Category Archives: Music et al

Hendrix Plays Sgt Pepper

Hendrix Plays Sgt Pepper

or

A Yankee in King Arthur’s Court

June 4, 1967

Hendrix @ Olympia, London December 1967

Hendrix plays Sgt Pepper

Geniuses plus

We all acknowledge the genius of  both the Beatles and Jimi Hendrix, but we typically don’t associate the two together. Hendrix famously covered Dylan’s “All Along the Watchtower,” but not Beatle songs.

Ironically the British Beatles, particularly Paul McCartney, helped put the Yankee Jimi Hendrix on the American map.

Hendrix plays Sgt Pepper

Long time coming

The talented Hendrix had already been an excellent guitarist backing up the Isley Brothers, Rose Lee Brooks, Little Richard, and Curtis Knight.  In 1966 in  Greenwich Village, he fronted Jimmy James and the Blue Flames, but it’s lack of success made it an easy decision for him to accept Chas Chandler’s offer to come to the UK. Chandler had just left the Animals and in the UK was able to connect Hendrix with various members of the British rock royalty such as Eric Clapton (nearly speechless after his initial experience hearing Hendrix),  Pete Townshend, and Paul McCartney.

Great Britain

Noel Redding came into Hendrix’s orbit because Redding was auditioning as a guitarist for the renovating Animals. Mitch Mitchell, a jazz drummer, fit the type of power trio Chandler and Hendrix were building.

Hendrix plays Sgt Pepper

Beatles

The Beatles had completed recording Sgt Pepper’s Lonely Hearts Club Band on April 21, 1967 and the world received it on June 1. How Hendrix first heard the album, whether he purchased his own copy or Paul McCartney had given an copy to him, isn’t important. What is interesting was the Experience’s opening number at their concert only three days later: “Sgt Pepper’s Lonely Heart’s Club Band.” Hendrix may not have even known that McCartney and Harrison were in the audience.

Monterey Pop invitation

Even more important was what Hendrix did two weeks later at the last when he played the Monterey International Jazz and Pop Festival and changed American music forever.

Why was he playing that event? The festival’s organizers had invited the Beatles to play, but they declined as they still did not want to be on a live stage. They did do an illustration for the event:

Hendrix plays Sgt Pepper

Jimi Hendrix Plays Sgt Pepper

Recommendation

Paul McCartney and the Beatles did something else. McCartney strongly recommended the “unknown” Jimi Hendrix Experience. And who would say no to a Beatle recommendation?

Paul McCartney and Ringo Starr had first seen The Jimi Hendrix Experience performing on 11 January 1967 at the Bag O’Nails club in London.

So it was on June 4, 1967 that McCartney, George Harrison, Jane Asher and Pattie Boyd watched them headline a bill at the city’s Saville Theatre.

Hendrix plays Sgt Pepper

Beatles > Jimi

Thank you Jimi. Thank you Paul and the Beatles. We may have heard Jimi on this side of the pond without your help, but we certainly did because of your help.

Aretha Franklin Respect

Aretha Franklin Respect

Billboard #1 June 3 – June 30, 1967
Aretha Franklin Respect

Bethel Woods Center for the Arts

Those of you who have visited the Museum at Bethel Woods Center for the Arts know that the Main Gallery is not a Woodstock museum–as in a museum that recalls the “greatest festival of all time.

The Main Gallery sets up that momentous 1969 event by walking visitors through the turbulent 60s: the civil rights movement, the space race, technological innovations, the Vietnam War, Beatlemania, the counterculture, assassinations, fashion, politics, the change in family, nationalism, and the many other of that era’s crucial hallmarks.

As guests get about halfway through, album covers appear. Of course until then the little records with big holes dominated sales. By the end of the decade, the big records with the little holes began to outsell singles.

Aretha Franklin Respect
I Never Loved A Man the Way That I Love You

Among the first half-dozen albums that are displayed is Aretha Franklin’s  breakthrough Atlantic Records debut album, I Never Loved a Man the Way I Love You.  It is the featured image atop this postThe single by the same name was a hit for Franklin and Atlantic Records selected “Respect” (can anyone write that title thinking of the song without mentally singing the letters like Aretha?) as her next single.

It was #1 song from June 7 to June 17, 1967.

Aretha Franklin’s career never looked back after that.

