October 5 Music et al
see Wynonie Harris for more
October 5, 1948: Wynonie Harris's "Good Rockin' Tonight" hits #1 on the R&B chart. (see March 31, 1949)
“Love Me Do”/”P.S. I Love You”
October 5, 1962, The Beatles before their US appearance: released first single, "Love Me Do"/"P.S. I Love You", in the UK. (see Oct 27)
October 5, 1966: Otis Redding released Complete & Unbelievable: The Otis Redding Dictionary of Soul album, his fifth. From AllMusic: "Recorded and released in 1966, Otis Redding's fifth album, Complete and Unbelievable: The Otis Redding Dictionary of Soul found the rugged-voiced deep soul singer continuing to expand the boundaries of his style while staying true to his rough and passionate signature sound. Redding's ambitious interpretations of "Tennessee Waltz" and especially "Try a Little Tenderness" found him approaching material well outside the traditional boundaries of R&B and allowing his emotionally charged musical personality to take them to new and unexpected places, and while his cover of "Day Tripper" wasn't his first attempt to confront the British Invasion, his invigorating and idiosyncratic take on the Beatles' cynical pop tune proved Redding's view of the pop music universe was broader than anyone might have expected at the time.
October 5 Music et al
October 5, 1966: Jimi Hendrix, Mitch Mitchell and Noel Redding played together for the first time. (see Dec 26)
Waiting for the Sun
October 5 – 11, 1968: The Doors’ Waiting for the Sun returned to the Billboard #1 album position. From AllMusic: The Doors' 1967 albums had raised expectations so high that their third effort was greeted as a major disappointment. With a few exceptions, the material was much mellower, and while this yielded some fine melodic ballad rock in "Love Street," "Wintertime Love," "Summer's Almost Gone," and "Yes, the River Knows," there was no denying that the songwriting was not as impressive as it had been on the first two records. On the other hand, there were first-rate tunes such as the spooky "The Unknown Soldier," with antiwar lyrics as uncompromisingly forceful as anything the band did, and the compulsively riff-driven "Hello, I Love You...."