Tag Archives: Woodstock Music and Art Fair

Saxophonist Fred Lipsius

Saxophonist Fred Lipsius

Saxophonist Fred Lipsius

Born November 19, 1943
Woodstock alum with Blood, Sweat and Tears
Many happy returns

 

Fred Lipsius

Fred was born in the Bronx, NYC and began playing the clarinet when he was 9.

From a 2014 staxshed.com interview:

I’m the only musician in my family. I’m the middle child of three kids. One of my mother’s brothers played piano, but not professionally, and one of my Dad’s brothers played too, but he just read piano sheet music. So I sort of felt like the ‘ugly duckling’ (the ‘different’ one, who chose to be a ‘musician’) out of everyone in my family. I was always deeply moved by music as far as I can remember. It’s always been a very pure thing for me. When I was about seven I saw Louis Armstrong and his band on TV. I didn’t really know what jazz was at that time but I told my mom that I want to do that.

In public school, all of the 4th graders took a music test to see which of us had talent in that area. I passed the test and was put into a special music class in my 5th and 6th grades. I played clarinet and was basically the worst clarinetist of about 20 kids. I only practiced 20 minutes a day (this included putting the clarinet together with cork grease and taking it apart and swabbing it)! Back then, I was more interested in playing basketball. But in the 6th grade, for some reason, I improved and became first or second in my class. I bought a few Benny Goodman records and was able to copy just a few of his licks by ear, although I really didn’t have much of an ear back then. My ear did develop into my teens, from listening to and transcribing solos of my favorite jazz players (mostly saxophone and piano). My favorite alto players were Bird, Sonny Stitt and CannonbalI. I also listened to Rollins and Coltrane on tenor. I still have a copy of all the solos and licks I transcribed. They’re now in a big loose leaf book, neatly re-copied. I show this book to my private students at Berklee to encourage them to do some work like I did.

Saxophonist Fred Lipsius

More

From his site and his label’s sites:

[He began to play] “…alto and tenor saxophones in Junior High School, and piano at Music and Art High School in Manhattan. He continued his studies at Berklee School of Music (1961-62), and then went on the road. Fred Lipsius was the original saxophonist, arranger and conductor with Blood, Sweat & Tears (1967-71). He also doubled on keyboards. While with the band, he won nine Gold Records plus a Grammy Award for his arrangement of “Spinning Wheel” and a Grammy for ‘Album of the Year’ as a BS&T band member. Fred also arranged and co-arranged, respectively, the hit singles “Hi-De-Ho” and “You’ve Made Me So Very Happy.” He brought the “jazz” element to the band and the public with his arrangements and solos on sax and piano. In both the Downbeat and Playboy jazz polls he placed in the top ten of the alto sax category. Rock and Roll history books credit him as the first saxophonist to mix jazz and rock styles in his solos.

Fred has composed, arranged and produced radio and TV commercials, including 2 CBS TV logos & themes introducing the season’s upcoming shows. In the spring of 1982, he toured with Simon and Garfunkel in Japan and Europe, and was a featured soloist. Fred has authored seven books/CDs on jazz improvisation and jazz reading, published throughout the world. Other published works of his include small combo and big band jazz/fusion arrangements.

He has performed with jazz greats Cannonball Adderley, Thelonious Monk, Zoot Sims, Eddie Gomez, Al Foster, George Mraz, Larry Willis, Randy Brecker, Rodney Jones, plus a number of prominent Berklee College of Music faculty such as Herb Pomeroy, Alan Dawson, Ray Santisi, and Donald Brown. He has written music for and performed on over 30 CDs as both a leader and sideman.

In 2020, Fred retired from Berklee College of Music in Boston after teaching full-time for 35 years.

Saxophonist Fred Lipsius

Spinning Wheel

If you’ve ever visited the Museum at the Bethel Woods Center for the Arts, then “Spinning Wheel”  will sound familiar. Here is an 2004 interview with him.

Fred’s recent projects include new music, original computer art, and his book, “The Tree With Many Colors”, which contains insights about the giving and receiving of love… the purpose of life.

In 2020, Fred retired from Berklee College of Music in Boston after teaching full-time for 35 years.

Click for more including about his digital art >>> his site

Saxophonist Fred Lipsius

Older Brother Tom Fogerty

Older Brother Tom Fogerty

November 9, 1941 – September 6, 1990

Older Brother Tom Fogerty

Creedence Clearwater Revival’s John Fogerty could certainly write hits:

  • Green River
  • Fortunate Son
  • Born on the Bayou
  • Proud Mary
  • Who’ll Stop the Rain
  • Bad Moon Rising
  • Lookin’ Out My Back door
  • Down on the Corner
  • Have You Ever Seen the Rain
  • Up Around the Bend

…and many many more. At a time when so-called underground FM radio station bands were making concept albums, CCR stuck with the older format churning out albums full of songs that typically stayed within AM radio’s strictures of under 4 minutes and more often under three minutes.

