Attended the Woodstock Music and Art Fair in 1969, became an educator for 35 years after graduation from college, and am retired now and often volunteer at Bethel Woods Center for the Arts which is on the site of that 1969 festival.
On September 4, 1957 Arkansas Gov. Orval Faubus had called out the National Guard to prevent nine black students from entering Little Rock’s Central High School. The Soviet Union used the event to propagandize tales of the horrors suffered by African Americans.
Columbia rejects
Jazz bassist Charles Mingus composed “Fables of Faubus” in reaction. It is one of his most explicitly political works. He recorded it for his 1959 album, Mingus Ah Um, but his label, Columbia, refused to include the lyrics. so he recorded song as an instrumental.
Candid accepts
On October 20, 1960 he recorded Fables of Faubus with lyrics for the album Charles Mingus Presents Charles Mingus with the more independent Candid label. Contractual issues with Columbia forced Candid to re-name the song Original Faubus Fables.
Rapier-thrust
The personnel for the Candid recording were Charles Mingus (bass, vocals), Dannie Richmond (drums, vocals), Eric Dolphy (alto saxophone), and Ted Curson (trumpet). The vocals featured a call-and-response between Mingus and Richmond.
Critic Don Heckman commented of the unedited “Original Faubus Fables” in a 1962 review that it was “a classic Negro put-down in which satire becomes a deadly rapier-thrust. Faubus emerges in a glare of ridicule as a mock villain whom no-one really takes seriously. This kind of commentary, brimful of feeling, bitingly direct and harshly satiric, appears far too rarely in jazz.” See this Musiqology article for more.
Lyrics
Oh, Lord, don’t let ’em shoot us! Oh, Lord, don’t let ’em stab us! Oh, Lord, don’t let ’em tar and feather us! Oh, Lord, no more swastikas!
Oh, Lord, no more Ku Klux Klan!Name me someone who’s ridiculous, Dannie. Governor Faubus! Why is he so sick and ridiculous?
He won’t permit integrated schools. Then he’s a fool! Boo! Nazi Fascist supremists!
Boo! Ku Klux Klan (with your Jim Crow plan) Name me a handful that’s ridiculous, Dannie Richmond.
Faubus, Rockefeller, Eisenhower Why are they so sick and ridiculous?
Two, four, six, eight: They brainwash and teach you hate. H-E-L-L-O, Hello.
While American inventor Thomas Alva Edison was officially credited with inventing the phonograph on November 21, 1877 and did not file for the patent until December 24, 1877, August 12, 1877 is the date popularly given for the completion of the model which used a cylinder.
With these various dates to choose from, in 2002 Gary Freiberg of Los Osos, California decided that August 12 would be National Vinyl Record Day. The Mission Statement is: “The Preservation of the Cultural Influence, the Recordings and the Cover Art of the Vinyl Record”
Freiberg is a radio host and investment counselor in San Luis Obispo County. (djzone.net)
Happy Vinyl Record Day
Beginnings
Emile Berliner
At the same time as Edison, Emile Berliner (invented the microphone that became part of the first Bell telephones) patented the gramophone, which was the first flat vinyl record player. The device had to be operated by hand, and played seven inch discs (first of glass, then of zinc, then of plastic).
In 1901, the Victor Company released a record player called the Red Seal, and it played ten inch vinyl records. Interestingly, RCA adopted Berliner’s trademark: a dog listening to “his master’s voice.” The picture was actually based on an 1899 painting by Francis Barraud.
Barraud with one of his many copies of the painting “His Master’s Voice”.
Happy Vinyl Record Day
LPs
In 1948, Columbia Records developed the 331⁄3 rpm LP (for “long-play”) format.
In response, RCA Victor developed the 45 rpm format and marketed it in 1949. The 45 format allowed for juke boxes to proliferate.
Audio Fidelity offered the first commercial stereo two-channel records in 1957, however, it was not until the mid-to-late 1960s that the sales of stereophonic LPs overtook those of their monophonic equivalents, and became the dominant record type.
Such stereo technology combined with LSD’s psychedelia created an opportune format for many bands to present their music.
Happy Vinyl Record Day
CDs Kill Vinyl/Streaming Kill CDs
With the 1990s vinyl recordings, despite their sound quality, were largely replaced by the compact disc, then around 2000, digital downloads and streaming replaced CDs.
In 2007, vinyl sales made an unexpected small increase, starting its comeback, and by the early 2010s it was growing at a very fast rate.
9/11
In a June 25, 2010 Goldmine site interview, Gary Freiberg explained his idea for the day: It was spurred by a couple of things. I conceived the idea in November of 2001 inspired in part by the events of September 11th. The idea for Vinyl Record Day (VRD) came from both the intense constant news that we were getting then, combined with my growing involvement in vinyl. It seemed we needed a break from war, terrorism and however random thought occurs mine was establishing VRD with one of the goals of Vinyl Record Day to remember regardless of world events we always have our personal memories of good times, of good people. And music is the primary vehicle to those memories. Everyone has their own soundtrack, as Dick Clark called it, when you hear a song and instantly fondly remember a good time or people you relate to that song. I wrote a proposal to the Board of Supervisors where I live and they officially declared Vinyl Record Day in San Luis Obispo County. Not to be corny but think of the good for the national psyche to have a day that we remember to keep in touch with life’s basic goodness regardless of the world news or personal challenges. Preservation is a natural primary goal of VRD but I see the two goals: preservation of our audio history and a day of music, friends and family as equally important goals.
