY. He also spent a lot of time in NYC where he and Artie Kornfeld came up with the idea to create a recording studio in Woodstock for the growing number of so-called “underground” musicians living there such as Paul Butterfield, Van Morrison, and others. Of course, Bob Dylan was there, too.
  • he, Kornfeld, John Roberts, and Joel Rosenman formed Woodstock Venturers for that purpose.
    Woodstock Ventures Michael Lang

    Woodstock Ventures Michael Lang
    August 18, 2013, Michael Lang and Joel Rosenman at memorial service for Richie Havens at Bethel Woods Center for the Arts (photo by James Shelley)
  •  he did not help produce the Altamont Free Concert in December 1969, but he did assist in the relocation of the event after it had to be moved.
  • Lang also managed several successful international recording artists, including Joe Cocker, Rickie Lee Jones, Willie DeVille, Tarkan, and Spanish recording artists El Ultimo de la Fila.
  • Lang owned and operated Just Sunshine Records, which produced and released more than 40 albums by such diverse musical artists as Karen Dalton, Betty Davis, and Mississippi Fred McDowell.
  • Today, Woodstock.com is a place where people can explore what Michael Lang and the others involved in Woodstock Venture are up to and offering now.

Death

Michael Lang died at Sloan Kettering hospital in New York. He was 77.

Michael Pagnotta, a rep for Lang and longtime family friend, confirmed the promoter’s death to Rolling Stone, adding that the cause was a rare form of non-Hodgkin’s lymphoma.

Remembrance

Michael Lang’s death was obviously in the news everywhere. Likely hundreds of obituaries and remembrances could be found. I chose the following from Bill Hanley, the person who did the sound at Woodstock:

Michael Lang died on January 8, 2022.

He was a friend of mine. We worked together at many festival gigs, most notably Woodstock ’69.
Because of my experience Michael believed I would deliver the best possible sound, and I did.
He told me decades later he knew I could be trusted to be fully conscious all the time because I didn’t do drugs or drink. He was right.
In the past month there has been much written and broadcast about Michael, all favorable and to which I don’t feel I could add anything more to this distinguished person’s character.
Except one thing…
For the summer of August, 2019, because plans for the 50th Woodstock Event were canceled, Michael came up to Yasgur’s Farm in Bethel, NY. Me, my wife, my son and all his friends, Rona Elliot and Henry Diltz were staying at Max Yasgur’s house (graciously offered to us by Jeryl Abramson, now owner of Yasgur’s Farm).
Michael was a celebrity when he came, everyone was thrilled to see him. With an extended hand shake he humbly spoke to everyone. After the drum circle and the place calmed down me, my wife Rhoda, Rona and Michael were left sitting around Max’s kitchen table. The four of us started talking about our childhoods, our families, telling stories. Some were so funny we were just bending over the table with laughter. Into the wee hours of the early morning we shared our past. I got to know Michael and he got to know us just as plain ordinary people. No rock ‘n roll, not show biz just human beings with stories, many just totally hilarious. I treasure this night.
I will miss Michael.
February 3. 22
Woodstock Ventures Michael Lang
Beatles, Music et al, Music of the 60s

Rolling Stones Circus 1968

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Rolling Stones Circus 1968

Rolling Stones Circus
Rolling Stones Circus

Almost Woodstock

Less than nine months before the Woodstock Music and Art Fair and its 130-plus performers, the Rolling Stone Circus came to town.

Organized by the Rolling Stones just after their release of Beggars Banquet, they were looking for a way to promote the album in a fun way. Why not a Rock and Roll Circus?

Rolling Stones Circus 1968

December 11, 1968

They filmed it on December 11, 1968. As well as clowns and acrobats, John Lennon and Yoko Ono performed as part of a super group called The Dirty Mac which included Eric Clapton and Mitch Mitchell, and Keith Richards. The Who, Taj Mahal, Marianne Faithfull, and Jethro Tull also performed. It was originally meant to be aired on BBC, but the Rolling Stones withheld it because they were unhappy with their performance. A film was eventually released in 1996.

Here’s the Lennon clip with some wonderful conversation between Mick and John before “Yer Blues.” Two mates having some fun.

“Jumpin’ Jack Flash” with Woodstock Music and Art Fair alum Nicky Hopkins on piano (he sat in with the Jefferson Airplane for their sunrise serenade).

Rolling Stones Circus 1968

Brian Jones

Sadly, this also marked the final appearance of Brian Jones, who died within six months of filming the special.

The Ultimate Classic Rock site says, For all the controversy and mystery surrounding it..‘The Rolling Stones Rock and Roll Circus’ now comes across as a quaint time capsule of the last days of Swingin’ London. And as strange as the idea of combining a rock concert and a circus may be, it manages to work, even if the only person who wasn’t stoned was the guy who ate fire. 

Rolling Stones Circus 1968