Aretha Franklin Respect

Otis Redding

Otis Redding had written the song and released it as a single in the summer of 1965. The song did well commercially and helped establish his presence on radio waves’ white side.

He continued to sing his version of the song and included it in his amazing performance at the Monterey International Jazz and Pop Festival on June 17, 1967. It was during his introduction (listen above) that he says, “that a girl took away from me, a friend of mine, this girl she just took this song.

Aretha Franklin Respect

Muscle Shoals

Columbia Records had recognized Aretha Franklin’s potential, but had not been able to translate it.  Ahmet Ertegun and his Atlantic Records found a way. He brought her to  Muscle Shoals, Alabama and Rick Hall’s FAME Studios.

Jerry Wexler and Arif Mardin produced the record and Tom Dowd engineered it. The musicians were the famed Muscle Shoals Rhythm Section, aka, the Swampers: Cornell Dupree (guitar), Willie Bridges (sax), Charles Chalmers (sax), Roger Hawkins (drummer),Tommy Cogbill (bass), Dewey ‘Spooner’ Oldham (keyboards), and King Curtis (sax). Franklin’s sisters Carolyn and Erma were the backing vocals.

That group lighted the fuse that launched Franklin. The song went from Redding’s covert plea for sex when he got home to Franklin’s proclamation of freedom, demand for R E S P E C T.

Aretha Franklin Respect

Anthem

Not only did the song establish Franklin as a star, it became an anthem of the times for civil rights and women’s liberation. As an NPR story said, ” ‘Respect’ Wasn’t A Feminist Anthem Until Aretha Franklin Made It One.”

That is why that album cover display is so appropriate for the Main Gallery.

Thank you Aretha.

Aretha Franklin Respect

Chuck Higgins Pachuko Hop

Chuck Higgins Pachuko Hop

Moma said, “Don’t go looking for trouble, or you’ll find it.”

And if you go looking for poltergeists you’ll find them, too.

By June 2, 1956 Fats Domino, Sam Phillips, Ike Turner’s “Rocket 88,” Alan Freed, Elvis, Bill Haley, the Blackboard Jungle, Little Richard, and other early R & B people were well on to inventing this new thing: Rock ‘n’ Roll.

Chuck Higgins Pachuko Hop

Fear of Rock

And like any new youth music craze (see the “godless” 16th century forbidden waltz), many adults looked to find a menace. It was easy to cast 1950s’ fears onto Rock. Conspiracy theorists could say Communists brought the music into America to weaken us. Other irrational and racist commentators claimed that the lazy promiscuous (both at the same time?!) Negro was the fault.

Or in California, Mexican-Americans.

And 1950 adults tried to stomp out the music and its suggestive dancing and lyrics.

Chuck Higgins Pachuko Hop

Zoot suit  

Pachuko (or pachuco) refers to a style of dressing that might be better known as the zoot suit.

Chuck Higgins

Chuck Higgins was born in Gary, Indiana on April 17, 1924. According to a Black Cat Rockabilly article, “His first choice of instrument was the trumpet, which he took up at he age of ten and at which he became considerably more proficient than he ever did at playing the tenor saxophone.”

He and his family moved to California in 1940 where he eventually became the leader and saxophonist of  Chuck Higgins & His Mellotones.

In 1952 he wrote “Pachuko Hop.” The song became a local hit.

Chuck Higgins Pachuko Hop

Santa Cruz dance show

Chuck Higgins Pachuko Hop

As was happening throughout the US, on June 2, 1956 there was a dance in the Santa Cruz Civic Auditorium featuring Chuck Higgins and his Orchestra. Police entered the auditorium just to check on the event, and what they found, according to Lieutenant Richard Overton, was a crowd “engaged in suggestive, stimulating and tantalizing motions induced by the provocative rhythms of an all-negro band.”

Lt. Overton shut down the dance.

The next day, June 3, 1956, Santa Cruz city authorities announced a total ban on rock and roll at public gatherings, calling the music “Detrimental to both the health and morals of our youth and community.”

Chuck Higgins Pachuko Hop

Woodstock


4822 days later, 500,000 young people gathered on a Bethel, NY hay field to enjoy three days of music. On the second day Country Joe led them in a cheer.

Woodstock Music and Art Fair (photo by J Shelley)