Category Archives: Music et al

#1 Song, Music et al, Music of the 60s

Johnny Preston Running Bear

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Johnny Preston Running Bear

On January 18, 1960 Running Bear by Johnny Preston became Billboard’s #1 single. But before and after Running Bear…

El Paso

Running Bear was the second of three consecutive #1 songs in which someone died.  Preceding Running Bear,  Marty Robbins’s El Paso was #1.  Grateful Dead fans are familiar with that story:

Out in the West Texas town of El Paso
I fell in love with a Mexican girl
Nighttime would find me in Rosa’s cantina
Music would play and Felina would whirlBlacker than night were the eyes of Felina
Wicked and evil while casting a spell
My love was deep for this Mexican maiden
I was in love but in vain, I could tellOne night a wild young cowboy came in
Wild as the West Texas wind
Dashing and daring, a drink he was sharing
With wicked Felina, the girl that I lovedSo in anger I
Challenged his right for the love of this maiden
Down went his hand for the gun that he wore
My challenge was answered in less than a heartbeat
The handsome young stranger lay dead on the floorJust for a moment I stood there in silence
Shocked by the foul evil deed I had done
Many thoughts raced through my mind as I stood there
I had but one chance and that was to runOut through the back door of Rosa’s I ran
Out where the horses were tied
I caught a good one, it looked like it could run
Up on its back and away I did rideJust as fast as I
Could from the West Texas town of El Paso
Out to the badlands of New Mexico

Back in El Paso my life would be worthless
Everything’s gone in life; nothing is left
It’s been so long since I’ve seen the young maiden
My love is stronger than my fear of death

I saddled up and away I did go
Riding alone in the dark
Maybe tomorrow, a bullet may find me
Tonight nothing’s worse than this pain in my heart

And at last here I
Am on the hill overlooking El Paso
I can see Rosa’s cantina below
My love is strong and it pushes me onward
Down off the hill to Felina I go

Off to my right I see five mounted cowboys
Off to my left ride a dozen or more
Shouting and shooting, I can’t let them catch me
I have to make it to Rosa’s back door

Something is dreadfully wrong for I feel
A deep burning pain in my side
Though I am trying to stay in the saddle
I’m getting weary, unable to ride

But my love for
Felina is strong and I rise where I’ve fallen
Though I am weary I can’t stop to rest
I see the white puff of smoke from the rifle
I feel the bullet go deep in my chest

From out of nowhere Felina has found me
Kissing my cheek as she kneels by my side
Cradled by two loving arms that I’ll die for
One little kiss and Felina, goodbye

Johnny Preston Running Bear

Running Bear

Johnny Preston Running Bear

For Running Bear, the two young lovers, separated by a river that was too wide, but their love forced them to try to cross and meet.

On the bank of the river

Stood Running Bear, young Indian brave

On the other side of the river

Stood his lovely Indian maid

Little White Dove was her name

Such a lovely sight to see

But their tribes fought with each other

So, their love could never be,

 

Running Bear loved Little White Dove

With a love big as the sky

Running Bear loved Little White Dove

With a love that couldn’t die

 

He couldn’t swim the raging river

‘Cause the river was too wide

He couldn’t reach Little White Dove

Waiting on the other side

In the moonlight he could see her

Throwing kisses ‘cross the waves

Her little heart was beating faster

Waiting there for her brave

 

Running Bear dove in the water

Little White Dove did the same

And they swam out to each other

Through the swirling stream they came

As their hands touched and their lips met

The raging river pulled them down

Now, they’ll always be together

In that happy huntin’ ground

The song  has some interesting trivia associated with it besides its part in a consecutive death motif. J. P. Richardson, better known as The Big Bopper, wrote it.  Richardson had a hit of his own in 1958 with “Chantilly Lace.” He had died in the famous plane crash on February 3, 1959 in Clear Lake, Iowa, with Buddy Holly and Ritchie Valens.

Richardson thought the Romeo & Juliet theme of this song was too serious for him to record. He passed it on to his friend Johnny Preston, who originally was unsure about the song but others eventually persuaded him to cut it.

Richardson had done background vocals along with George Jones.

Follow Up

Preston’s follow-up single, “Cradle of Love,” reached No. 7 on the Billboard chart.

In 1971 Jonathan King took the “Ocka Chunka” backing and added it to the B.J. Thomas hit song “Hooked On A Feeling.”

Teen Angel

Finally, the next #1 will be Mark Dinning’s Teen Angel.

Teen angel, teen angel, teen angel, ooh
That fateful night the car was stalled upon the railroad track
I pulled you out and we were safe, but you went running back

Teen angel, can you hear me?
Teen angel, can you see me?
Are you somewhere up above?
And I am still your own true love?

What was it you were looking for that took your life that night?
They said they found my high school ring clutched in your fingers tight

Teen angel, can you hear me?
Teen angel, can you see me?
Are you somewhere up above?
And I am still your own true love?

