Category Archives: Music of the 60s

CCR Stuart Stu Cook

CCR Stuart Stu Cook

Woodstock alum
Rock and Roll Hall of Fame inductee
April 25–Happy birthday!
CCR Stuart Alden Stu Cook
Stu Cook at Woodstock
CCR Stuart Stu Cook

Stuart’s Start

Stuart Alden Cook was born on April 25, 1945. His first instrument was the trumpet, but when he, John Fogerty, and Doug Clifford formed the Blue Velvets in high school, Cook switched to rhythm guitar.

At a point he bought a bass and decided that was the instrument for him. In a 2014 interview in Bassplayer, Cook said, “I liked bass—you played one note at a time, and you got paid as much as everybody else!”

CCR Stuart Stu Cook

Creedence Clearwater Revival

Creedence Clearwater Revival’s success was not an overnight one, but once it arrived the four members rode a tsunami of hits which included a performance at the Woodstock Music and Art Fair in 1969.

Internal personnel issues arose and Creedence broke up in 1972. Stu Cook and Doug Clifford, friends since high school, formed a production company. They also joined the Don Harrison Band, which released two albums (1976, The Don Harrison Band  and Red Hot in 1977).

The performance of Creedence’s music had gone away. John Fogerty didn’t perform the music until the end of the 1980s and his estranged brother Tom died in 1990. 

Creedence Clearwater Revival was inducted into the Rock and Roll Hall of Fame in 1993, but “leader” John Fogerty in an unusual move did not invite Stu Cook or Cosmo Clifford to join him playing. John explained in a 2015 Rolling Stone article, “at the end, when everybody’s onstage, jamming, if we all happen to be onstage, that’s fine. I’m just not going to stand on a stage with those people, three in a row, play our songs, and be presented as a band — particularly because these guys just sold their rights in that band to my worst enemy. I also made it very clear that if I didn’t play at all, that was fine too.”

CCR Stuart Stu Cook

CCR forms

CCR Stuart Alden Stu Cook

In 1995 Stu Cook and Doug Clifford formed Creedence Clearwater Revisited and after a court battle regarding the name continues as such today, a testament to the power and popularity of the music.

From AllMusic: Suffice it to say that these guys are singularly unlikely to ever be a major creative force (or even part of one) in rock music the way they were…, and the chance of anything new or fresh issuing forth from them is practically nil. But that’s also true of Chuck Berry and a lot of other names bigger than Cook or Clifford, and CCRevisited does put on a good show, and crowds looking for good-time rock & roll music enjoy them, the same way that Rob Grill & the Grass Roots or whatever version of “Herman’s Hermits” Peter Noone is fronting can pull 15,000 to an outdoor venue on a decent summer night. At least CCRevisited doesn’t pretend to be anything more than what it is, even if they’re not too much more than a flesh-and-blood jukebox.” 

CCR Stuart Stu Cook

Nowadays

From the CCR site, “About the current state of affairs Stu says, “There’s still some meat on the bone, baby.””

CCR Stuart Stu Cook

CCR Doug Cosmo Clifford

CCR Doug Cosmo Clifford

Woodstock alum
Rock and Roll Hall of Fame inductee
Happy birthday…April 24, 1945
CCR Doug Cosmo Clifford
picture from: http://creedence-revisited.com/band/doug-cosmo-clifford/

DG’s acceptance at Rock and Roll Hall of Fame induction 

One of the most common questions  Museum guests at the Bethel Woods Center for the Arts ask me is, “What was your favorite group?” My polite answer is that that’s like asking me which is my favorite grandchild? Hopefully getting a chuckled response, I then say that the band whose 8-track I went home and bought was Creedence Clearwater Revival.  

In 1969 I didn’t get jamming. I loved albums and FM stations’ explorations, but when it came to a live performance I was looking for what I’d heard on the album. 

Creedence Clearwater Revival Woodstock performance fit that expectation. Great sound, tight playing, one hit after another. 

CCR Doug Cosmo Clifford

Blue Velvets

Doug Clifford, Doug “Cosmo” Clifford was CCR’s drummer and an original member of the band. In fact, it was John Fogerty, Doug Clifford, and Stu Cook who first formed a group without John’s older brother, Tom. The trio called themselves The Blue Velvets.

