Category Archives: Today in history

Robert Moog Herbert Deutsch

Robert Moog Herbert Deutsch

Introduced their synthesizer on October 12, 1964.
Herbert Deutsch speaking about its development:
“The Minotaur” from Moog: The Electric Eclectics of Dick Hyman
Robert Moog Herbert Deutsch

Sound effects

special effects when radio was theater of the mind | Old time radio, Radio play, Vintage radio

Born in 1950, I just missed the excitement of radio shows and how their sound effects made the stories “real.”  Early TV shows and movies occasionally showed those radio station sets and revealed how clever sound technicians recreated the real world with “fake” noise. Need the sound of a door closing? Close a door. Need the sound of thunder?  Move a large, thin sheet of copper suspended from a frame by wires.

Robert Moog Herbert Deutsch

Electronic Music

 

The mixture of electricity and sound effects created new possibilities.  Around 1896, Thaddeus Cahill developed the Telharmonium. Much like later electric organs, it used wire to transmit sound to horn speakers.

Leon Theremin developed a much simpler instrument. Below you can watch him demonstrate it. He used it much like a violin. Unfortunately for him, I suppose, most Boomers hear a Theremin (aka, the aetherphone) and think of space invasion movies.

Robert Moog Herbert Deutsch

Laurens Hammond

Laurens Hammond established his company in 1929 for the manufacture of electronic instruments. His Hammond organ used the same principals that the Telharmonium had used.

As electronics got more sophisticated, so did technicians’ ability to create more sophisticated instruments.

Moeg

In 1963 Robert Moog (pronounced “Moeg” like Moe of the Three Stooges not “Moooog” like Daisy the Cow) and Herbert Deutsch met. Deutsch was a musician; Moog a technician. Together they came up with the idea of making a user-friendly electronic keyboard that had a huge range of sound. Much wider than even a Hammond organ.

And on October 12,  1964, Moog and Deutsch introduced and demonstrated their music synthesizer at the convention of the Audio Engineering Society in NYC.

Beatles and Moog

Robert Moog Herbert Deutsch

While the instrument and its later refinements did not catch on immediately, it gradually became a huge part of rock music. The Beatles (of course) via George Harrison (of course) used a Moog on their last recordings together:

  • the wind at the end of “I Want You (She’s So Heavy)”? Moog.
  • that lovely counterpoint to the acoustic guitar that gently slides in at the beginning of “Here Comes the Sun” ? Moog.
  • “Because” uses the Moog as well.

Reaction

What was the reaction to the Moog? Ed Ward of Rolling Stone magazine reviewed Abbey Road and though that the Moog “disembodies and artificializes” the band’s sound. He added that they “create a sound that could not possibly exist outside the studio.

Since the Beatles weren’t touring or performing live, that wasn’t a problem. Having said that, if anyone has ever experienced the Fab Faux in concert and their eerie ability to play Beatles music of any era, then Ward’s comment is untrue.

What do you think?

Robert Moog Herbert Deutsch

EDM

In any case, it was was nice that Mr Moog and Mr Deutsche met and gave us a whole world of sound to add to our library.

A reader of this blog added an interesting comment: …and don’t forget Dick Hyman’s album of Moog music, which included the song, The Minitaur, which found its way into the Emerson, Lake, and Palmer playlist.

That album is: Moog – The Electric Eclectics Of Dick Hyman

Herbert Deutsch is a Professor Emeritus of Music at Hofstra University and is a visiting professor at the Gallatin School of Individualized Study at New York University.

Bob Moog died in 2005, but his legacy lives on.

Robert Moog Herbert Deutsch

Pope John XXIII Vatican II

Pope John XXIII Vatican II

October 11, 1962

Angelo Giuseppe Roncalli

Pope John XXIII Vatican II Ecumenical Council

Pope John XXIII Vatican II

The Times They Are a-Changin

When any long-established institution announces that it will convene to discuss its present and future, it is news. If there has not been such a meeting for nearly a century, the news is bigger. And if the long-established institution is nearly 2000 years old and has had only one of these convocations before, the news is huge.

Such is what happened on January 25, 1959 when Pope John XXIII announced that there would be a Concilium Oecumenicum Vaticanum Secundum, or what is commonly known as Vatican II.

The Church’s College of Cardinals had only elected John three months earlier on October 28, 1958 and deliberately elected an older person (76) more as a “caretaker” leader than one who would set the stage for change.

John

When Angelo Giuseppe Roncalli selected the name John for himself, a name, while common to previous popes, had not been selected for over 500 years, few realized the signal he sent. And when the “caretaker” of a 2000-year-old household announces that he will allow the discussion of major renovations, many within the Church’s leadership worried.

Keep in mind that Americans elected John F Kennedy president just shortly after and both these Johns, while very different in ages, presented a vision of innovation. JFK had his “New Frontier” and John Vatican II.

