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Beatles, Music et al

Beatles 1962 Auditions

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Beatles 1962 Auditions

Before Beatlemania

Auditions were a regular part of the Beatles in 1962. And 1962 will be the year the Beatles move from obscurity to popularity, though certainly not to Beatlemania. Not yet.

Decca

On New Year’s Day 1962 The Beatles conducted their first audition for a major record company, Decca. In its London studio which was and less than 2 miles from EMI’s Abbey Road studios, The Beatles taped 15 songs that had been carefully selected by Brian Epstein to show off their versatility: “Like Dreamers Do”, “Money”, “Till There Was You”, “The Sheik of Araby”, “To Know Her Is to Love Her”, “Take Good Care of My Baby”, “Memphis”, “Sure to Fall (In Love With You)”, “Hello Little Girl”, “Three Cool Cats”, “Crying, Waiting, Hoping”, “The Love of the Loved”, “September In the Rain”, “Besame Mucho”, and “Searchin'”.

It took about an hour to record all the songs and Decca’s Mike Smith (who had arrived late, irritating Brian Epstein) promised to get back to Brian with Decca’s decision; then Smith hurried the Beatles out of the studio because he was running late for a second audition – with Brian Poole and the Tremeloes.

Decca declined to give the Beatles a recording contract. (Independent article)

Beatles 1962 Auditions

More Auditions

February 12, 1962: The Beatles traveled to Broadcasting House, Manchester, Lancashire. Brian Epstein had arranged an audition to perform on radio.

Producer Peter Pilbeam listened to The Beatles perform four songs: Paul McCartney sang “Till There Was You” and his composition “Like Dreamers Do”; John Lennon sang “Memphis” and his composition “Hello Little Girl.”

Pilbeam voted “No” on Paul’s performance, but voted “Yes” on John’s. His final answer was “Yes” and the Beatles were booked to record an appearance on the radio program “Teenager’s Turn” on March 7.

March 7, 1962 The Beatles recorded their first radio appearance, at the Playhouse Theatre, Hulme, Manchester, for the BBC radio program “Teenager’s Turn – Here We Go”.

After a rehearsal, the Beatles put on suits for the first time and, along with the other artists appearing on the program, recorded the show in front of a teenage audience.

The Beatles performed three songs, all cover versions: “Dream Baby”, “Memphis”, and “Please Mr. Postman”. The broadcast was the following afternoon, March 8.

Beatles 1962 Auditions

EMI/Parlophone

June 6, 1962: The Beatles’ first recording session at Abbey Road Studios. George Martin got along well with John Lennon, Paul McCartney, and George Harrison, but not so with the taciturn Pete Best.

Worse, he considered Pete’s drumming ability to be not up to professional standards and pointed that out to Brian Epstein.

Beatles 1962 Auditions

“Here We Go”

June 11, The Beatles taped for the BBC radio program, “Here We Go.” This is the last Beatle recording on which Pete Best played.

Beatles 1962 Auditions

Summer gigs

During June, July, August, and September, The Beatles had many gigs and their popularity continued to increase, but mainly around their hometown of Liverpool with The Cavern being their mainstay venue. A change was about happen…

The Beatles 1962 Auditions
An early 1960’s photo of The Beatle at The Cavern Club. The Beatles last performance at The Cavern Club was 3 August 1963
Beatles 1962 Auditions

Pete Best out

August 16, 1962: Brian Epstein told Pete Best that the he was out of the band, but, amazingly, Epstein asked Best to perform with the band that night. Though at first agreeing, Best later decided against appearing, and he did not show up.

Many Beatles’ fans were partial to Pete. For a few days, Brian Epstein needed protection to walk down Mathew Street, and his new Best fans scratched Epstein’s car.

Ringo, having already agreed to leave Rory Storm and the Hurricanes (that band will, at one point, use Keef Hartley as their drummer. Keef will leave later to form his own band. It will play at the Woodstock Music and Art Fair!) will play with the Beatles as we now know them for the first time on August 18.

Beatles 1962 Auditions

Beatles @ EMI

September 4, 1962 The Beatles’ first formal recording session at EMI’s Abbey Road studios. George Martin did not consider any of the recordings from June 6 to be good enough for commercial release, so he called the Beatles back into the studio to try again.

