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Today in history, Woodstock Music and Art Fair

Road From Woodstock To Bethel

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Road From Woodstock To Bethel

Road From Woodstock To Bethel
photo by J Shelley

Woodstock Haze

Many people visit the town of Woodstock, NY to find Max and Miriam Yasgur’s farm because of the oft told, but inaccurate, story:  that is where the Woodstock Music and Art Fair was.

Another inaccuracy is that the town of Woodstock denied Woodstock Venture’s request to hold it  in the town itself.

Keep in mind that Michael Lang and Artie Kornfeld‘s original idea (one that Kornfeld has said was actually his wife’s idea) was to create a recording studio in Woodstock. Many musicians lived in, near, the often visited the town.

Though Bob Dylan was the most notable among those musicians, Bob’s band, The Band, was there of course and others included Janis Joplin, Richie Havens, Paul Butterfield, Van Morrison, John Sebastian, and even Jimi Hendrix.

(As an aside, it continues to confuse me why Lang and Kornfeld thought of studio would be a good idea when Albert Grossman was already doing just that and his Bearsville Studios would open in 1970.)

Lang and Kornfeld had proposed the studio idea to John Roberts and Joel Rosenman (already involved in Media Sound) in early February.

Road From Woodstock To Bethel

Woodstock Ventures

Their company, Woodstock Ventures, formed on February 28, 1969 (legally minus Kornfeld who was under contract to Capitol Records). Their general goals were to:

  1. a recording studio in Woodstock
  2. a music festival in nearby Saugerties (~ 10 miles away)
Road From Woodstock To Bethel

Rapid plans

In a month, things happened quickly regarding the festival’s site.

  1. March 29, 1969, Michael Lang had found a suitable site in Saugerties, NY right off the NY Thruway. On this date, John Roberts and Joel Rosenman met with a Mr Holmes, the lawyer for the site’s owner, Mr Shaler. The lawyer emphatically told Roberts and Rosenman that the site was not for rent for such a purpose.
  2. March 30, 1969, after the Saugerties refusal, Roberts and Rosenman spoke to Howard Mills about a piece of land in Wallkill, NY that Mills was going to develop. Mills agreed to rent the site for the festival.

You will notice that the town of Woodstock was not part of the festival’s picture. It did not “refuse” or “kick out” Woodstock Ventures. And the owner of the proposed Saugerties site simply refused.

In other words. The…

Road to Woodstock

was actually the…

Road to Wallkill

which actually led to the…

Road to White Lake

but really to...

Bethel

Road From Woodstock To Bethel
photo by J Shelley
Road From Woodstock To Bethel
Music et al, Music of the 60s, Today in history

Radio Caroline Pirate Radio

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Radio Caroline Pirate Radio

Launched on March 28, 1964

Radio Caroline Pirate Radio

By March 1964, the Beatles had landed in the USA and Pied Pipered its youth. Of course “their” music was a reinterpretation of “our” music. Filled with sophomoric hubris, we did not realize that many of their (and other British Invasion hits) were covers of earlier American hits.

In stark contrast, British youth had a difficult time hearing any rock music on their radios because of the British government’s control of the airwaves. The British Broadcasting Corporation (BBC) limited their commercial-free stations to six hours of pop music a week!

Radio Caroline Pirate Radio

Enter Radio Caroline

Sensing  young  Brits unmet hunger for their own and American pop music, Radio Caroline,  the first pirate radio station, began to broadcast on March 28, 1964.

Radio Caroline Pirate Radio

Pirate Radio

The ironic characteristic about such radio is that it copied the style of commercial AM radio in the US. That is, top 40 format of rapid DJ patter and frequent commercials.

The approach was so successful that by 1967 ten pirate radio stations were broadcasting to an estimated daily audience of 10 to 15 million. Interestingly, the number of people listening to BBC stations did not decline indicating that the audience was a new one, one that the BBC had not had to begin with.

The British government attempted to rid the airwaves of pirate radio by passing the Marine Broadcasting Offences Act in 1967. The British government also adjusted its BBC program by increasing the number of programs playing pop music.

Radio Caroline Pirate Radio

Land-based pirate radio

Reg Calvert, known widely as ‘Uncle Reg’, ran the popular Radio City station from an abandoned Second World War fort off the coast of Whitstable. His daughter, Susan Moore, had recently published a book that explores her father’s experiences. (Kent on line article)

Radio City broadcast from Shivering Sands, an abandoned fort in the Thames Estuary. The British had erected many of these metal tower forts during World War II  to protect the coastal sea lanes. By the early ’60, these towers provided an alternate choice for someone interested in setting up a pirate radio station.