The Pope opened the Council on October 11, 1962 with the following words, “What is needed at the present time is a new enthusiasm, a new joy and serenity of mind in the unreserved acceptance by all of the entire Christian faith, without forfeiting that accuracy and precision in its presentation ...” (NYT article)

Catholic Boomers

When we think of the United States in the 1960s, the civil rights movement, the Vietnam War, black nationalism, drug use, hippies, assassinations, feminism, LGBTQ awareness, and other cultural changes dominate that historic landscape.

For Catholic Americans, those changes included what Vatican II brought about. In 1965, there were 46 million Catholics in the United States–23% of the total population and 71% of them attended Mass every week. When a part of any nation’s population is told that there will be changes in what they grew up thinking was unchangeable, the impact is great.

Pope John XXIII Vatican II

Ecumenical Council

In other words, for young Catholics, for those Catholic baby boomers, the notion that “the times they are ‘a changin'” was not unusual but normal, expected and acceptable.

  • Sing during the Mass? Why not.
  • Accept the Eucharist in one’s hand (after being told NEVER to touch it)?  Fine.
  • Receive wine as well during Communion? Better.
  • The priest will face the congregation at a much simpler alter?  Nice.
  • The Mass will be in English, no more Latin?  Great.
  • Face the priest during confession? Scary.
  • Extreme Unction is now called the Sacrament of the Sick.
  • Nuns not wear such extreme habits? They have hair?

The changes and discussion that the Council created and Church members continued after its close on December 8, 1965 continue to echo. Neither John XXIII nor JFK lived to see the effects of their visions. Pope John died on June 3, 1963 and President John 173 days later.

Legacy

Writer Michael Novak wrote what he sees of the genie that Vatican II let out of the bottle, much to the chagrin of many Church leaders since: … sometimes soared far beyond the actual, hard-won documents and decisions of Vatican II. … It was as though the world (or at least the history of the Church) were now to be divided into only two periods, pre-Vatican II and post-Vatican II. Everything ‘pre’ was then pretty much dismissed, so far as its authority mattered. For the most extreme, to be a Catholic now meant to believe more or less anything one wished to believe, or at least in the sense in which one personally interpreted it. One could be a Catholic ‘in spirit’. One could take Catholic to mean the ‘culture’ in which one was born, rather than to mean a creed making objective and rigorous demands. One could imagine Rome as a distant and irrelevant anachronism, embarrassment, even adversary. Rome as ‘them.’ “

Pope John XXIII Vatican II

Allen Ginsberg Howl judgement

Allen Ginsberg Howl judgement

October 3, 1957

Allen Ginsberg Howl Judgement

Allen Ginsberg Howl Judgement

Allen Ginsberg Howl judgement

Free speech v free speech

The struggle between the Bill of Right’s First Amendment [Congress shall make no law …abridging the freedom of speech…”] on paper and in reality is an ongoing one. That freedom becomes culturally uncomfortable when the speech expressed is contrary to the norm.

Allen Ginsberg Howl Judgement

Allen Ginsberg Howl judgement

James Joyce Ulysses

On December 6, 1933 in United States v. One Book Called Ulysses. Judge John M. Woolsey ruled that James Joyce’s Ulysses was not pornographic—that nowhere in it was the “leer of the sensualist.”

Woolsey stated that the novel was serious and that its author was sincere and honest in showing how the minds of his characters operate and what they were thinking. Some of their thoughts, the judge said, were expressed in “old Saxon words” familiar to readers, and [i]n respect of the recurrent emergence of the theme of sex in the minds of [Joyce’s] characters, it must always be remembered that his locale was Celtic and his season Spring. “To have failed to honestly tell fully what his characters thought would have been “artistically inexcusable”, said the judge.

One might think that such a clear ruling regarding literature closed the door to future challenges, but those challenges continued and continue.

Lawrence Ferlinghetti

Ginsberg first performed “Howl” at the Six Gallery in San Francisco on October 7, 1955.  In 1956, Lawrence Ferlinghetti, who ran City Lights Bookstore and the City Lights Press, published  “Howl” as part of collection called Howl and Other Poems.

US Custom agents seized 520 copies of the book [printed in Great Britain] on March 25, 1957 and on June 3, 1957 two San Francisco undercover cops assigned to the Juvenile Bureau arrested Shigeyoshi Murao, a clerk at the City Lights store for selling “Howl and Other Poems.”

Judgement

Ferlinghetti requested a bench trial thinking that a judge might be more likely to favor the defendant’s case than a jury.  Judge Clayton W Horn, a Republican, taught Sunday school. He had once sentenced sentenced five female thieves – the newspapers called them “lady shoplifters” – to attend a showing of the movie “The Ten Commandments” and to write essays on the epic film’s lesson when it came to stealing.

On October 3, 1959 Horn ruled and sided with the defense. In his ruling he said, “The first part of ‘Howl’ presents a picture of a nightmare world… The second part is an indictment of those elements in modern society destructive of the best qualities of human nature; such elements are predominantly identified as materialism, conformity and mechanization leading toward war…

Full transcript of decision

Allen Ginsberg Howl judgement


Ginsberg reading Howl (link to words →  Howl)

Allen Ginsberg Howl judgement