They rehearsed six songs, including “Love Me Do” and “Please Please Me”, and two of the songs were picked for recording: “Love Me Do” and Mitch Murray’s song “How Do You Do It.”

The Beatles were unhappy with recording Murray’s song, which they had rearranged from the original demo that George Martin had sent them. However, Martin is insistent and they do record the song. They recorded an unknown number of takes of “How Do You Do It” and over 15 takes of “Love Me Do” with Ringo drumming.

Though Mitch Murray was notified that the Beatles would release his song , the decision was reversed when they chose “Love Me Do” and then “Please Please Me” instead.

Gerry & the Pacemakers later recorded it using the Beatles’ arrangement. the song reached #1 on the charts.

Beatles 1962 Auditions

Beatles back @ EMI

September 11: The Beatles returned to EMI Studios in London for a third attempt at recording their first single. George Martin insisted that studio drummer Allan White take Ringo Starr’s place during the session. Ringo was left to play maracas on “P.S. I Love You” and tambourine on “Love Me Do”.

The band recorded ten takes of “P.S. I Love You” and 18 takes of “Love Me Do,” along with an unknown number of takes of “Please Please Me”.

George Martin suggested that they could improve “Please Please Me” with increased tempo and tight vocal harmonies. They selected “Love Me Do” to be their first A-side, with “P.S. I Love You” on the flip side (a reversal of the original plan).

Beatles 1962 Auditions

Release of Love Me Do

October 5: the UK release of Beatles single “Love Me Do/P.S. I Love You” (Parlophone). It reached #17 and was on the charts for 6  weeks. The featured a September. 4 version of “Love Me Do” (Version I) that had Ringo on drums. The album “Please Please Me”, however, will includes Version II, with Andy White on drums.

Beatles 1962 Auditions

Studio Four, Granada TV Centre

October 17: in between their lunchtime and night shows at the Cavern Club, the Beatles traveled to Studio Four, Granada TV Centre, Manchester, Lancashire, to make their television debut. They appeared live on a local magazine program called “People and Places”, which was broadcast across north and northwest England. After two rehearsals lasting nearly three hours, The Beatles performed two songs for the live transmission, “Some Other Guy” and “Love Me Do”.

Empire Theatre

Oct 28:  The Beatles performed at the Empire Theatre, Liverpool. This was a major performance for The Beatles, their first at Liverpool’s top theatre.

The Beatles had hit the big time…at least locally.

Beatles 1962 Auditions

BBC TV

November 23: The Beatles traveled to St. James’ Church Hall, London, for a 10-minute audition with BBC Television. The audition came about when a Beatles fan, David Smith of Preston, wrote to the BBC and asked that BBC feature the band on television.

BBC assumed that Smith managed The Beatles and wrote back offering him a November 6 audition.  Smith brought the letter to NEMS Enterprises and Clive Epstein (Brian’s brother) arranged for the November  23 audition.

After the audition, the Beatles hurried home for that night’s scheduled performance.

Beatles 1962 Auditions

Record second single

November 26, 1962, The Beatles were in the recording studio (Studio Two, EMI Studios, London), recording their second single. They recorded “Please Please Me” in 18 takes. Epstein, Martin, and the band select it for the A-side of the band’s new single. Then they recorded in 6 takes of “Ask Me Why” for the flip side.

The Beatles also played a third Lennon-McCartney number, “Tip of My Tongue”, for producer George Martin. Martin did not care for the arrangement, and the song will never be recorded by The Beatles. However, “Tip of My Tongue” will be recorded in July 1963 by Tommy Quickly, another artist managed by Brian Epstein.

EMI will issue The Beatles’ second single, “Please Please Me/Ask Me Why” on January 11, 1963. George Martin confidently and accurately predicted that the single will hit #1.

Beatles 1962 Auditions

BBC 

TV thumbs down

November 27: Brian Epstein received a polite “thumbs-down” letter from the BBC  and he realized that The Beatles would need to score a #1 hit before they had a real chance of making their BBC television debut.

BBC Paris Studio

November 27, 1962: The Beatles go to BBC Paris Studio, Regent Street, London, to record their first BBC radio session in London. They perform three songs before a live studio audience: “Love Me Do”, “P.S. I Love You”, and “Twist and Shout”. 