Radio Caroline Pirate Radio

Shot dead

Major Oliver Smedley was the former owner of another pirate station: Radio Atlanta. He and Calvert had a running feud about merging their operations, but Calvert felt Smedley was taking advantage of him.

He went to Smedley’s home. An argument ensued. Smedley shot and killed Calvert.

A jury found Smedley not guilty of manslaughter, accepting his claims of self-defense.

Radio Caroline Pirate Radio

US version

In 1987 the New York Times reported that  Allan Weiner and Randi Steele were the main persons of a group called Radio New York  International (RNI) that did the same thing of the coast of Long Island, NY. 

The called their ship, The Sarah–several of the men had girlfriends by that name. The group felt that none of the local the land-based stations played the type of music they wanted–which included such anti-war rock as John Lennon’s “Give Peace a Chance,” Country Joe’s “I Feel Like I’m Fixin’ to Die Rag,” and Bruce Cockburn’s “If I Had a Rocket Launcher.”

On July 25, the Federal Communication Commission boarded the ship and told the group it had to shut down the station. The FCC said that they did not have a license and that it was using an already assigned frequency. 

The government did eventually succeed in shutting down the station, but after RNI had sold the ship. The movie Blown Away used it and blew it up at the end of the movie.

Here is the raw footage of that 1993 explosion

Radio Caroline Pirate Radio

Still around

Radio Caroline continued to broadcast though with limited hours until 1990, but had periods of years when it was off the air completely. The way that it and other pirate radio stations were able to continue was by using new technology to broadcast, moving to different locations, or using secret land-based locations.

According to Wikipedia, There are currently an estimated 150 pirate radio stations in the UK. A large proportion of these pirate radio stations operate in London.

Music et al, Today in history

Sam Phillips Sun Records

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Sam Phillips Sun Records

First record pressed on  March 27, 1952

Sam Phillips Sun Records

A slice of the first Sun Record:
Johnny London, “Drivin’ Slowly.”  The B-side was “Flat Tire.”

Peter Guralnick published Sam Phillips The Man Who Invented Rock and Roll in 2014. With 661 pages of text it is, to say the least, very thorough.  If you have an interest in the birth of rock and roll and  a person’s struggle to achieve a dream, then I highly recommend this deeply researched book.

Sam Phillips Sun Records

There were many times during Sam Phillips’s 18-hour work days that he could simply have walked away from his dream and earned a profitable living as a radio engineer.

From an early age, Phillips believed that “music will take you anywhere you want to go.” His father was a farmer and Sam grew up listening to the sharecroppers’ stories and songs while they worked. The feeling their sound’s emoted was his holy grail: the “purity of emotional communication, not perfection.”

Sam Phillips’s CV might both impress and worry a potential employer. Certainly diligent, meticulous, and capable, but he was those things at many places since he didn’t stay anyplace too long.

His dream of having a recording studio was always primary. Having a record label for those recording was secondary, so at first he’d search for “that” performer or band that had “that” sound. Then he’d record take after take waiting for “that” to happen.

Most of the people he recorded had not been recorded before or had had limited exposure. Neither mattered to Phillips. Did he get the gut bucket feeling he sought?

Phillips had opened Memphis Recording Service on January 3, 1950  in Memphis, Tennessee.  His early recordings included such future stars as BB King, Junior Parker, and Howlin’ Wolf. In fact, Phillips recorded “Rocket 88” by Jackie Brenston and his Delta Cats. The real band leader and person who wrote the song was Ike Turner. To many rock and roll critics, “Rocket 88” represents the first rock and roll record.

Sam Phillips Sun Records

Sun Records

By 1952, after recording hits for other labels, Phillips decided he needed his own label. Unfortunately, the Sun Record label quickly failed, but not for lack of effort. Phillips’s drive to showcase the music left him little time to understand the intricacies of distribution, pressing, and publishing.

Phillips’s doggedness led to Sun Records resurrection in January 1953. It continued to struggle until Phillips thought the voice of young white kid who recorded a song on his own might be someone worth working with. At first nothing happened, but soon local successes followed and Elvis Presley put Sun Records on the map.

But that’s another story for another time.

Sam Phillips Sun Records