Category Archives: Music et al

Brooklyn Barry Fish Melton

Brooklyn Barry Fish Melton

Marijuana!
Country Joe and the Fish
Woodstock alum
From YouTube: “the psychedelic guitar of country joe and the fish legend ‘barry the fish melton rockin out at guitarman bar and live music venue in chiang mai,thailand”

Brooklyn Barry Fish Melton

Brooklyn Barry Fish Melton

Brooklyn bred 

Barry Melton was born in Brooklyn on June 14, 1947.

He and Joe McDonald formed the Instant Action Jug Band in San Francisco in 1965 . Acoustic was simpler than electric. Jug band music was fun. Gigs could be found.

Even when young, simple living requires some money and electric music was the more likely way to earn some. Melton and McDonald’s band evolved into Country Joe and the Fish.

Brooklyn Barry Fish Melton

Nearly dead

In February 1966, Melton and a few other nascent fish were living together and hosted the Rev Gary Davis who was going to play. They were very good hosts to the Rev who partook in the many hospitable offerings. Perhaps all involved were too hospitable.

As he got older and his hosts respectfully less-restrained, the Rev’s shows could be classically great or abysmally poor depending on his state at the time. And the mornings after could be dangerous.

According to Melton, he had to get something from the room that Davis was sleeping in. “I got whatever it was and I was headed toward the door when I heard a commanding voice, ‘Don’t move or you’re dead!’ I turned around to see Rev with a .38 revolver in his hand pointed in my general direction.”

After sincerely pleading and reassuring Davis that he was only one of the guys in the house, the Rev put down the gun. [story from the excellent Davis biography by Ian Zack, Say No To The Devil.

Brooklyn Barry Fish Melton

San Francisco scene

The Fish became part of the San Francisco scene and a jewel in its psychedelic crown. In 1967 they released their first album, Electric Music for the Mind and Body. 

Later that same year they released I-Feel-Like-I’m-Fixin’-to-Die.

This was not AM-radio music. This was not American Bandstand music. FM “underground” stations were burgeoning and the Fish’s music found a home there.

Melton rode that wave all over the United States with the other San Francisco icons such as the Dead and the Airplane.

Brooklyn Barry Fish Melton

Woodstock

The movie, Woodstock, propelled many bands into a national limelight. And even though Barry Melton and the Fish were not part of it, Country Joe’s solo performance that sunny Saturday afternoon in Bethel, NY, particularly his “I’m Fixin’ to Die Rag” and the “Fish Cheer” helped the whole band.

Brooklyn Barry Fish Melton
Melton at Woodstock

The band Country Joe and the Fish did not perform until that dreary post-summer downpour Sunday evening. The cataract had finally passed (“No rain no rain no rain no rain no rain…”), thousands of wet, tired, hungry, white suburban kids had begun to sludge their way back to their parents’ cars, gratefully found them there, and headed home hoping to be back to get to work on Monday on time.

Brooklyn Barry Fish Melton

Meanwhile…

The band didn’t last much longer after Country Joe went solo. Barry Melton helped keep it together for a few years with personnel coming and going.

Brooklyn Barry Fish Melton

Various bands

From Allmusic: Working as Barry “The Fish” Melton, he continued as a solo act through the 1970s and into the 1980s, also fronting the Barry “The Fish” Melton Band.

He also “…continued to play music…including a long stint with Dinosaurs, a band of 60s veterans that at various times included Peter Albin and David Getz ( Big Brother and the Holding Company), John Cipollina and Greg Elmore (Quicksilver Messenger Service), Papa John Creech (Hot Tuna and Jefferson Starship), Spencer Dryden (Jefferson Airplane and New Riders of the Purple Sage), Robert Hunter (Grateful Dead lyricist), David LaFlamme (It’s a Beautiful Day), Jerry Miller (Moby Grape) and the incomparable Merl Saunders on keyboards.”

Barry also wrote the soundtrack for the Roger Corman film, “GAS-S-S”. He had brief appearances in “The Omega Man” (1971) and “More American Graffiti” (1979).

Brooklyn Barry Fish Melton

Esquire

While the law may seem like an unlikely career for any Woodstock alum, it was what Melton chose and he has been practicing law since 1982.

According to his site, “I am primarily a criminal defense lawyer. I also provide representation in quasi-criminal matters, such as license revocation proceedings. I have a broad range of experience in general legal matters. I am and have been a musician all of my adult life, and I have always helped other artists and musicians with legal issues.”

And he continues to occasionally play in public.

Brooklyn Barry Fish Melton

Barbara Joy

From Barry’s FB page with the comment: “I was once a happy man, with the love of my life by my side. I miss you, Barbara Joy Langer!”

Melton posted the following on his Facebook page: …my angel …passed at 7:40 this Saturday morning, February 15, 2020. My lover, my wife, the mother of my children, my teacher — my everything. Thanks to all and each of you who loved her, too. Barbara Joy Langer, 3/27/1946 – 2/15/2020.

Brooklyn Barry Fish Melton

2021

Brooklyn Barry Fish MeltonHe wrote “On Monday, 2/15/21 marks the one-year anniversary of my sweet Barbara’s passing. I love this picture from Golden Gate Park during our earliest years in San Francisco. Happy Valentine’s Day, and President’s Day weekend, to you all…”

Brooklyn Barry Fish Melton

Beatles Let It Be

Beatles Let It Be

&
“The Long and Winding Road”
June 13, 1970

The Beatles were essentially no more in 1970. Only a few recordings and slim hopes remained.

