Category Archives: Music of the 60s

Hendrix Plays Sgt Pepper

Hendrix Plays Sgt Pepper

or

A Yankee in King Arthur’s Court

June 4, 1967

Hendrix @ Olympia, London December 1967

Hendrix plays Sgt Pepper

Geniuses plus

We all acknowledge the genius of  both the Beatles and Jimi Hendrix, but we typically don’t associate the two together. Hendrix famously covered Dylan’s “All Along the Watchtower,” but not Beatle songs.

Ironically the British Beatles, particularly Paul McCartney, helped put the Yankee Jimi Hendrix on the American map.

Hendrix plays Sgt Pepper

Long time coming

The talented Hendrix had already been an excellent guitarist backing up the Isley Brothers, Rose Lee Brooks, Little Richard, and Curtis Knight.  In 1966 in  Greenwich Village, he fronted Jimmy James and the Blue Flames, but it’s lack of success made it an easy decision for him to accept Chas Chandler’s offer to come to the UK. Chandler had just left the Animals and in the UK was able to connect Hendrix with various members of the British rock royalty such as Eric Clapton (nearly speechless after his initial experience hearing Hendrix),  Pete Townshend, and Paul McCartney.

Great Britain

Noel Redding came into Hendrix’s orbit because Redding was auditioning as a guitarist for the renovating Animals. Mitch Mitchell, a jazz drummer, fit the type of power trio Chandler and Hendrix were building.

Hendrix plays Sgt Pepper

Beatles

The Beatles had completed recording Sgt Pepper’s Lonely Hearts Club Band on April 21, 1967 and the world received it on June 1. How Hendrix first heard the album, whether he purchased his own copy or Paul McCartney had given an copy to him, isn’t important. What is interesting was the Experience’s opening number at their concert only three days later: “Sgt Pepper’s Lonely Heart’s Club Band.” Hendrix may not have even known that McCartney and Harrison were in the audience.

Monterey Pop invitation

Even more important was what Hendrix did two weeks later at the last when he played the Monterey International Jazz and Pop Festival and changed American music forever.

Why was he playing that event? The festival’s organizers had invited the Beatles to play, but they declined as they still did not want to be on a live stage. They did do an illustration for the event:

Hendrix plays Sgt Pepper

Jimi Hendrix Plays Sgt Pepper

Recommendation

Paul McCartney and the Beatles did something else. McCartney strongly recommended the “unknown” Jimi Hendrix Experience. And who would say no to a Beatle recommendation?

Paul McCartney and Ringo Starr had first seen The Jimi Hendrix Experience performing on 11 January 1967 at the Bag O’Nails club in London.

So it was on June 4, 1967 that McCartney, George Harrison, Jane Asher and Pattie Boyd watched them headline a bill at the city’s Saville Theatre.

Hendrix plays Sgt Pepper

Beatles > Jimi

Thank you Jimi. Thank you Paul and the Beatles. We may have heard Jimi on this side of the pond without your help, but we certainly did because of your help.

Aretha Franklin Respect

Aretha Franklin Respect

Billboard #1 June 3 – June 30, 1967
Aretha Franklin Respect

Bethel Woods Center for the Arts

Those of you who have visited the Museum at Bethel Woods Center for the Arts know that the Main Gallery is not a Woodstock museum–as in a museum that recalls the “greatest festival of all time.

The Main Gallery sets up that momentous 1969 event by walking visitors through the turbulent 60s: the civil rights movement, the space race, technological innovations, the Vietnam War, Beatlemania, the counterculture, assassinations, fashion, politics, the change in family, nationalism, and the many other of that era’s crucial hallmarks.

As guests get about halfway through, album covers appear. Of course until then the little records with big holes dominated sales. By the end of the decade, the big records with the little holes began to outsell singles.

