Tag Archives: May Music et al

May 18 Music et al

May 18 Music et al

see Jimmy Soul for more

May 18 – 30, 1963,  – “If You Wanna Be Happy” by Jimmy Soul #1 on the Billboard Hot 100.

May 18 Music et al

Miami Pop Festival

May 18 Music et al

May 18 – 19, 1968 – The first Miami Pop Festival. An estimated 100,000 people attended this concert, which was promoted by Richard O’Barry & Michael Lang.

From Wikipedia: The first Miami Pop event …was originally publicized on promotional materials as the “1968 Pop and Underground Festival,” and “The 1968 Pop Festival”. An estimated 25,000 people attended this event, which was promoted by Richard O’Barry and Michael Lang, later famous as promoter of Woodstock. Bands featured at the festival included The Jimi Hendrix Experience, The Mothers of Invention, Blue Cheer, Chuck Berry, John Lee Hooker and The Crazy World of Arthur Brown. The opening act on Saturday was a little-known group called The Package, and the closing act was The Jimi Hendrix Experience. Originally scheduled as a two-day event, Sunday’s concert was rained out. But there was at least one beneficial result – it inspired Hendrix to write “Rainy Day, Dream Away.”

May 18 Music et al

Northern California Folk-Rock Festival

May 18 Music et al

May 18 – 19, 1968: The Northern California Folk-Rock Festival was held at Family Park in the Santa Clara County Fairgrounds in San Jose, California and promoted by Bob Blodgett. It was the first of two such festivals held at the venue, being followed by the 1969 Northern California Folk-Rock Festival.  (see Aug 3 & 4)

May 18 Music et al

Archie Bell and the Drells

May 18 – 31, 1968: “Tightin’ Up” by Archie Bell and the Drells #1 on the Billboard Hot 100.

From Wikipedia: “Tighten Up” was written by Archie Bell and Billy Buttier. It was one of the first songs that Archie Bell & the Drells recorded, in a session in October 1967 at the Jones Town Studio in Houston, Texas, along with a number of songs including “She’s My Woman”. The instrumental backing for “Tighten Up” was provided by the T.S.U. Toronadoes, the group which had developed it[3] in their own live shows before they brought it to Archie Bell & the Drells at the suggestion of Skipper Lee Frazer, a Houston disk jockey who worked with both groups. At the recording session, the Drells worked late into the night with the Toronadoes as Archie Bell perfected the vocals.

May 18 Music et al

May 17 Music et al

May 17 Music et al

Princeton “riot”

May 17 Music et al

May 17, 1955: Princeton University students played the Bill Haley hit record Rock Around the Clock simultaneously from their dorm rooms. News reports indicated that it really wasn’t a “riot,” but university administrators were apparently not happy, since four students were later suspended “indefinitely.”  Blackboard Jungle, the film that opens with the song, was banned in several cities because of its alleged immoral influence on juveniles (and, apparently, Princeton University students). It was banned in Memphis, Tennessee, on March 28, 1955, and withdrawn as the U.S. entry in the Venice Film Festival on August 28, 1955. (Today In Civil Liberties article)  (see Aug 21)

May 17 Music et al

Monterey Folk Festival

May 17 Music et al

May 17, 1963: the first Monterey Folk Festival took place over three days in Monterey, California. The festival featured Joan Baez, Bob Dylan and Peter Paul and Mary. Baez, had a home in Carmel Highlands, was a huge star at the time, while Dylan was a still a newcomer making a name for himself.

Dylan was not treated kindly by that Monterey audience, who had come to see more traditional folks acts such as Peter, Paul and Mary (who ironically had a hit that summer with Dylan’s “Blowin’ in the Wind”), the Weavers and the New Lost City Ramblers. As described in the excellent book about that era, David Hajdu’s “Positively 4th Street,” “The Monterey audience, which was largely unfamiliar with Dylan’s style, responded poorly, talking loudly over his singing.”

May 17 Music et al

“He went over very badly,” said Barbara Dane, the festival’s host, in Hajdu’s account. “He didn’t play very long, and it felt like he was on for an hour. I think people were laughing.” Even though he did three of his hardest-hitting protest songs, “Talkin’ John Birch Paranoid Blues,” “A Hard Rain’s A-Gonna Fall” and “Masters of War,” the response was so bad it prompted Baez to walk out unannounced and admonish the audience. “She wanted everyone to know, she said, that this young man had something to say,” Hajdu wrote. “He was singing about important issues, and he was speaking for her and everyone who wanted a betterworld. They should listen, she said — she ordered them, nearly:Listen!” They performed Dylan’s “With God on Our Side” together, their voices an odd match, “salt pork and meringue,” but Hadju wrote, “the tension between their styles made their presence together all the more compelling.” They left the stage with “people cheering.” (see May 27)

May 17 Music et al

Herbie Hancock

May 17, 1965: Hancock released his fifth album, Maiden Voyage. It is a concept album aimed at creating an oceanic atmosphere. Stephen Thomas Erlewine in his All Music review writes: Less overtly adventurous than its predecessor, Empyrean Isles, Maiden Voyage nevertheless finds Herbie Hancock at a creative peak. In fact, it’s arguably his finest record of the ’60s, reaching a perfect balance between accessible, lyrical jazz and chance-taking hard bop.

