Category Archives: Music et al

Jerry Lee Lewis Star Club

Jerry Lee Lewis Star Club

Recorded in Hamburg, Germany
April 5, 1964

Jerry Lee Lewis Star Club

Jerry Lee Lewis Star Club

Riding the Beatlmania Bronco

It’s April 1964 and the Beatles rule the airwaves. They are in the midst of filming their first movie, A Hard Day’s Night.  As has been noted before, the Beatles loved American Rock and Roll and soon groups like the Animals and Rolling Stones would bring our blues back to us.

Elvis is l making movies. His latest, “Kissin’ Cousins.

On the defensive (after perhaps not divorcing his wife and perhaps marrying his second cousin) Jerry Lee Lewis counter-attacked. He went to Hamburg, one of the places that those Beatles had cut their musical eyeteeth.  Like NOTHING the Beatles had ever done in Hamburg, Lewis tore the roof off the Star Club. And it was recorded! My my my was it ever!

Jerry Lee Lewis Star Club

Live at the Star Club 

And likely you didn’t know it was. Likely you never heard it. Maybe, like me, never even heard of it.

If you like rock and roll (and I suspect you wouldn’t be here if you didn’t) then you MUST listen to this amazing album. If you can turn it up, please do so!

A producer for Philips Records Germany, Siggi Loch, fortunately for posterity, recorded the show.

Here’s the track list. The Beatles, of course, covered “Matchbox.” Lewis lights it up! That suggests there are some ballads here. Lewis pounds the keyboard throughout.

Side one
  1. “Mean Woman Blues”
  2. “High School Confidential”
  3. “Money (That’s What I Want)”
  4. “Matchbox”
  5. “What’d I Say, Part 1”
  6. “What’d I Say, Part 2”
Side two
  1. “Great Balls of Fire”
  2. “Good Golly, Miss Molly”
  3. “Lewis Boogie”
  4. “Your Cheatin’ Heart”
  5. “Hound Dog”
  6. “Long Tall Sally”
  7. “Whole Lotta Shakin’ Goin’ On”

AllMusic said of the album: “Words cannot describe – cannot contain – the performance captured on Live at the Star Club, Hamburg, an album that contains the very essence of rock & roll…Live at the Star Club is extraordinary – the purest, hardest rock & roll ever committed to record…He sounds possessed, hitting the keys so hard it sounds like they’ll break, and rocking harder than anybody had before or since. Compared to this, thrash metal sounds tame, the Stooges sound constrained, hardcore punk seems neutered, and the Sex Pistols sound like wimps. Rock & roll is about the fire in the performance, and nothing sounds as fiery as this; nothing hits as hard or sounds as loud, either. It is no stretch to call this the greatest live album ever, nor is it a stretch to call it the greatest rock & roll album ever recorded. Even so, words can’t describe the music here — it truly has to be heard to be believed.”

And Lewis did it with himself and a band he didn’t know, a British band called the Nashville Teens!

Musicians:
  • Jerry Lee Lewis – piano, vocals
  • Johnny Allen – guitar
  • Pete Shannon Harris – bass
  • Barry Jenkins – drums (he later played w the Animals)

So if you have the system to play it loud here it is! Good Golly Miss Molly!!!!!

Jerry Lee Lewis Star Club

Live at the Star Club

Related link >>> NPR report

Jerry Lee Lewis Star Club

Cannot Buy Beatles Love

Cannot Buy Beatles Love

April 4, 1964
Hit #1 on Billboard
Cannot Buy Beatles Love
cover for the 45 of Can’t Buy Me Love. Note the cigarette in Paul’s hand.
Cannot Buy Beatles Love

Number 1

It’s April 1964 and Beatlemania is world-wide.  The Beatles released “Can’t Buy Me Love” on March 16 of that year and by April 4 it was, not surprisingly, #1.

Oh yea, and numbers 2, 3, 4, and 5 were also Beatle songs!

Beatles Can't Buy Me Love
from Billboard magazine
Cannot Buy Beatles Love

Me love or my love?

As infected as any teenager, I automatically loved the song, though the title seemed grammatically confusing.  Did they mean, “You cannot buy love for me”? Unfamiliar with the British use of “me” for “my”, “You can’t buy my love” didn’t occur to me. 

In any case, I had my transistor radio on as I walked weekdays delivering the local evening newspaper or on Friday evenings collecting the paper’s weekly charge (33 cents)  from my customers.

My radio was simply AM, of course. I hoped WABC or WMCA would play a few in a row and skip some commercials. It was still a few years away from a couple FM station owners realizing that these kids with paper routes had money to spend.

Cannot Buy Beatles Love

Paris inspired

The Beatles had performed for 18 days at the Paris Olympia Theatre, on a nine-act bill, playing two and sometimes three sets each day from January 16 to February 4, 1964.  They had just two days off in the run, on 21 and 28 January. It was during this time that Paul wrote “Can’t Buy Me Love.”

By the way, keep in mind that three days after that grueling 18 day visit, they flew to the United States for the first time for their famous Ed Sullivan Show appearances. 

