Bob Dylan John Wesley Harding

Bob Dylan John Wesley Harding

Recorded between October 17 and November 29, 1967, Bob Dylan released his John Wesley Harding album less than a month later on December 27, 1967.

Bob Dylan John Wesley Harding

The cover photograph shows Dylan flanked by brothers Luxman and Purna Das, two Bengali Bauls, South Asian musicians brought to Woodstock by Dylan’s manager, Albert Grossman. Behind Dylan is Charlie Joy, a local stonemason and carpenter.

I’ll be your baby tonight
Bob Dylan John Wesley Harding

Beatles?

A long-recurring rumor is that images of various members of the Beatles are hidden on the front cover, in the knots of the tree. This was verified by Rolling Stone with photographer John Berg prior to the album’s release.

John Wesley Harding
Difficult to see, but the faces are there.
Bob Dylan John Wesley Harding

Low Key

Dylan wanted a low key approach to the album’s release. Dylan reputedly said to Columbia Records Clive Davis, “I asked Columbia to release it with no publicity and no hype, because this was the season of hype,” Davis wanted Dylan to at least use one of the songs as a single, but Dylan refused that.

It had been the Summer of Love with Monterey Pop Festival. The arrival of Janis and Jimi. Psychedelic music would find a huge niche in the emerging so-called “underground” FM rock stations.

The Beatles had Sgt. Pepper, the Stones Satanic Majesty, and Airplane Bathing at Baxters.

And here came Dylan, again choosing his own way, leaving the basement in Saugerties, NY and travelling to Nashville, the capital of country music, to record.

Bob Dylan John Wesley Harding

Woodstock?

Less than two years later, Dylan’s appearance at Woodstock was a sure-thing rumor. Of course, he had already booked an appearance at the Isle of Wight and never intended on being in Bethel, but his lead was often followed and his country sound allowed many young listeners to give that sound a chance.

Bob Dylan John Wesley Harding

Rolling Stone review

The famed Ralph Gleason wrote in his Rolling Stone magazine review:

We can all relax now. Bob Dylan isn’t dead. He is all right. He is well and he’s not a basket case hidden from our view forever, the lovely words and the haunting sounds gone as a result of some ghastly effect of his accident.

And his head is in the right place, which, is after all, the best news of all.

The new Bob Dylan album is out and on our turntables and coming at us over the airwaves (though not enough of it is coming at us over the airwaves, God knows) and it is a warm, loving collection of myths, prophecies, allegories, love songs and good times.

Bob Dylan John Wesley Harding

Beatles I Feel Fine

Beatles I Feel Fine

On December 26, 1963 Capital had released the Beatles “I Want to Hold Your Hand” (“I Saw Her Standing There” B-Side) It hit number one on February 1, 1964.

Exactly a year later, on December 26, 1964, their “I Feel Fine” was the Billboard #1 single. Their sixth #1 song of 1964 in which they had 30 entries on the chart, giving them a total of 18 weeks at the top of the charts.

Beatles I Feel Fine

Alan W Pollack

Alan W Pollack manages soundscape.info. It is an amazing site for anyone, but particularly for Beatle fans who want to know details.

About “I Feel Fine” his top paragraph points out that:

Key: G Major Meter: 4/4 Form: Intro | Verse | Verse | Bridge | Verse | Verse (guitar solo) | | Verse | Bridge | Verse | Outro (fade-out)
CD: “Past Masters”, Volume 1, Track 14 (Parlophone CDP 90043-2) Recorded: 18th October 1964, Abbey Road 2 UK-release: 27th November 1964 (A Single / “She’s A Woman”) US-release: 23rd November 1964 (A Single / “She’s A Woman”)

And that’s just the start. Go here (Soundscapes site) if you want to learn more about the musical structure of “I Feel Fine” than you ever imagined.

Beatles I Feel Fine

What was that?

Beatles I Feel Fine
The 45

For those who first heard the song on November 23, 1964 (its US release), its famous intro, was an odd surprise. Perhaps even confusing. What was that? Was is a mistake? Why would The Beatles put a mistake at the beginning of a song?

Of course it was no mistake but it is, apparently the first time that anyone had deliberately place feedback on a recording. Oh you Beatles you!

Click to hear just one example of the can of sound they opened >>>

No really. Click!

Beatles I Feel Fine

In conclusion…

To finish, Alan Pollack says, “Perhaps the single most exceptional gesture in this particular number is to be found in its unaccustomed display (for John) of such effusive romantic euphoria, completely uncomplicated for a change by even the slightest second thoughts, anxiety, or self-doubt.”

The rule that Paul writes the happy songs and John the disillusioned ones just doesn’t work here. The exception proves the rule.

Beatles I Feel Fine

Christmas Carol lesson

Christmas Carol lesson

My wife and I have only once attended the wonderful performance of Charles Dickens’s A Christmas Carol sponsored by Historic Hudson Valley. The 1837 Christ Episcopal Church (Tarrytown), where Washington Irving once served as a vestryman, hosts the event and the weather is almost always a perfectly chilly December evening.

Channeling Dickens, Jonathan Kruk entranced the audience while Jim Keyes accompanies Kurk on the church’s organ, Celtic harp, or a fiddle, as well as various sound effects  with chains, chimes, and more.

Christmas Carol lesson

Christmas Carol lesson

Bad ol’ Ebenezer

We all know the miserly impatient and utterly contemptible  Ebenezer Scrooge: an 18th century misanthrope who makes flea-infested  rats admirable.

Dickens wrote the perfect description: he was a tight-fisted hand at the grindstone, Scrooge! a squeezing, wrenching, grasping, scraping, clutching, covetous, old sinner! Hard and sharp as flint, from which no steel had ever struck out generous fire; secret, and self-contained, and solitary as an oyster. The cold within him froze his old features, nipped his pointed nose, shrivelled his cheek, stiffened his gait; made his eyes red, his thin lips blue; and spoke out shrewdly in his grating voice. 

Christmas Carol lesson

Past still present

Such characters still populate our world today.

Early in the narration, two visitors hope that Scrooge will continue Jacob Marley’s past “liberality” and donate generously to those in need.  To Scrooge, “liberality” is an ominous word and he asks:

“Are there no prisons?”

“Plenty of prisons,” said the gentleman…

“And the Union workhouses?” demanded Scrooge. “Are they still in operation?”

“They are. Still,” returned the gentleman, “I wish I could say they were not.”

“The Treadmill and the Poor Law are in full vigour, then?” said Scrooge.

“Both very busy, sir.”

“Oh! I was afraid, from what you said at first, that something had occurred to stop them in their useful course,” said Scrooge. “I’m very glad to hear it.”

Scrooge continues, “I can’t afford to make idle people merry. I help to support the establishments…and those who are badly off must go there. Many can’t go there; and many would rather die. If they would rather die…they had better do it, and decrease the surplus population.”

Christmas Carol lesson

New Scrooges

Christmas Carol Lesson

Feliz Navidad