Category Archives: Music et al

Drummer Greg Duke Dewey

Drummer Greg Duke Dewey

Drummer with Country Joe and the Fish at Woodstock
Greg Duke Dewey
Left to Right: Mark Kapner. Country Joe, Greg Dewey, Doug Metzler, (standing) Barry “The Fish” Melton

Greg Duke Dewey

I note the various performers from the Woodstock Music and Art Fair and try do that on their birthdays. Unfortunately I cannot find birthdays for many of those performers.

Greg Duke Dewey is one of them. I’ve decided to do that today. He was 21 when he played Woodstock, which puts his birth year as either 1947 or 48.

And just as it’s difficult to find birthdays, it is sometimes difficult to find much about performers, particularly those who “simply” backed up the named performer.

Country Joe was such a name and those behind him that weekend less known. Fortunately for me (and so, you) Greg Dewey wrote a long essay about his Woodstock experience and it is from that essay that much of the following was mined.

He he and the band flew to New York from San Francisco. Who did they meet on the plane none other than Colonel Jim Sanders. Dewey asked the Colonel what he thought about hippies? Sanders responded, “They eat chicken, don’t they?”

Drummer Greg Duke Dewey

Woodstock

Dewey remembers that the Woodstock crowd just kept getting bigger and bigger. At least until Sunday’s afternoon downpour when time, hunger, the soaking, and Monday responsibilities sent thousand of that crowd home.

It was after that storm’s delay that the Fish played.

Relating a story I’d never read, Dewey said since drums were an acoustic instrument and not subject to the issues electric instruments and water caused, he asked his equipment manager to set up his drums, but the storm nearly blew them down. He sought shelter under the stage. That worked well until  up above stage hands used axes to punch holes in the stage to drain the water. Torrents came down on Dewey.

Drummer Greg Duke Dewey

Eventually, with new sheets of plywood under them, the band went on. Dewey says he never felt more compelled to play for an audience given all they’d gone through, especially the storm. It was about 6:30 PM and the previous act, Joe Cocker, had ended his set at about 3 PM.

In Dewey’s words, “what set this concert apart from all other concerts for us musicians is this: We ALL came the first night, so we could hear each other. Normally we are all buzzing around the world at the same time so we don’t have time to hear one another unless we are in a concert together, and at this one, we were ALL going to be there.”

Drummer Greg Duke Dewey

Hotel stories

He also remembered the hotel in Liberty where “…there were huge games of cards….” Also “…a table with some of The Band, Airplane, Steve Miller Band, Jimi himself, Grace, Marty Balin, Garcia and the Dead, Janice, myself, Mitch Mitchell, Noel Redding, Richie Havens, Sebastian, guys from Blood Sweat and Tears, David Crosby, Sly’s band, Joe Cocker’s band… everyone would be down in the restaurant/bar, it was open 24 hours a day for four days. We ate a lot of food and drank a grunt-load of booze, and the party never stopped, because the concert went on around the clock.”

Finally, “The big thing was for me, about this experience, is that we, the musicians had to make friends with each other, and live together as if on a ship for four days, as we all, in turn, flew out over the massive 500,000 strong audience to play for them.”

Drummer Greg Duke Dewey

Greatest Hits

Drummer Greg Duke Dewey

In early 2018, Dewey began a GoFundMe page for a greatest hits album. One fan wrote at the page: What a wonderful set of three CDs…was not expecting such a wealth of music. Duke you are the best! 

Drummer Greg Duke Dewey

Thanks

Greg has continued to drum with various bands to this day. Those include The Rowans, Bodacious, Janey & Dennnis, Don McLean, Mad River, Alice Stuart, Jerry Corbitt, and Grootna.

Drummer Greg Duke Dewey

50th

Dewey with Bethel Woods Robin Green and the drum set he used at Woodstock

From a Yellow Springs News article:

Dewey is loaning his drums for the special exhibit, “We Are Golden — Reflections on the 50th Anniversary of the Woodstock Festival and Aspirations for a Peaceful Future” at the Bethel Woods Center for the Arts.

Robin Green of the museum, who made the 10-hour trip to retrieve the drums, explained the exhibit’s purpose as to spark a conversation across the generations about peace and love.

Woodstock, remembered as nonviolent and communal, still has lessons for the present, Green believes. 

They were trying to symbolize peace, and to protest the Vietnam War,” she said. “We can all take something away from it.

I’m still hopeful for peace and that we can all live in harmony,” she added.

Thanks for the memories…and the drum set, Greg!

Drummer Greg Duke Dewey

Raccoon Creek Rock Festival

Raccoon Creek Rock Festival

at Livingston Gymnasium indoor track of
Denison University
November 6, 7, & 8, 1969
1969 festival #47

Presented by the Denison Campus Government Association, the Racoon Creek Rock Festival was one of the smaller festivals of 1969, but a festival nonetheless.  Held indoors at the school’s Livingston Gymnasium indoor track (it was November and it was Ohio, after all).

This is one of those festivals about which not much is known. I’ve tried to contact the Denison newspaper, but received no response. I did find a school newspaper edition from just before the event. It’s humorous to me how the article’s headline described the event as featuring “Six Name Groups.”

Raccoon Creek Rock Festival

Raccoon v Racoon


It’s also interesting to me that the newspaper spells Raccoon with the two “c”s as it is normally spelled, but I find several spots where the second “c” is omitted. 

Raccoon Creek Rock Festival

 

Raccoon Creek Rock Festival

Vague

The newspaper article also fails to say specifically who would play on Friday, yet one of the posters does specify.