Apple had released the Let It Be album on May 18. It had the highest number of advance orders for any album in the US record industry, with an astonishing 3,700,000 orders placed. The album retailed at $7, creating a gross sales figure of $25,900,000 before it was even released. [Beatle Bible article]

Despite crushed hopes, on June 13, 1970 we fans gave our musical brothers two #1s: a single and an album.

Beatles Let It Be
YouTube “Long and Winding Road”
Beatles Let It Be

Long and Winding Road

Their last #1 single.

“The Long and Winding Road” single seemed to say it all. Especially when Paul sang, “The wild and windy night that the rain washed away/Has left a pool of tears crying for the day/Why leave me standing here, let me know the way.

Wasn’t he singing what we were thinking?

Beatles Let It Be

Tells the story

In an ironic twist, the song reflects the progression of the Beatles’s demise. First, Paul McCartney did have the Beatles’s disharmony in mind when he wrote it. They (and Billy Preston) first recorded it in January 1969. It was a simpler version than the one that Phil Spector produced in April 1970. Those orchestral embellishments upset and maddened McCartney. So much so, that later, in his legal citations for the break up, he used those embellishments, done without his permission, as one of the reasons.

Allan Pollack says this (and much more) about the single:  in spite of his [McCartney’s] unabashed and sometimes even shameless sentimentality, he comes up with an affecting, durable torch song with “The Long And Winding Road”. The secrets of his success are to be found in the manner in which novel approaches to form and harmonic structure underscore the emotional core of the song, and belie whatever curbside surface clichés it has which may initially turn you off.

Beatles Let It Be

Let It Be

The Let It Be album was released on May 8, 1970. The Beatles last release. They had already broken up. The date most often used for that breakup is Paul’s public announcement on 10 April 1970.

They had actually recorded the album before the previous one, Abbey Road, thus forever creating fodder for fans to argue that Let It Be is the penultimate and Abbey Road the last.

Horseshoes and hand grenades.

Get Back was Let It Be’s original title  and intended, like its name suggested, to be a return to their musical roots. The single Get Back certainly gave that impression. A proposed album cover echoed their first album’s cover:

Beatles Let It Be

Disruption after dissension delayed and delayed again the completion of the album.  Abbey Road intervened.

As they say in baseball, “You need a scorecard.”

Let It Be was not a critical success. However as I said previously about John and Yoko’s Some Time In New York City,  the Beatles on a bad day were always better than any critic on any day.

Beatles Let It Be

Plastic Ono Some Time NYC

Plastic Ono Some Time NYC

John Lennon
Released June 12, 1972
“New York City” live @ Madison Square Garden Que pasa, New York?
Plastic Ono Some Time NYC

Life after the Beatles

The last Beatle album, Let It Be, was  already more than two years old. Each of the individual Beatles had been active since the breakup. Elvis met President Nixon and asked for a badge to be a drug czar. The FBI was investigating Lennon to back up a plan to deport him.

Life for John Lennon and Yoko Ono had become political. It is no surprise that Some Time in New York City happened.

Ironically, Lennon pursued this political avenue at the same time that traditional political singers such as Joan Baez and Judy Collins had moved away. No matter.

Plastic Ono Some Time NYC

In Your Face

The album was not a subtle one and smacked us right in the face with its first track: “Woman Is Nigger of the World.” To say some stations wouldn’t play it is an understatement.  The National Organization for Women awarded Lennon and Ono a “Positive Image of Women” citation for the song’s “strong pro-feminist statement” in August 1972.

The album cover resembled a newspaper with articles reflecting the songs. I’m sure the picture of President Nixon and Chairman Mao dancing nude didn’t help get Lennon off of Nixon’s Enemies List.

Plastic Ono Some Time New York City

Plastic Ono Some Time NYC

Some Time in New York City

It was a double-album with the second disc live material. The studio tracks were the main statements. All were co-written by Lennon & Ono except where noted:

Side one
  1. “Woman Is the Nigger of the World”
  2. “Sisters, O Sisters” (Ono)
  3. “Attica State”
  4. “Born in a Prison” (Ono)
  5. “New York City” (Lennon)
Side two
  1. “Sunday Bloody Sunday”
  2. “The Luck of the Irish”
  3. “John Sinclair” (Lennon)
  4. “Angela”
  5. “We’re All Water” (Ono)

Yoko Ono’s influence, presence, and art continued to rankle some fans and critics. Even today it seems de rigueur and reflexive for many to mock and demean her at the mention of her name .

Rolling Stone magazine still held powerful sway over what fans felt. Stephen Holden’s July 20, 1972 review read in part, ““except for ‘John Sinclair’ the songs are awful. The tunes are shallow and derivative and the words little more than sloppy nursery-rhymes that patronise the issues and individuals they seek to exalt. Only a monomaniacal smugness could allow the Lennons to think that this witless doggerel wouldn’t insult the intelligence and feelings of any audience.”

Time has been kinder than Holden, but still few today think of this work as Lennon’s best. [All Music review] [Ultimate Classic Rock review]

Having said that, Lennon on a bad day is far better than nearly all of us on any day.

Plastic Ono Some Time NYC