All posts by Woodstock Whisperer

Attended the Woodstock Music and Art Fair in 1969, became an educator for 35 years after graduation from college, and am retired now and often volunteer at Bethel Woods Center for the Arts which is on the site of that 1969 festival.

Keith Moon Waxes Wanes

Keith Moon Waxes Wanes

August 23, 1946 – September 7, 1978

Keith John Moon Waxes Wanes

From All Music Keith Eder’s bio of Moon:  Moon, with his manic, lunatic side, and his life of excessive drinking, partying, and other indulgences, probably represented the youthful, zany side of rock & roll, as well as its self-destructive side, better than anyone else on the planet. In that sense, he was the soul of the Who.

New Moon

Keith John Moon was born in London,and grew up in Wembley.  Like many active boys, the educational system and he were not on the same page. Teachers often found him difficult to manage within the typically narrow confines of a conventional classroom.

Keith briefly tried his mouth at the trumpet, but his hands found the drums and away we go.

Keith Moon Waxes Wanes

Half Moon

Moon’s first band was the Escorts. In December 1962 he joined the Beachcombers, a cover band. like so many young bands anywhere.

As his drumming evolved, Moon added more and more movements to his playing to the point where we now recognize the frenetic musician he became.

Keith Moon Waxes Wanes

Full Moon

The story of Moon’s joining the Who has its variations. It was April 1964 and Doug Sandom was the Who’s drummer.  There was a bit of a generation gap between the 34-year-old Sandom and the much younger Roger DaltreyPete Townshend, and John Entwistle.

Sandom left and Moon arrived.

He went to a Who show, saw their fill-in drummer, told them he’d do a better job, got the go ahead for the second set, destroyed the drum kit, and walked away assuming he’d also destroyed his chances.

According to Townshend and Daltry, they later went over to Moon sitting at the bar and invited him to join the band.

Keith Moon Waxes Wanes

Blue Moon

Moon’s drumming style and enthusiasm became as integral a part of the Who’s persona as Townshend’s windmill, Daltry’s mic slinging, and Entwistle’s stoicism.  Others sometimes criticized Moon’s timing, but he was the band’s backbone.

Like many youth from a modest background that fame finds and thrusts the accouterments of success upon, Moon enjoyed both the lime and the limelight. Stories abound of hotel destruction and the never ending parties.

The behavior was entertaining, funny, and made great headlines since even bad publicity was good publicity, but by the mid-70s, the behavior controlled Moon.

Aware of his own dysfunctions, Moon attempted to self-medicate a cure away from medical facilities.

It did not work and his addictions waxed not waned.

Keith Moon Waxes Wanes

Moon sets

Keith Moon died of an overdose of  clomethiazole tablets on 7 September 1978.

Thank you, Keith for all you brought to our lives.

Keith Moon Waxes Wanes

Keith Moon Waxes Wanes

1968 Ringo Leaves Beatles

1968 Ringo Leaves Beatles

August 22, 1968

1968 Ringo Leaves Beatles

Ringo joins the Beatles

It had been on August 18, 1962 that Ringo Starr made his debut with the Beatles at the horticultural society Dance, Birkenhead, England,. He had had a two-hour rehearsal in preparation.

1968 Ringo Leaves Beatles

3,162,240 minutes later…

Ringo left. The Beatles had started recording their so-called White Album on 30 May 1968. By August that year they had completed much of it but also by that date the occasional tensions between band members were again evident.

On August 22, 1968, Ringo decided to leave the Beatles. He felt his drumming was not good enough and that John, Paul, and George were really the band. He was an unnecessary appendage.

1968 Ringo Leaves Beatles

Ringo leaves Beatles

In Anthology, Ringo said the following: “I felt I wasn’t playing great, and I also felt that the other three were really happy and I was an outsider. I went to see John, who had been living in my apartment in Montagu Square with Yoko since he moved out of Kenwood. I said, “I’m leaving the group because I’m not playing well and I feel unloved and out of it, and you three are really close.” And John said, “I thought it was you three!

“So then I went over to Paul’s and knocked on his door. I said the same thing: “I’m leaving the band. I feel you three guys are really close and I’m out of it.” And Paul said, “I thought it was you three!

“I didn’t even bother going to George then. I said, ‘I’m going on holiday.’ I took the kids and we went to Sardinia.”