Unfortunately, John’s success overshadowed the artistic hopes of the other band members like his older brother, Tom.

Older Brother Tom Fogerty

Background

Tom Fogerty was born in Berkeley, California.  He formed a band, Spider Webb and the Insects, that Del-Fi Records signed in 1959.  Spider Webb only recorded one song for the label, “Lyda Jane,” but it was never released and the group broke up shortly thereafter.

Tom joined John’s band, the Blue Velvets, in 1960. The Blue Velvets had limited local success in the San Francisco Bay area.

The four signed with Fantasy Records in 1964. There they were briefly the Visions, the Golliwogs,  and finally, in late 1967, Creedence Clearwater Revival.

Older Brother Tom Fogerty

Stardom

TomFogertyLP.jpg

That elusive success suddenly exploded upon them: between July 1968 and December 1970, Creedence released six albums and top 10 hit after hit. The band was more a back up for John than a collaboration. Tom, the original front singer and whose own compositions were hardly included in the band’s albums, led to his leaving the band in 1971.

Post Creedence

Solo

He signed a solo deal with Fantasy in 1972 and released the first of his solo albums, Tom Fogerty, in 1972.  His other albums were:

ExcaliburTomFogerty.jpg

ZephyrNational.jpg

MyopiaLP.jpg

DealItOut.jpg

Ruby band

According to Wikipedia, Ruby was an American rock band that between 1976 and 1984 recorded three albums, RubyRock & Roll Madness and Precious Gems.

Personnel were:

  • Tom Fogerty – guitar, harmonica, vocals
  • Randy Oda – guitar, keyboards, vocals
  • Anthony Davis – bass, vocals
  • Bobby Cochran – drums, percussions, vocals

Albums:

TOM FOGERTY & RUBY - RUNNING BACK TO ME.wmv - YouTube

Ruby – Rock & Roll Madness (1980, Vinyl) - Discogs

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With Randy Oda
  • Sidekicks  (released posthumously in 1992) Tom Fogerty Randy Oda 1988 Sidekicks 1992 Album Cover.jpg
Best of…

Fogerty, Tom - Very Best of Tom Fogerty - Amazon.com Music

None had any of the commercial success that CCR had. CCR itself broken up by 1972, many say due to John’s continued insistence that all band-related issues be his to decide.

Health

Tom moved to Scottsdale, Arizona in the ‘80s. He underwent back surgery, but an unscreened blood transfusion infected him with the AIDS virus. It led to his death, officially of tuberculosis, on Sept. 6, 1990.

He was 48. The LA Times obituary had 116 words. The NY Times had 93. A search of the Rolling Stone Magazine site revealed no obituary.

Older Brother Tom Fogerty

Retrospective

In a July 18, 2014 interview in Uncut, band bassist Stu Cook  said, “Tom had put up with a lot of shit from John. I think Tom was expecting John to say, ‘OK, now we’ve achieved our goals, why don’t you start singing a few of the songs?’ Tom had a great voice, kinda like Ritchie Valens. Tom would have done a damn good job on ‘La Bamba’. But John didn’t want him to sing it, in case we had a hit with it. He didn’t want Tom to succeed.”

The band was inducted into the Rock and Roll Hall of Fame in 1993. One of the most infamous inductions of any band in the Hall’s history. According to The History of Tom Fogerty of Creedence Clearwater Revival from the Ultimate Classic Rock site:  When Creedence Clearwater Revival was inducted into the Rock and Roll Hall of Fame…Tom Fogerty’s widow brought his ashes in an urn. John, however, refused to share the stage with his former bandmates.

The feud between the remaining three band mates (though obviously “mates” is not the word to use) continues.

Older Brother Tom Fogerty

Here Stands the Clown

Here stands the clown
Spotlight currents all around
We don’t see that that clown is me
Here stands the clown

Here stands the fool
Locomotion layin’ down the rules
We don’t see that that fool is me
Here stands the fool

Here stands the man
Close the book he made with his own hands
We don’t see that that man is me
Here stands the man

Older Brother Tom Fogerty

Bill Hanley Last Seat in the House

Bill Hanley Last Seat in the House

Bill Hanley, born March 4, 1937
a documentary by John Kane
Bill Hanley Last Seat in the House
Bill Hanley working the boards in 2013 at the annual Yasgur Farm Woodstock Reunion (courtesy of Charlie Maloney)

If you were at Woodstock or have ever listened to any songs from that festival, you have Bill Hanley to thank. He was THE sound man for that event,  John Kane has made a documentary about Bill called “Last Seat in the House.”