Cannot Buy Beatles Love

Can’t Buy Me Love

Paul McCartney in Barry Miles’s Many Years from Now  said, “‘Can’t Buy Me Love’ is my attempt to write a bluesy mode. The idea behind it was that all these material possessions are all very well but they won’t buy me what I really want. It was a very hooky song. Ella Fitzgerald later did a version of it which I was very honoured by.”

“Can’t Buy Me Love” was mostly recorded on January 29, 1964 at EMI’s Pathé Marconi Studios in Paris. It was the first the first Beatle single to feature just one lead singer.

Cannot Buy Beatles Love

Allan W Pollack

Allan W Pollack at his amazingly thorough Soundscape site writes: “We have here a very standard long form with two refrain-like bridges separated by two verse sections, one of which contains a guitar solo. However the combination within the same song of a verse section so traditionally bluesy with a refrain, intro and outro that is equally so non bluesy is far from routine and makes this number truly groundbreaking in its own quiet way.”

That’s exactly what I was thinking in 1964 while I delivered The Bergen Evening Record.

NOT!

Cannot Buy Beatles Love

Richard George Manuel

Richard George Manuel

April 3, 1943 – March 4, 1986

Richard George Manuel

“She Knows” 1985-12-13, O’Tooles Bar, Scranton, PA by Rick Danko & Richard Manuel
Richard George Manuel

E  Pluribus Unum Band

It goes without saying that the five members of The Band were an amazing ensemble. Each contributed to a greater whole. Levon Helm’s spice from the American South; Robbie Robertson’s compositions; Rick Danko’s humor; and Garth Hudson’s keyboard anchor. An angelic Richard Manual hovered over all. Mainly on piano, it was his voice, sometimes a pulsating baritone, other times a hair-raising falsetto, that glued all.

Richard George Manuel

The Beginning 

Richard George Manuel was born in Ontario, Canada. His musical path parallels that of many musicians: he began playing piano at an early age and later formed a band, the Revols, with other teenage friends.

Dame Fortune always plays a part on our journey and after the Revols shared a bill (theirs in smaller letters) with Ronnie Hawkins and the Hawks. Hawkins recognized the genius of Manuel and put him in the band.

Richard George Manuel
The Squires (the Hawks without Ronnie Hawkins): L – R…Rick Danko, Richard Manuel, Levon Helm, Garth Hudson, and Robbie Robertson.
Richard George Manuel

Dylan arrives

In 1966, Dame Fortune smiled again. Or perhaps she smirked a smile. Having left Ronnie Hawkins and gone out on their own, Bob Dylan asked the five of them to back him on his new electric adventure. They did and became Bob’s band before simply becoming The Band.

It was through Dylan that the band met his manager, Albert Grossman. And also through Dylan that, following his recuperation from a motorcycle accident, the band moved to  a house in West Saugerties, NY near Woodstock. The house was pink and, of course, the inspiration for their first album.

Richard Manual wrote three of the album’s twelve songs: “In a Station,” “We Can Talk,” and “Lonesome Suzie.” He co-wrote “Tears of Rage” with Bob Dylan.

Life in music’s fast lane offers many diversions and addictions to heroin, cocaine, and alcohol grasped Manuel. His songwriting and general contributions to the band diminished.

Thanksgiving Day 1976 brought the Band’s figurative and literal Last Waltz. The five would never take the stage again.

Richard George Manuel

Time out

The break-up provided Manuel with a respite which he used to recover from his addictions. During the early 80s he again performed, sometimes with a reconfigured Band, sometimes as part of an acoustic duo with Rick Danko.

Unfortunately, but the mid-80s, his addictions controlled him again and on March 4, 1986 he wife found him dead. He had hung himself.

In 1994, Manuel was posthumously inducted into the Rock and Roll Hall of Fame as a member of the Band.

               Three songs were later written in his memory:

  • The Band, “Too Soon Gone” (1993)
  • Ronnie Hawkins, “Days Gone By” (1995)
  • Robbie Robertson, “Fallen Angel” (1987)

…of the three, Robbie Robertson’s is my favorite:


Are you out there?
Can you hear me?
Can you see me in the dark?I don’t believe it’s all for nothing
It’s not just written in the sand Sometimes I thought you felt too much
And you crossed into the shadow land And the river was overflowing
And the sky was fiery red
You gotta play the hand that’s dealt ya
That’s what the old man always said Fallen angel
Casts a shadow up against the sun
If my eyes could see
The spirit of the chosen one In my dream the pipes were playing
In my dream I lost a friend
Come down Gabriel and blow your horn
‘Cause some day we will meet again
All the tears, all the rage
All the blues in the night
If my eyes could see
You kneeling in the silver lightFallin’, fallin’, fallin’ down
Fallin’, fallin’ down
Fallin’, fallin’, fallin’ down Fallen angel
Casts a shadow up against the sun
If my eyes could see
The spirit of the chosen one All the tears, all the rage
All the blues in the night
If my eyes could see
You kneeling in the silver lightIf you’re out there can you touch me?
Can you see me? I don’t know
If you’re out there can you reach me?
Lay a flower in the snow

Richard Manuel’s grave at the Avondale cemetary in Stratford, Ontario.
The grave is located in section 23A, grave 193. Section 23A is near the very back of the cemetary (as far west as you can go). There is a pathway right through the section. Richard’s stone is just to the right (west) of the path.
Richard George Manuel