Read More: 47 Years Ago: Ringo Starr Temporarily Quits the Beatles
1968 Ringo Leaves Beatles

While the drummer’s away…

Recording continued with “Back in the USSR.” Paul played drums, George guitar, and John bass.  More was added later.

Ringo was away two weeks, but the three kept his departure a secret. While away, Ringo wrote “Octopus Garden” which would appear later on  Abby Road.

1968 Ringo Leaves Beatles

Ringo returns

Ringo from Anthology: I got a telegram saying, ‘You’re the best rock’n’roll drummer in the world. Come on home, we love you.’ And so I came back. We all needed that little shake-up. When I got back to the studio I found George had had it decked out with flowers – there were flowers everywhere. I felt good about myself again, we’d got through that little crisis and it was great.

It was September 3, 1968.

768 days later…

On April 10, 1970 Paul publicly announced what the other three Beatles already knew: the Beatles were breaking up.

1968 Ringo Leaves Beatles

1955 Juvenile Delinquency Crime Commission

1955 Juvenile Delinquency Crime Commission

Houston, TX

Fear of Rock

The Fear of Rock and Roll · Propeller
1955 Juvenile Delinquency Crime Commission

Rock & Integration?

Some have argued that rock and roll did as much to integrate the United States as legislation or demonstrations. It is difficult to quantify the contribution of any one civil rights strategy, but it is interesting to think that rock and roll music did not start out as a way to bring races together.

1955 Juvenile Delinquency Crime Commission

International fear

The fear of rock music was not limited to the United States. On May 8, 1954 the UK’s BBC radio banned Johnnie Ray’s song “Such A Night” after some listeners complained about its ‘suggestiveness.’ Ray was famous for his emotional stage act, which included beating up his piano and writhing on the floor.

1955 Juvenile Delinquency Crime Commission

Billboard’s Fear

Later that year, on September 24, 1954, a Billboard magazine editorial entitled “Control the Dimwits” called for removing rhythm and blues records with sexual double entendres from jukeboxes.

The Songwriters Protective Association (today the Songwriters Guild of America ) endorsed the editorial. Police in Memphis, Tennessee, and Long Beach, California, confiscated jukeboxes with the offending records. The largest jukebox operator in the New York City area offered to remove any records that Billboard listed.

1955 Juvenile Delinquency Crime Commission

Variety’s Fear

The following year, on February 23, 1955, Variety magazine wrote “A Warning to the Music Business,. Music ‘leer-ics’ are touching new lows and …policing, if you will, [has] to come from more responsible sources. Meaning the . . . record manufacturers and their network daddies. . . . It won’t wash for them to . . . justify their ‘leer-ic’ garbage by declaring ‘that’s what kids want’ or ‘that’s the only thing that sells today.”

1955 Juvenile Delinquency Crime Commission

Institutional Fear

Again that year, on May 17, 1955,  Princeton University students played the Bill Haley hit record Rock Around the Clock simultaneously from their dorm rooms. University administrators suspended four students.

1955 Juvenile Delinquency Crime Commission

Municipal Fear

Some US cities began to ban concerts by certain rock and roll artists…mainly black like Fats Domino.

1955 Juvenile Delinquency Crime Commission

Juvenile Delinquency and Crime Commission

Finally on August 21, 1955, the Juvenile Delinquency and Crime Commission in Houston, Texas, claimed success  in its anti-rock and roll crusade. The effort involved pressuring radio stations not to play recordings with “lewd or suggestive” lyrics. All nine Houston radio stations had cooperated.

The Commission had prepared a list of objectionable records. “Wash-Out-The Air,” a subcommittee of the Commission, looked for records that were supposedly suggestive, obscene, or had lewd intonations. The list contained twenty-six records and almost all by black artists, including:

  • Ray Charles “I Got a Woman”
  • Clyde McPhatter “Whatcha’ Gonna Do Now”
  • Hank Ballard and the Midnighters “Annie Had a Baby”
  • Dominoes “Sixty Minute Man”
  • Drifters “Honey Love”
  • Roy Brown “Good Rockin’ Tonight”

The Commission told radio station owners that the Commission would complain to the Federal Communications Commission if the stations did not cooperate.

For more about Houston in particular and the fear of rock in general, see the book, Anti-rock: The Opposition to Rock ‘n’ Roll by Linda Martin and Kerry Segrave.