The Who and Owen B were scheduled for Thursday. The article also notes that “The English group has produced many hit singles including “Magic Bus,” “Pinball Wizard,” and “I’m Free.”

The article then states that The Spirit (I have only seen them referred to as simply Spirit) and The Dust (ditto) would play on Saturday.  The day is a typo and should read Friday as the article continues and states that Johnny Winter, Lycidas, and The Dust would appear on Saturday (also) to complete the 3-day festival.

Raccoon Creek Rock Festival

Johnny “Everywhere” Winter


Winter, it is noted, “performs a variety of interpretations of black vernacular and a wide range of black instrumental approaches.”

Good to know.

Raccoon Creek Rock Festival

Raccoon Creek Rock Festival

Concerns

The writer seems to be somewhat unfamiliar with the line-up, but has the same worries expressed by all who would be in the range of a 1969 festival. After mentioning that there had been outside interest in the event (“as far away as upstate New York”) they go on to say: “We’re expecting to turn people away, but we hope the Denison campus will still be one peaceful community during the festival.”

Raccoon Creek Rock Festival

Raccoon Creek Rock Festival

Great price points

The Who on Thursday cost a ticket-buyer $3.50. The lesser known Spirit only $2.50, but back up a touch for Johnny Winter’s Saturday appearance to $3.00. Student could purchase all three nights for $8.00, a savings of $1.

Raccoon Creek Rock Festival

Looking for more

Thank you to those who have commented below. If anyone else  has any information about the festival, I’d love to hear from you.

Raccoon Creek Rock Festival

Next 1969 festival: Palm Beach Pop Festival

British Beatlemania Born

British Beatlemania Born

British Beatlemania

November 2, 1963

British Beatlemania

British Beatlemania Born

1963

When we Americans think Beatlemania we typically think of their arrival, the 3 straight Ed Sullivan Show appearances, and the resulting cultural explosion.

It is important to keep in mind that the British Boomers were a bit ahead of us. Easily so, of course, since their media were playing and reporting about The Beatles before we had a hint.

By November 2, 1963, The Beatles had finally had the break out kind of success that any struggling band always hopes will happen, but no band could have foretold the success that descended upon them.

Despite their Cavern popularity, the Beatles began 1963 as they had ended 1962: touring as an opening band for higher billed musicians. With Brian Epstein as their manager and George Martin producing their music, success found them with the release of “Please Please Me” hitting #1 on the British charts on February 22.

Having said that, even on  March 3, 1963, they were still at the bottom of the bill  supporting a Helen Shapiro tour. Other acts ahead of them included The Kestrels, The Honeys, Dave Allen, Kenny Lynch and Danny Williams.

I know. Who were they? I don’t know either.

British Beatlemania Born

Slowly but surely

Also in March, they released their first album: Please Please Me.

In April, John became a father for the first time.

Quietly.

Brian Epstein realized that the group’s youthful carefree image needed single good-looking young men.

In May, “From Me To You” their second US release also charted poorly.

With continued British success, on August 3, 1963 they performed at The Cavern Club for the last time.

On September 16, 1963, “She Loves You,” their third US release, went nowhere.

British Beatlemania Born

The London Palladium

British Beatlemania Born

In October, the British youth aren’t just listening, they are screaming. Like any successful venture, being seen is a way of increasing that success and on  October 13, their appearance on Sunday Night At The London Palladium  as the top group in front of a TV audience of up to 15 million viewers lighted the very short fuse.

Brian Epstein arranged a Christmas show with the Beatles headlining. The show sells out in October.

On November 1, back in the UK, their third EP, The Beatles #1, is released using singles from their Please Please Me album. Side one contained I Saw Her Standing There and Misery. The second side featured Anna (Go To Him) and Chains.

British Beatlemania Born

It’s Official

That night their fourth British tour of 1963 opened at the Odeon Cinema in Cheltenham, Gloucestershire.

This was the group’s first series of concerts as unchallenged headliners. The Beatles topped a bill featuring five other acts: The Rhythm & Blues Quartet, The Vernons Girls, The Brook Brothers, Peter Jay & The Jaywalkers, and The Kestrels with MD Frank Berry.

The next day the Daily Mirror newspaper carried the headline: “Beatlemania! It’s happening everywhere.. even in sedate Cheltenham.

British Beatlemania Born

Richard Ruskin

According to Beatle expert Richard Ruskin’s Buskin with the Beatles Facebook page: 

This date [November 1] in 1963 saw the start of The Beatles’ fourth UK tour, with two shows at the Odeon Cinema in Cheltenham, Gloucestershire (‘Gloss-ter-sheer’).
Headlining a bill that also featured The Rhythm & Blues Quartet, The Vernons Girls, The Brook Brothers, Peter Jay & The Jaywalkers and The Kestrels, the Fab Four performed ‘I Saw Her Standing There’, ‘From Me to You’, ‘All My Loving’, ‘You Really Got a Hold on Me’, ‘Roll Over Beethoven’, ‘Boys’, ‘Till There Was You’, ‘She Loves You’, ‘Money (That’s What I Want)’ and ‘Twist and Shout’.
Contrary to popular assertion, the following morning’s ‘Daily Mirror’ did NOT coin the term ‘Beatlemania’, but certainly helped introduce it to the general public – describing how, after “the with-it bug” had “swept Sweden” earlier in the week, it had now “hit sedate Cheltenham, traditional home of retired brigadiers, colonels… and the Ladies’ College.”
Buskin also provided this link with the boys at Cheltenham:

 

And you can follow this link for a 2013 Daily Beast take on the roots of Beatlemania.

British Beatlemania Born