Aretha Franklin Respect
I Never Loved A Man the Way That I Love You

Among the first half-dozen albums that are displayed is Aretha Franklin’s  breakthrough Atlantic Records debut album, I Never Loved a Man the Way I Love You.  It is the featured image atop this postThe single by the same name was a hit for Franklin and Atlantic Records selected “Respect” (can anyone write that title thinking of the song without mentally singing the letters like Aretha?) as her next single.

It was #1 song from June 7 to June 17, 1967.

Aretha Franklin’s career never looked back after that.

Aretha Franklin Respect

Otis Redding

Otis Redding had written the song and released it as a single in the summer of 1965. The song did well commercially and helped establish his presence on radio waves’ white side.

He continued to sing his version of the song and included it in his amazing performance at the Monterey International Jazz and Pop Festival on June 17, 1967. It was during his introduction (listen above) that he says, “that a girl took away from me, a friend of mine, this girl she just took this song.

Aretha Franklin Respect

Muscle Shoals

Columbia Records had recognized Aretha Franklin’s potential, but had not been able to translate it.  Ahmet Ertegun and his Atlantic Records found a way. He brought her to  Muscle Shoals, Alabama and Rick Hall’s FAME Studios.

Jerry Wexler and Arif Mardin produced the record and Tom Dowd engineered it. The musicians were the famed Muscle Shoals Rhythm Section, aka, the Swampers: Cornell Dupree (guitar), Willie Bridges (sax), Charles Chalmers (sax), Roger Hawkins (drummer),Tommy Cogbill (bass), Dewey ‘Spooner’ Oldham (keyboards), and King Curtis (sax). Franklin’s sisters Carolyn and Erma were the backing vocals.

That group lighted the fuse that launched Franklin. The song went from Redding’s covert plea for sex when he got home to Franklin’s proclamation of freedom, demand for R E S P E C T.

Aretha Franklin Respect

Anthem

Not only did the song establish Franklin as a star, it became an anthem of the times for civil rights and women’s liberation. As an NPR story said, ” ‘Respect’ Wasn’t A Feminist Anthem Until Aretha Franklin Made It One.”

That is why that album cover display is so appropriate for the Main Gallery.

Thank you Aretha.

Aretha Franklin Respect

Dino Valenti Gets Together

Dino Valenti Gets Together

“Let’s Get Together” is one of the 1960s’ most recognizable songs, particularly the version done by the Youngbloods.  We should also recognize the name Dino Valenti since it was he who penned the song.

Valenti may or may not have written another staple of the era, “Hey Joe.” There seems to be some fuzziness surrounding that. It may be a reworked traditional song or a song written by Billy Roberts and Len Partridge who “gave” the song to Valenti while Valenti was in jail (marijuana charges) to help Valenti financially.

To add to a bit of the confusion that can surround Valenti, one should also know that he was born Chester William “Chet” Powers, Jr.  on October 7, 1937 and was also known as a songwriter as Jesse Oris Farrow.

He was the lead singer of the outstanding Quicksilver Messenger Service.

dino valenti

Dino Valenti Gets Together

Kingston Trio

It was on this date, June 1, 1964 that the Kingston Trio released “Let’s Get Together” on their Back to Town album. If you were a Kingston Trio fan and bought the album, then you would have become familiar with the song.

The album reached #22 on Billboard Pop Album charts.

Kingston Trio singing “Let’s Get Together” from their Back in Town album.

Dino Valenti Gets Together

Dino Valenti 

Here is Dino Valenti singing the song himself:

Dino Valenti Gets Together

We Five

The We Five (of “You Were On My Mind” fame) covered the song in 1965, but it still didn’t catch on.

Dino Valenti Gets Together

Youngbloods

Even in 1967 when Jesse Colin Young and the Youngbloods did what became the definitive version, it did not do that well commercially– reaching #62 on the charts.

Fortuitously for the song and them, the song became part of a Public Service Announcement and re-energized their version which was re-released in 1969 and finally established deep roots in American music.

Dino Valenti died on November 16, 1994. He was 51.

Dino Valenti Gets Together