Happy Vinyl Record Day
Renaissance
In 2016, fans purchased more than 3.2 millon LPs, a rise of 53% over 2015 and the highest number since 1991 when Simply Red’s Stars was the bestselling album. 2016 was also the first year that spending on vinyl outstripped that spent on digital downloads.
In 2019 CNBC reported: This past week, the Recording Industry Association of America (RIAA) released its mid-year report. It showed that 80% of the of music industry’s revenue comes from streaming, but it also showed that revenue from sales of vinyl records is on track to overtake that of compact discs by the year’s end, should current trends continue.
On July 3, 2020, the Statistica site reported that, “Continuing one of the more surprising comebacks of the digital age, vinyl album sales in the United States have grown for the 14th consecutive year. In 2019, 18.8 million LPs were sold in the United States, up 14 percent compared to 2018 and more than 20-fold compared to 2006 when the vinyl comeback began.”
Happy Vinyl Record Day
Sweet vinyl’s sound return.
Here is an interesting perspective about our shelves today and vinyl records. The New York Times article begins with, “When I was 13, in the early 1990s, I dug through my parents’ cache of vinyl records from the ’60s and ’70s. We still had a phonograph, so I played some of them, concentrating on the Beatles. Their bigger hits were inescapably familiar, but a number of their songs were new to me.”
And below is a 2015 video from the New York Times about this vinyl renaissance and keeping up with pressing records. It features Independent Record Pressing in Bordentown, NJ.
And a WHYY 2020 video from their site:
Happy Vinyl Record Day
2023 Update
The Smithsonian Magazine reported that “For the first time since 1987, music lovers in the United States are buying more vinyl albums than CDs.
In 2022, listeners purchased 41 million vinyl records, compared to just 33 million CDs, according to a new report from the Recording Industry Association of America (RIAA), a trade group representing record labels, musicians and other recording businesses.”
As exciting as that news was to vinyl-lovers, the article soberly pointing out that, “Even so, both records and CDs made up only a small fraction of the music industry’s revenue in 2022. The majority—roughly 84 percent—came from streaming services….”
July 12, 2023: a Variety article reported that, “The vinyl boom is not going bust anytime soon. In the first half of 2023, vinyl LP sales were up 21.7% from the same period the year before, a robust vote of confidence for the format that has dominated album sales in recent years. That’s one of the findings in Luminate’s Midyear Music Report, being released by the leading data company today.”
2024…renaissance continues
A 2024 AP article about United Record Pressing, the oldest US vinyl record maker pointed out the continued vinyl resurgence.
From the article: “When Mark Michaels bought the company in 2007, vinyl was fading — its 38 employees mostly made singles for rap artists, often promos for clubs….Today, United Record Pressing runs a newer factory six times bigger than what Michaels bought, with about 125 employees who make up to 80,000 records a day.”
The first time I saw a picture of Mitch Mitchell was simply because he was to the right of Jimi Hendrix on the cover of the Experience’s Are You Experienced album.
In my simple teenage view, simply looking at that cover made me experienced. Those colors with that oddly bulging picture and unnaturally colored trees. After listening to the album, I thought for sure I was experienced. Of course Hendrix’s guitar was the star. I’d never heard anything like it, but the drumming (“What’s his name? OK, Mitch Mitchell.”) was equally unearthly.
John Ronald “Mitch” Mitchell
Like many drummers before and many drummers since, Mitch Mitchell played in a variety of bands in a variety of ways before hitting the spotlight with Jimi Hendrix.
Even a step further back in his life, Mitchell was a child actor in several British productions. It was while still in school and working in a drum store that Mitchell began playing what became his life’s work.
He worked with bands as a member and worked with bands as a studio drummer. He even played with the Who between Doug Sandom’s departure and Keith Moon’s arrival. Part of his early experience included developing a love of jazz drumming, particularly that of Elvin Jones, who was John Coltrane’s.
Jimi Hendrix Experience
That developing ability attracted the attention of others. particularly Chas Chandler, ex-Animal bassist and the person who brought Hendrix to England to create a band around him.
Mitchell was part of the Experience throughout it’s brief time. He became a part of the band on October 6, 1966 and stayed with them until it’s dissolution in June 1969. Mitchell remained with Hendrix when Hendrix developed the ever-changing line-up and band names until Hendrix’s death in 1970.
Mitch Mitchell
Following Hendrix’s death, Mitch Mitchell remained active as a drummer, but never again would the spotlight be upon him. His credit list after 1970 are mainly on Hendrix recordings that obviously preceded Jimi’s death.
In 2008, he was part of the Experience Hendrix Tour that featured Billy Cox, Buddy Guy, Jonny Lang, Robby Krieger, Kenny Wayne Shepherd, Eric Johnson, Cesar Rosas, David Hidalgo, Aerosmith’s Brad Whitford,Hubert Sumlin, Chris Layton, Eric Gales, and Mato Nanji.
Mitchell died in his sleep in Portland, Oregon five days after the tour ended.He is buried in Seattle.
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