Beatles 1962 Auditions

Others

TWW Television

December 3: The Beatles appeared in a live television broadcast from TWW Television Centre, Bristol, Somerset, on the program “Discs a Gogo”, which was broadcast to that and nearby regions. The Beatles performed live, but lip-sync to “Love Me Do”.

Wembley Studios

December 4: The Beatles appeared in a live television broadcast from Wembley Studios, Wembley, Middlesex. This was their London-area debut on television on a children’s program called “Tuesday Rendezvous.” The Beatles performed live, doing lip-sync performances of “Love Me Do” and 45 seconds of “P.S. I Love You”.

Studio Four, Granada TV

December 17: The Beatles appeared live television from Studio Four, Granada TV Centre, Manchester, for the TV program “People and Places”. They performed “Love Me Do” and “Twist and Shout.”

Back in the Hamburg

With increasing home popularity, The Beatles reluctantly found themselves back in Hamburg for the rest of 1962. It would be their last visit and 1963 will be their best year yet.

Until 1964.

Beatles 1962 Auditions
Music of the 60s

Youngblood Jesse Colin Young

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Youngblood Jesse Colin Young

Youngblood Jesse Colin Young
Jesse from a 2023 Facebook post
November 22, 1941 – March 16, 2025

If a music fan hears the band name Youngbloods, the person they’ll often think of next is Jesse Colin Young, that band’s lead singer.

And the song that most people think of Jesse singing “Get Together.”

Youngblood Jesse Colin Young

A bit of his beginning

From Jesse’s Facebook page: Jesse was born and raised in Queens, New York in 1941, and his earliest family memories are filled with the joy of music and celebration. His mother was a violinist who had a beautiful singing voice of perfect pitch, and his father was a Harvard- educated accountant with a passion for classical music. Along with his older sister, the family spent evenings gathered around the piano singing Harvard fight songs and other lively tunes.

At 15, the talented student won a scholarship to Phillips Andover, the all boys prep school in Massachusetts. The rigorous curriculum and strict discipline the school required ultimately resulted in Jesse being kicked out of the exclusive academy – an event which forever changed the course of his life. The blues were calling his name and the next few years were spent exploring the music of T-Bone Walker, John Lee Hooker and Muddy Waters for inspiration and consolation. Jesse Colin Young recorded his first album in 4 hours, accompanying himself on guitar. That release was called THE SOUL OF A CITY BOY.

Youngblood Jesse Colin Young

Youngblood

A second album, YOUNG BLOOD, featured supporting musicians, including John Sebastian.

Youngblood Jesse Colin Young

Fame came knocking

“Get Together” or “Let’s Get Together” already had a long history before Youngbloods put it on their first album in 1967 and before the song’s refrain refrain of “Come on people now, smile on your brother” was used as the television theme for the National Council of Christians and Jews.

It was re-released in 1969, and peaked at No. 5 on the Billboard Hot 100.

In 1994, the song appeared in the movie Forest Gump and introduced the classic song to a new generation of listeners.

Young’s song “Darkness Darkness”was in Jack the Bear (1993), chosen as the theme song for the James Cameron movie Ghosts of the Abyss (2003) and was in the trailer of TV series Bloodline (2015).

A cover of the song by Robert Plant won the Grammy for Best Rock Vocal in 2002.

Youngblood Jesse Colin Young

My first encounter with the Youngbloods and Young was in the spring of 1969 with the release of their third album, Elephant Album. 

I was in my college bookstore and flipping through albums. Two guys next to me came upon Elephant Mountain. One commented, “This is one of the only good albums to come out.”

Of course, I bought it shortly afterwards.

Still Youngblood

As with many musician lifers, Jesse Colin Young never left music or recording music.

As his own site says,

“The family moved back to the continental U.S. in 2006, but a diagnosis of Lyme’s Disease left Jesse unable to tour for] several years…. Housebound, he launched his own video series on YouTube, “Couch Series with Labrador,” and focused on his recovery. After years of struggle, he began performing again in 2015, with his first show benefitting Saratoga WarHorse to help veterans. A video, “Out Of the Darkness,” featuring Charles Yang and Peter Dugan, was created and is still available on streaming platforms. 