May 17 Music et al

“Louie, Louie”

https://www.youtube.com/watch?v=hwmRQ0PBtXU

May 17, 1965: the FBI had launched a formal investigation in 1964 into the supposedly pornographic lyrics of the song “Louie, Louie.” That investigation finally neared its conclusion on this day in 1965, when the FBI Laboratory declared the lyrics of “Louie Louie” to be officially unintelligible. (TC, see January 8, 1966;  next FoR, see March 26, 1967)

May 17 Music et al

Bob Dylan

May 17, 1967: D A Pennebaker’s film, Dont Look Back, first shown publicly at the Presidio Theater in San Francisco. (see Dec 27)

May 17 Music et al
1969 rock festival #5
May 17-19, 1969, Langley, British Columbia
Aldergrove Beach Rock Festival, Canada’s First Outdoor Rock Festival.
The Vancouver Sun reported afterwards, “More than 25,000 young people from all over Canada and the Pacific Northwest rocked their way through the holiday weekend here — peacefully.
“There was pot; there was liquor; there was some nudity; and there was some sleeping bag love-ins. But nothing was as bad as the foretellers of doom had predicted.”
Among the performers was one Guitar Shorty. He had married a woman from Seattle, where they lived in 1969. Her name was Marcia and she had a half-brother who fell in love with Guitar Shorty’s playing. His name was Jimi and as the story goes, Shorty introduced the young Hendrix to the wah pedal and loaned him one when he couldn’t afford to buy his own.
Yup.

John Lennon pleads for mercy

May 17 Music et al

May 17, 1972: deportation hearings for John Lennon Yoko Ono, closed with Lennon telling the Immigration Service inquiry officer: “I don’t know if there’s any mercy to plead for because this isn’t a Federal Court. But if there is, I’d like it, please.” (see June 12)

May 17 Music et al

May 16 Music et al

May 16 Music et al

Alan Freed

May 16 Music et al

May 16, 1958: Freed pleaded innocent in Massachusetts Superior Court to two indictments in connection with disturbances that followed his rock ‘n’ roll show in Boston on May 3. (see July 19)

May 16 Music et al

Kingston Trio

May 16 – May 22, 1960: the Kingston Trio’s Sold Out is Billboard’s #1 album.


May 16 Music et al

see Mary Wells for more

May 16 – 29, 1964 – “My Guy” by Mary Wells #1 on the Billboard Hot 100. The first #1 hit for Motown Records. Motown Records would go on to release another 32 #1 hits in the next 10 years, but “My Guy” would be the last solo hit for Mary Wells, on Motown or any other label.

May 16 Music et al

Blonde on Blonde

May 16 Music et al

May 16, 1966: Bob Dylan released Blonde on Blonde.  He had recorded it in during January, February, and March 1966

Well, maybe. It seems that May 16 was the officially planned date, but Dylan wanted to do a few things with things and that date came as passed.

For a good article on the confusion (and seemingly no conclusive answer) see Jake Browns 2016 Glorious Noise article.

In any case…

The cover shows Dylan in front of a brick building, wearing a suede jacket and a black and white checkered scarf. The jacket is the same one he wore on his next two albums: John Wesley Harding and Nashville Skyline.

Photographer Jerry Schatzberg described how he took the photo: I wanted to find an interesting location outside of the studio. We went to the west side, where the Chelsea art galleries are…. At the time it was the meat packing district of New York and I liked the look of it. It was freezing and we were very cold. The frame he chose for the cover is blurred and out of focus. Of course everyone was trying to interpret the meaning, saying it must represent getting high on an LSD trip. It was none of the above; we were just cold and the two of us were shivering. There were other images that were sharp and in focus but, to his credit, Dylan liked that photograph. (see July 29, 1966)

Stephen Thomas Erlewine wrote in his All Music review: If Highway 61 Revisited played as a garage rock record, the double album Blonde on Blonde inverted that sound, blending blues, country, rock, and folk into a wild, careening, and dense sound. 

Side one

  1. Rainy Day Women #12 & 35″
  2. “Pledging My Time”
  3. “Visions of Johanna”
  4. “One of Us Must Know (Sooner or Later)”
Side three

  1. “Most Likely You Go Your Way (And I’ll Go Mine)”
  2. “Temporary Like Achilles”
  3. “Absolutely Sweet Marie”
  4. “4th Time Around”
  5. “Obviously 5 Believers”
Side two

  1. “I Want You”
  2. “Stuck Inside of Mobile with the Memphis Blues Again”
  3. “Leopard-Skin Pill-Box Hat”
  4. “Just Like a Woman”
Side four

  1. Sad Eyed Lady of the Lowlands”
May 16 Music et al

seePet Soundsfor more

May 16 Music et al

May 16, 1966: the Beach Boys released “Pet Sounds“. The LP has been called one of the most influential records in the history of popular music and one of the best albums of the 1960s, including songs such as “Wouldn’t It Be Nice” and “God Only Knows”.

Pet Sounds was created several months after Brian Wilson had quit touring with the band in order to focus his attention on writing and recording. In it, he wove elaborate layers of vocal harmonies, coupled with sound effects and unconventional instruments such as bicycle bells, buzzing organs, harpsichords, flutes, Electro-Theremin, dog whistles, trains, Hawaiian-sounding string instruments, Coca-Cola cans and barking dogs, along with the more usual keyboards and guitars.

Pet Sounds has been ranked at number one in several music magazines’ lists of greatest albums of all time, including New Musical Express, The Times and Mojo Magazine.

Richie Unterberger wrote in All Music: The group here reached a whole new level in terms of both composition and production, layering tracks upon tracks of vocals and instruments to create a richly symphonic sound. 

It was ranked number two in Rolling Stone’s 500 Greatest Albums of All Time list. (see June 20)

Side one

  1. Wouldn’t It Be Nice
  2. You Still Believe in Me
  3. That’s Not Me
  4. Don’t Talk (Put Your Head on My Shoulder)
  5. I’m Waiting for the Day
  6. Let’s Go Away for Awhile
  7. Sloop John B
Side 2

  1. God Only Knows
  2. I Know There’s an Answer
  3. Here Today
  4. I Just Wasn’t Made for These Times
  5. Pet Sounds
  6. Caroline No
May 16 Music et al