Just sweet sixteen, and now you’re gone
They’ve taken you away
I’ll never kiss your lips again
They buried you today

Teen angel, can you hear me?
Teen angel, can you see me?
Are you somewhere up above?
And I am still your own true love?

Teen angel, teen angel, answer me, please

Johnny Preston Running Bear

Actual deaths

Marty Robbins died on December 8, 1982 [NYT obit], Mark Dinning died on March 22, 1986 [NYT obit], and Johnny Preston died on March 4, 2011 [NYT obit].

References >>> Song facts

Johnny Preston Running Bear
Cold War, Music et al

Soviet Union Bones Music

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Soviet Union Bones Music

Baby boomers grew up listening to the radio and watching TV just as their grandchildren are growing up with streaming and smart phones.

An interesting medium that has evolved is the podcast: a radio show, yet not on the radio. Downloaded and listen to anytime anywhere. Quite an advantage over traditional radio.

Sometimes, a group of podcasters form a collective to help promote and support their work. Radiotopia is an example of this type of collective.

Soviet Union Bones Music
banner for the Kitchen Sisters’ podcast, Fugitive Waves
Soviet Union Bones Music
Bones Music

Bones Music was the title of a podcast from Radiotopia’s Fugitive Waves (produced by the Kitchen Sisters).

It was not about these

Bones music

It was about this
Soviet Union Bones Music
x-ray made into a recording

…and I’m guessing you don’t recognize it. I didn’t either.

From the Kitchen Sisters:

Before the availability of the tape recorder and during the 1950s, when vinyl was scarce, ingenious Russians began recording banned bootlegged jazz, boogie woogie and rock ‘n’ roll on exposed X-ray film salvaged from hospital waste bins and archives.

“Usually it was the Western music they wanted to copy,” says Sergei Khrushchev, son of former Soviet Premier Nikita Khrushchev. “Before the tape recorders they used the X-ray film of bones and recorded music on the bones, bone music.”

“They would cut the X-ray into a crude circle with manicure scissors and use a cigarette to burn a hole,” says author Anya von Bremzen. “You’d have Elvis on the lungs, Duke Ellington on Aunt Masha’s brain scan — forbidden Western music captured on the interiors of Soviet citizens.”

Soviet Union Bones Music

Purchase

Here’s a YouTube video by a vinyl record collector who found out about these x-ray records and was able to purchase one. He shows several vinyl records before getting to the x-ray type at about 6 min 15 seconds on the video.

I am only giving a brief overview about this type of recording and it’s historic background. I strongly urge you to listen to it >>>

Fugitive Waves podcast on x-ray recordings

Soviet Union Bones Music
Anniversary, Music of the 60s

Los Angeles Whisky a Go Go

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Los Angeles Whisky a Go Go

Los Angeles Whisky a Go Go

The Los Angeles Whisky a Go Go opened on January 15, 1964 .

Rock and Roll was gaining main stream momentum. The Beatles were about to arrive with their British invaders in tow. There were few places to regularly hear rock and roll–recorded or live.

The LA Whisky a Go Go was not the first ‘a Go Go, but is now the most famous. Others had opened earlier in  Paris (1947),  Chicago (1958), and Washington, DC (1966). These first venues were discotheques, that is, they played recorded music.

According to the Whisky a Go Go’s site, The Whisky had to spell its name without the ‘e’ in whiskey because Los Angeles city zoning laws didn’t allow any club to be named after alcohols

Los Angeles Whisky a Go Go

Live music/Caged dancing

Johnny Rivers headlined LA’s Whisky a Go Go opening night with recorded music between sets.

The DJ (the club’s first was Joanie Labine) played records from a suspended booth and Joanie danced there during the songs. Her performance became so popular, that the club soon had other hanging platforms (“cages”) in which dancers performed.

The club quickly became famous for its music (rock ‘n’ roll), dancing (both  the go-go dancers and the patrons) and the Hollywood celebrities attracted to the club.

The Whisky played an important role in many musical careers, especially for bands based in southern California. The Byrds, Alice Cooper, Buffalo Springfield,  and Love were regulars, and The Doors were the house band for a while.

Whisky a Go Go

Los Angeles Whisky a Go Go

Complaints

Despite the popularity of the Whisky (or perhaps because of it popularity) and other Sunset Strip clubs, there were complaints about the noise, the gathering of young people, and traditional rock-phobia. LA officials passed a 10 PM curfew .

On November 12, 1966, fliers were distributed along the Strip inviting people to demonstrate later that day.

The Los Angeles Times reported that as many as 1,000  demonstrators, erupted in protest against the perceived repressive curfew laws.

And though the Buffalo Springfield’s “For What It’s Worth” is typically thought of as an anti-Vietnam War song, it’s a song written about those riots.

While the venue has had it’s ups and downs, the club continues today.

Los Angeles Whisky a Go Go