His songwriting remained sharp while his health continued to improve, and 2019’s Dreamers — an album that found Jesse writing about topical issues like immigration and the #MeToo movement, backed by a hotshot band that included his son, Tristan, as well as multiple musicians from Tristan’s alma mater, Berklee College of Music — served as another milestone in a career already stocked with highlights. Meanwhile, Jesse also developed an ongoing podcast series, “Tripping on My Roots,” featuring interviews, storytelling, rare collaborations with some of his musical peers, and salutes to his guests’ musical mentors. 

When COVID-19 ground the world to a halt in 2020, he launched a new series called “One Song at a Time” — a series of videos that found Jesse performing songs from across his entire career, while accompanying himself on acoustic guitar — and also assembled a new version of “Get Together” featuring Steve Miller on vocals and Stratocaster guitar, Charles Yang on violin, and the sounds of Jesse’s hotshot Berklee band. The re-recorded “Get Together” served not as only as a celebration of the song’s 50th anniversary, but also as a fundraiser to benefit WhyHunger during a uniquely challenging time. Meanwhile, “One Song at a Time” became a success on platforms like YouTube and Facebook, leading Jessie to go back into the studio and record his newest album, Highway Troubadour. An acoustic record rooted Jesse’s singing and deft fingerpicking, Highway Troubadour features newly-recorded solo performances of songs from the songwriter’s entire catalog, including a revised take on the Youngbloods’ “Sugar Babe” and an intimate version of Dreamers’ “Cast a Stone.”

His credits and discography are impressive.

Youngblood Jesse Colin Young
Thank you Jesse for helping us get together

And also from his site: Always holding environmentalism as “a must,” from the time of The Youngbloods to his current endeavors as a performer and teacher, Jesse has even used solar-powered energy for his concerts!

Jesse died at his home in Aiken, South Carolina on March 16, 2025.

Here is a link to Young’s discography from AllMusic.com.

And here is a link to Young’s credits from AllMusic.com

Youngblood Jesse Colin Young

Beatles, Music et al

Beatles November 22 Music et al

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Beatles November 22 Music et al

November 22, 1963 is a day that all Baby Boomers remember where they were when they heard of Kennedy’s assassination.

Oddly, November 22 is also a day that is a big part of Beatle history:

November 22, 1963

with the beatles
Beatles November 22 Music et al
The Beatles on November 22: with the beatles

November 22, 1963: UK release of 2nd Beatle album with the beatles. The 14 songs were a mixture of Lennon/McCartney compositions, the first George Harrison Beatle release, and covers. For we US collectors, we likely didn’t realize that what the British kids were buying was more than what we were to get later: 14 songs per album compared to the usual 12 in the USA. Thus the occasional release “singles” albums in the USA to catch up.

Beatles November 22 Music et al
The Beatles on November 22: back cover of “with the Beatles”
Beatles November 22 Music et al

Beatles November 22

Beatles November 22 Music et al
Beatles Ibsen-like cover

November 22, 1968: released The Beatles, usually referred to as the White Album. the “White Album’s” original working title was A Doll’s House, which is the name of Henrik Ibsen’s play first performed in 1879.

In addition, according to Geoffrey Giuliano, author of The Beatles Album, an illustration was prepared for the cover of A Doll’s House by the famed artist Patrick. However the title was changed when the British band Family released the similarly titled Music in a Doll’s House earlier that year. The plain white cover was opted for instead after McCartney then requested the albums sleeve design “be as stark a contrast to Peter Blake’s vivid cover art for Sgt. Pepper’s Lonely Hearts Club Band as possible, the complete opposite of it…” he said.

L’Osservatore Romano

November 22, 2008: the official Vatican newspaper L’Osservatore Romano suggested that the infamous statement by John Lennon of the Beatles– who outraged many people in 1966 by saying that the band was “more popular than Jesus”– should be recognized as “the boasting of an English working-class lad struggling to cope with unexpected success.” In an editorial marking the 40th anniversary for the “White Album,” L’Osservatore Romano said that the influence of the Beatles has shown “an extraordinary resistance to the effects of time, providing inspiration for several generations of pop musicians.” (Guardian article)

Beatles November 22 Music et al