Golliwogs

In 1964, as a quartet with Tom, they signed with Fantasy Records as the Golliwogs. 

The band stalled in 1966 when both John and Doug received draft notices.  John Fogerty joined the Army Reserve;  Clifford the Coast Guard Reserve.

CCR

Things got back on track by 1968 after John Fogerty and Doug Clifford were discharged and the band became Creedence Clearwater Revival and released its first album, Creedence Clearwater Revival, on July 5 of that year.

 Some success in ’68 led to a breakout 1969: three hit albums and an invitation to the Woodstock Music and Art Fair. Their performance was, according to John Fogerty, subpar and that is the purported reason why he declined any inclusion from their set on the 1970 album. John blamed it on the audience. The Dead had preceded CCR and when CCR came on, John reportedly saw, “Dante scene, just bodies from hell, all intertwined and asleep, covered with mud,”

Stu Cook disagreed saying, ““The performances are classic CCR…”

Keep in mind that the Dead had closed with a rousing  39 minute rendition of Pigpen doing their classic “Turn On Your Lovelight.” And it was the middle of the night, so I’m not sure how John could have seen much at all.

End of CCR

In 1970, band tensions had its toll. Tom Fogerty left first and on October 16, 1972 Fantasy Records and the band officially announced the break up.

Doug Clifford solo

Doug Clifford

Doug Clifford released a solo album, Cosmo, and later joined Stu Cook in the Don Harrison Band.

Creedence Clearwater Revival was inducted into the Rock and Roll Hall of Fame in 1993.  Tom Fogerty had died in 1990, but the other three original members were there.

In 1995, Clifford and Cook formed the band Creedence Clearwater Revisited. John Fogerty challenged the name, but the courts decided in Clifford and Cook’s favor. The band has a Facebook page.

CCR Doug Cosmo Clifford

John Paul Nerk Twins

John Paul Nerk Twins

April 23 & 24, 1960 
John Paul Nerk Twins
From a Daily Mail article. “Rookie rockers: Paul McCartney and John Lennon in 1960, soon after their not-so-successful gig at the Fox and Hounds”

Les Paul and Mary Ford, “The World Is Waiting For The Sunrise”

John Paul Nerk Twins

Names

The Beatles went through several name and personnel changes before they became that group with that name that arrived on our US shores in 1964.

According to the “I Am the Beatles” site, here is the sequence of names:

  • The Black Jacks
  • The Quarry Men
  • Johnny and the Moondogs
  • The Nerk Twins
  • The Beatals
  • The Silver Beetles
  • The Silver Beats
  • The Beatles
  • The Silver Beatles
  • The Beatles
John Paul Nerk Twins

Any gig will do

Today  I’ll briefly explore those two nights in April 1960 that John and Paul were the Nerk Twins.

It is always good to keep in mind that the boys were simply young struggling musicians who found gigs however they could.

Fox and Hounds 

Betty Robbins was Paul’s cousin. Betty’s husband, Mike, and she ran the Fox and Hounds in Caversham on the outskirts of Reading, Berkshire.

John and Paul hitchhiked from Liverpool to the tavern and worked behind the bar  for a week. Mike Robbins, aware that they were musicians recommended that they play on Saturday and Sunday nights.

John Paul Nerk Twins

A Nerk

They made posters and the Nerk Twins were born. According to Bill Heckle, owner of The Cavern Club in Liverpool, “In Liverpool, a nerk is a derogatory term for somebody completely without street cred.” Knowing John’s sense of humor, perhaps it was his self-deprecating idea.

Professional advice

Mike Robbins had been an entertainments manager hosting talent contests and asked them what song they’d start with? Paul said “Be Bop A Lula.” Mike asked them if they could do anything more upbeat. Upbeat was the best way to start a show. According to Paul, they took that advice to heart and used it for arranging future shows.

So they decided to play a cover of Les Paul and Mary Ford’s “The World Is Waiting For The Sunrise.” It’s the Les Paul and Mary Ford version from 1953 that you hear at the top of today’s entry.

No relics

No one recorded the Nerk Twins. And the few patrons who heard them those April nights cared. According to Mike Robbins, one of the locals said, “They were a load of bloody rubbish but they brought a bit of life into the pub.”

What about those handmade posters? No one has ever found one and I suspect that if someone does it’ll be worth a few bob.

John Paul Nerk Twins