Ten Years After released its first album, Ten Years After, on October 27, 1967. The band consisted of Alvin Lee (guitar), Chick Churchill (organ), Ric Lee (drums), and Leo Lyons (bass).Here was another example of a British band bringing American blues back to us. The band did write most of the album's material, but their sound and the song's they covered clearly showed those roots.
Here's side one:
“I Want to Know” (Sheila McLeod as pseudonym Paul Jones) – 2:11
“I Can’t Keep from Crying Sometimes” (Al Kooper) – 5:24
“Adventures of a Young Organ” (Alvin Lee, Chick Churchill) – 2:34
Note how short the majority of the songs were, the single-size under-three-minute good-for-radio-play type. Of course, there are those few where the band gets to stretch it out.
Ten Years After
Alvin Lee was the heart of the band and for better or worse the inclusion of the band's "Goin' Home" into the film and onto the record of Woodstock brought fame. Fame from a single song’s performance that likely sounded like dozens of others performed that summer likely surprised Alvin Lee. An albatross that laid a golden egg. He was already a great guitarist when he began his trek along the summer of 1969’s festivals. June 28, 1969: Bath Festival of Blues. July 3 – 6, Newport Jazz Festival. July 11 – 12, Laurel Pop Festival. July 25 – 27, Seattle Pop Festival, Aug 15 - 18 – Woodstock Music and Art Festival. 30 – Sept 1: Texas International Pop Festival.How many times did Alvin Lee play “I’m Going Home” that summer? It’s filming in August at the Woodstock Music and Art Fair preserved it and sent it worldwide. His name was and will forever be associated with that song and that performance.Here are some factoids about Lee:
originally influenced by his parent’s collection of jazz and blues records
began playing guitar age 13
by aged 15 his Jaybirds band formed the core of Ten Years After
moved to London and changed the band’s name to Ten Years After in 1966
the band’s performance at the Windsor Jazz & Blues Festival in 1967 led to their first recording contract.
concert promoter Bill Graham who invited the band to tour America for the first time in the summer of 1968. Ten Years After would ultimately tour the USA 28 times in 7 years, more than any other U.K. band.
After the breakup of Ten Years After, Lee continue to form bands and record music.
Lee’s overall musical output included more than 20 albums.
The Woodstock Music and Art Fair made some things famous that had been there in front of us but we weren't listening.It was Sunday night about 9 when a sweating exhausted-looking Alvin Lee introduced Ten Year After's last song of the set: "This is a thing called "I'm Going Home" by...[pause]...helicopter."I'm sure the band had already played the song many times that summer. It's a great example of a song that one might mistake for a cover of and old blues song that Rick Lee shifted into high gear. It isn't. Lee wrote it and Lee (guitar), Chick Churchill (keyboard), Leo Lyons (bass) and Ric Lee (drums) played it.
So who is this guy Ric Lee besides the drummer for Ten Years After? I gathered most of this from the Ten Years After site.Ric's first band was as the drummer with the Falcons and from there here joined Ricky Storm and the Stormcats (as opposed to Rory Storm and the Hurricanes (see Keef Hartley).While a Stormcat, Ric studied drumming with Dave Quickmire who was a drummer with the Jaybirds. The Jaybirds' guitarist was Alvin Lee. The bassist Leo Lyons. When Quickmire got married he left the Jaybirds and recommended Lee to replace him. Chick Churchill joined the band first as their road manager and later as their keyboardist.The Jaybirds backed The Ivy League, a vocal group. The Jaybirds later went solo again and briefly became the Bluesyard before becoming Ten Years After in 1966 in honor of Elvis Presley's 10 year arrival anniversary.
We were in a chopper with a medic. He told us once we got there not to drink anything that's not out of a sealed can and not to eat anything unless it’s been cooked. There was an outbreak of hepatitis [no medical records indicate any such outbreak] that could turn into an epidemic if we were not careful. When we landed, there were no drinks, of course, that weren’t opened. I watched the beginning of [Joe] Cocker’s set, which was fantastic, and not long after came the storm. It was a mini-cyclone I think, with very strong winds. The whole stage was live, but they wouldn’t let anybody use it. That festival these days would not get past health and safety. If you look at the film, you’ll see the covering for the stage was really pathetic. The whole thing got soaked. They were also scared that the big speaker towers people were climbing and sitting on were inadequate. The speakers were very heavy. We were incredibly lucky none came down.
Playing after the storm
The band followed Country Joe and the Fish at about 8:15 Sunday night. Well, it was still very damp. I remember we had to start Good Morning Little School Girl four times because the guitars wouldn’t stay in tune. Alvin just would not play out of tune and try to sing to it. That was nerve-wracking because 400,000 or 500,000 people – no one seems to know the exact number -- were sitting there wanting us to play. In those days, there were no electronic tuners, so everything was by ear. Leo [Lyons] was tone-deaf, so Alvin had to tune his bass! Once we finally got going, the crowd loved it. What can I say?[for their full set, see Woodstock setlists]
While still in Ten Years After, Ric studied at Berklee School of Music in Boston, with Alan Dawson, then drummer with the Dave Brubeck Quartet. Ric also began teaching young enthusiasts privately when at home between touring commitments.
After Ten Years After
After Ten Years After stopped touring in 1976, Ric ran his own Music Publishing, Management and Record Production company. He continued to study, now tuned percussion at the Guildhall School of Music and Drama under Gilbert Webster, percussionist with the BBC Radio Orchestra. In 1980 for 18 months, Ric joined Stan Webb in Chicken Shack. Chicken Shack toured the UK and Europe many times in this short period and made an album for RCA Records “Roadies’ Concerto”.Ten Years After re-formed again in 1983 for the Marquee Club’s 25th Anniversary During this short “rebirth”, Ric managed the group as well as being its drummer. Between 1984 and 1986, Ric managed several up and coming young acts and continued publishing catalog.
Ten Years After Ric Lee
Ten Years After re-formed yet again in 1988 and recorded a new album “About Time” in Memphis, Tennessee and spent the next four years touring Europe and the US. In between tours Ric continued to study drum techniques, this time Latin percussion with Trevor Tompkins, Professor of Percussion at the Guildhall and the Royal College of Music.In 1994, Ric formed The Breakers with an old friend, Ian Ellis and together they wrote and produced MILAN, released in July 1995.In the middle nineties Lee produced a series of ambient albums, the most successful of which was Spirit of Africa.Ric worked again with Ten Years After between 1995 and 1999. In 2001 he recorded an album in Nashville.Ten Years After continues its intermittent existence and Lee is also part of Natural Born Swingers. Here is a link to a review in Elmore magazine from September 2017.Many happy returns Ric!
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