It is astounding how many things Bill Hanley has been a part of throughout his career and why he is not in the Rock and Roll Hall of Fame is simply a reflection the that Hall’s too common shortsightedness when selecting whom to honor.

A bit of Hanley’s story from the movie’s site:

Bill Hanley Last Seat in the House

Medford, MA

Born in 1937 in Medford, Mass., Parenelli Award winner Bill Hanley was the oldest of five children. By the age of six, his father gave him his first crystal set, followed by a one-tube radio, then a six-tube radio setting off an interest in electronics. During his teens he and his younger brother Terry would install TV antennas on roofs, and fix TVs for neighbors. At Christmas they even hooked up one of the early amplifiers they built to a big speaker, pointed it out their attic window, blaring Christmas music for the neighbors.

Bill Hanley Last Seat in the House

Hanley Sound

Bill Hanley Last Seat in the House

During Hanley’s time in vocational school he became unimpressed with the state of public address driven technology used for the emerging live music scene. However he was impressed by the sound system at a local roller rink, developing a long lasting love for organ music and Jazz.

By 1957, Hanley chased down Newport Jazz Festival promoter George Wein, establishing a long successful career as Newport Folk and Jazz Festivals sound company.  Soon his reputation grew and other big jobs began to trickle in, eventually leaving his day job and establishing Hanley Sound at 430 Salem St in Medford, MA by the late 1950s.

A proud moment for Hanley’s family and community was when the firm handled the sound for the second inauguration of President Lyndon B. Johnson in 1965. That same year, he opened an office in New York City, providing sound for places like Café A Go Go and the Bitter End. Eventually the college circuit broke and a need for concert touring sound reinforcement would emerge.

In 1966 a job for the local Boston band The Remains, allowed Hanley the opportunity to support the group on their accompanying tour with the Beatles. Soon Hanley would find himself behind the mixing console for eastern portion this historic Beatles tour. Known for distributing Altec-Lansing speakers fanned around the bases, Hanley doubled the sound and power typically used, with an impressive (for the time) 600-watt amplifier system… Sadly, his sound system was pulverized by the crushing power of 43,000 screaming teenage girls. Moving on, more bands turned to Hanley Sound, like the Buffalo Springfield for example who put him under contract. While working with the band Hanley introduced them a new device called the on-stage “monitor.” Blown away by the results, Neil Young would  forever be indebted to the sound engineer for allowing them to be able to “hear” while on stage.

Bill Hanley Last Seat in the House

Fillmore East

By 1968 Hanley was brought in to do the sound for Bill Grahams Fillmore East in NYC.  At this point his reputation for quality sound was mammoth, leading him to provide sound reinforcement for some of the largest pop & rock festivals in American history. However, nothing could match Hanley’s culminating performance in sound, the pivotal gig of live event history ~ The Woodstock Music and Art Fair of 1969. Thereafter Hanley would forever be known as the “Father of Festival Sound.”

Bill Hanley Last Seat in the House
Bill Hanley at Woodstock Music and Art Fair
 Bill Hanley Last Seat in the House

World-wide

Moving into the next decade Hanley’s social conscience lead him to work on several large scale anti-war protest rallies, even sending the entire Woodstock sound system to South Africa for their Anti-Apartheid movement.

The post Woodstock, anti -mass gathering initiatives in America at the time set the sound company’s projections back. Unprepared for what was to come Hanley’s company felt the shortcomings of a changing era of technology and live performance. The 1970s also brought a great transformation to the industry where more sound companies were surfacing. From the 1970s on, Hanley would continue to be called on for more sound work, eventually turning his attention to staging.

Bill Hanley walking the festival field

A true pioneer, Bill Hanley’s contributions to live concert sound reinforcement can be felt to this day.

Help get Hanley into the R and R Hall of Fame by signing the petition!

Visit the movie site for a LOT more sound and sights…I get goose bumps just listening!

Bill Hanley Last Seat in the House

Parnelli Audio Innovator Award

In 2006, Hanley was given the Parnelli Audio Innovator Award which recognizes pioneering, influential professionals and their contributions.

2023

And read this amazing October 2023 article in the Eagle Tribune!
Bill Hanley Last Seat in the House